| Ugly Duckling - A Playlist Encompassing Book 1: Volume XII to Book 2: Volume II |
| Swan Lake Ballet Suit, Op. 20 |
Act II, No. 10, Scène. Moderato |
| The Fear |
And I'll take my clothes off, and it will be shameless
'Cause everyone knows that's how you get famous |
| Girls on Film |
See them walking hand in hand across the bridge at midnight
Heads turning as the light flashing out are so bright
And walk right out to the four line track
There's a camera rolling on her back (on her back)
And I sense a rhythm humming in a frenzy all the way down her spine |
The Most Beautiful Girl
(In the Room) |
You're so beautiful, you could be a part-time model |
| They Just Keep Moving the Line |
So talent and ambition won me a chance to shine
I aced the big audition, but it's raining on Cloud 9
Can't beat the competition, 'cause they just keep moving the line |
| Little Ghost |
Little ghost, little ghost, one I'm scared of the most
Can you scare me up a little bit of love?
I'm the only one who sees you, and I can't do much to please you
And it's not yet time to meet the Lord above |
The World Has Its Shine
(But I Would Drop It on a Dime) |
I'm not one for love songs
The way I'm living makes you feel like giving up, but you don't
And I want everything for you, but disappointment
Because you've been left behind, and this world has its shine
But I would drop it on a dime for you |
| I'll Stand By You |
When the night falls on you, you don't know what to do
Nothing you confess could make me love you less
I'll stand by you |
| Self-Fulfilling Prophecy |
Self-fulfilling prophecy, you're the only guaranteed loyalty in this town…
I swear to you, I'll never trust again |
| Ghosting |
And this is why I have decided to leave your house and home unhaunted
You don't need poltergeists for sidekicks |
| Little Mercy |
So no more talk about the backfires, this time we fire back
Light a match and light the past up before it catches up…
We're so hungry
We're so thirsty
I'm gonna hunt until it hurts me |
| Into the Spin |
So here we go back again
Slow climb, but quick to descend |
| Let Me Kiss You |
So, close your eyes, and think of someone you physically admire
And let me kiss you
Oh, let me kiss you…
But then you open your eyes and you see someone you physically despise
But my heart is open
My heart is open to you |
| Hang Forever |
I've got a noose on my finger, gonna hang together
Gonna hang forever |
| Fell In Love Without You |
Last night I fell in love without you
The coup-de-grace that set me off would've made for decent fiction
Every aching wound will cauterize and bruise in memory of what we used to call in love
And only time will tell if violins will swell in memory of what we used to call in love |
| Tonight You Belong to Me |
My honey, I know with the dawn that you will be gone |
| Swan Lake Ballet Suite, Op. 20 |
Act III, No. 24, Scène Allegro |
| Party's Over |
This night's enough to make me weak
And the company you keep, they don't seem to have a plan
Darlin' it is almost morning, this is our last warning
Let's get out while we can |
| Red |
You burn too bright
You live too fast
This can't go on too long
You're a tragedy starting to happen |
| Hard Times |
As they dig your ditches, count my stitches
Generation justice wishes for world at war
Final score, media come and abhor us…
And through these hard times, we'll work harder, harder
Give me hard times, I'll work harder, harder
For revolution
Time for some resolution
This battle will be won |
| Impossible Year |
There's no good times this impossible year
Just a beachfront of bad blood and a coast that's unclear…
There's no sunshine, there's no you and me
There's no good times this impossible year |
| Your Ex-Lover Is Dead |
God, that was strange to see you again, introduced by the friend of a friend
Smiled and said, "Yes, I think we've met before"
In that instant, it started to pour |
| We've Gotta Get Out of this Place |
We gotta get out of this place if it's the last thing we ever do |
| Joan of Arc |
Mais ce n'est pas moi, je ne suis pa Jeanne d'Arc
And if you shoot, you better hit your mark |
| For the Damaged |
Coda |
| Swan Lake Ballet Suite, Op. 20 |
Act I, No. 5, IV. Coda. Allegro molto vivace |
| Reflections Are Protection |
And now the search party's on its way
And the floodlight's on my face
All the shadows that I walk in
Are just my volatile second skin |
| Good Grief |
Laced drill bits to my pointe shoes, pirouette through the hardwood to paydirt.
Night falls, day breaks, time has a funny kind of violence.
And I'm trying to keep in mind it can't leave you the way it finds you. |
| Rental Love |
The rental of your love was all that you gave up
But I wanted it all, I wanted it all |
| Black Sheep |
Now that the truth is just a rule that you can bend
You crack the whip, shapeshift and trick the past again |
| Eclipse |
Re-Envisioned |
One More Night
(Your Ex-Lover Remains Dead) |
So good when it ends, they'll never be friends
One more night, that's all they can spend |
| Le Cygne |
The dying swan… |