Hana Gitelman

Registry of the Evolved Database

File #1213914326|%y%m%d00%M%H%S

Name Hana Gitelman Aliases Wireless
K.Apila
Status Unregistered Evolved Ability Technopathy
Gender Female Race/Eth. Israeli
Birthdate June 19 Age 30
Height 5' 9" Build Athletic
Eyes Brown Hair Brown
Residence unknown
Employment none
Parents Zahava Gitelman
Joshua Gitelman
Siblings
Marital Status Single Children
First Seen Sept. 5, 2008 Last Seen
Profile Ex-Mossad. Ex-Company. Now Hana helps run the organization that tries to move Evolved humans to places of safety, while biding her time and waiting for a chance to take out the Company.
Hana Gitelman

portrayed by
Stana Katic

The dead are the worst taskmasters.

No matter how you struggle, no matter what you sacrifice, what you lose, what you pay — they give you no nod, however minimal, to show their approval.

No benediction.

No absolution.

Michelle West, The Uncrowned King, p. 230

Appendices

Timeline:



January 2009

01/05 Noah finally crosses an unforgivable line… Bennet, Hana, Helena, Teo
(2) …but Hana won't abandon Phoenix for it. Hana, Helena
01/06

Relationships:

Noah Bennet
Noah Bennet is a necessary evil. Hana doesn't trust him; she has no reason to. He betrayed her for the sake of the Company; then he betrayed his keepers in favor of his daughter. Then he betrayed her again, or so Hana sees it. Treacherous Bennet — she might just kill him on next sight.
Helena Dean
Helena reminds Hana just a bit of the girl she used to be, a very long time ago. Not that Hana's going to admit it, ever. She also has some decent potential as a leader, if she survives her own inexperience and naivete. Hana intends to do what she can to give Helena that chance.
Mallory Allistair
Mallory doesn't admit that they have any actual connection to one another — not any more than Hana herself does! — but that doesn't change the fact that she is Wireless' student and so one of the few people on whose behalf Hana would move heaven and earth.
Matt Parkman
Once, they shared a cause, or at least an enemy. Now Matthew Parkman works for the enemy, as Hana sees it. Ironically, he'd probably be tolerable otherwise. Even if she'll shoot him if he so much as squints at her — or maybe even steps close. Keep your gratitude at arm's reach, please. (Also: still watching those emails!)
Peter Petrelli
Peter and Hana used to have common goals. They even worked together, despite him keeping the company of erstwhile terrorists; said kids are now allied with Hana, so they clearly can't be all bad. But Peter… went off and associated himself with the Company. Pinehearst. Same difference. No matter what side of the line they fall on, Hana is by definition on the other one.
Teodoro Laudani
He asks a lot of questions, often ones Hana can't even predict will be forthcoming. Questions no one else would dare. That should be a worse thing than it is. But she's somehow landed herself the position of mentor to his student, and while it isn't easy to talk to him, there's something about Teo that makes it rather less like pulling teeth.

Memorable Quotes:

  • "Look after your kids, Petrelli. The minute they rejoin the ranks of terrorists, the deal's blown. And I will know." — A Request for Infiltration
  • "Petrelli. What part of 'call me' did you not understand?" — Shifting Focus
  • "You damned fool. Forget the dragon's den; you want to jump straight into its open mouth?" — Shifting Focus
  • "Don't give Angela Petrelli any more information than she already has." — This We Know...
  • You reached out your hand to me. Are you surprised that I would reach back?Somebody and Nobody

Noah: "Do you think one day you'll be able to throw with your feet?"
Hana: "Do you really want to find out?"
Noah: "As long as you're not throwing them at me."
Hana: "I might." Except it sounds more like I will. — Consultation


O wild angels of the open hills
Before all legends and before all tears;
O voyagers of where the evening falls
In the vast August of the years:
O halfseen passers of the lonely knolls,
Before all sorrow and before all truth
You were: and you were with me in my youth.

Angels of the shadowed ancient land
That lies yet unenvisioned, without myth,
Return, and silent-winged descend
On the winds that you have voyaged with,
An in the barren evening stand
On the hills of my childhood, in whose silences,
Savage, before all sorrow, your presence is.

"Wild Angels" — Ursula K. Le Guin


Gallery:

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