Dearly beloved, we are gathered here today to get through this thing called
String TheoryHello, Theorists. Hudson here again, because - if you’re anything like me - you’re right back in Theory Hell. The following is a list of our new mysteries. I’ll update this as new shit comes along. Any questions? You can hit me up on the MUX on Hudson, or any of my PCs (Nicole, Odessa, Rue or Niki).
Let’s get back to business, shall we?
Need a refresher on how this all works? Click here!
Major Update January 28, 2018:
Individual theory pages have been created for the following sections:
Joy
Ruiz
LeRoux
Locations
Broadcasts Scanner
Broadcasts Radio
Broadcasts Ferrymen
Eyes of Sun and Moon
Comtitles Manhattan
Comtitles QueensUpdate: February 13, 2018:
Added Corona WhispersMajor Update: April 2, 2018:
Individual theory pages have been created for the following characters:
Eve
Odessa
Ray
Corona (changed previous page to Corona Whispers)
Citations added for Corona WhispersTo access these new pages to add your theories, append "theory:" the beginning of the page. (i.e. theory:ruiz, theory:locations, theory:broadcasts-radio, theory:comtitles-queens) Not sure if something's on this page, or has its own page? Click edit and scroll to the section you're looking for. You'll see right away if it's here, or if it has an [[include]] tag. If you need assistance, page or @mail Hudson, or ask around on the Spoilers channel.
Hudson: 34925E
Cardinal: DD3500
Elle: AFEEEE
Monica: 54CA48
Elisabeth: FF1493
Luther: 0099FF
Ygraine: CD853F
Quinn: 808080
Magnes: AD33FF
Delia: 0000FF
Eve: 00FFCC
Huruma: D38000
Color Codes + Names
Cardinal says, "Delia: chalk is a hard thing to explain. At its base it means 'being really into figuring out theories and conspiracies and what is going on'. The chalkier you get, the closer you are to wearing a tinfoil hat and declaring that there is no Pepe Silvia."
Table of Contents
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People
Joy
- Joy has appeared in the following scenes:
- Seems to have an ability that allows her to absorb abilities of other Evolved upon their death (Psychopomp)
- Sorry about you life, Peter.
- The fall of the Commonwealth Arkology must've been an all-you-can-eat buffet (Arkfall, Part V)
- They with Eyes of Sun and Moon seems to have an awful lot of abilities associated with them - coincidence?
- Fuck me, y'all. She's got the conduits. Both of them. That's the whole reason why her first log is titled what it is. Death and Life. Black Conduit, White Conduit. Her first appearance is two days after we believed the conduits to be destroyed, and she was in Mexico. Ojas Amargos keeps coming up. Holy. Fucking. Shit! (The Fear of Death/The Fear of Life, The End)
- The Fear of Death/The Fear of Life was set literally two days after the Conduits 'destroyed' themselves, and that log has fragments of Conduit memories from various other logs at its beginning. I think we can assume this is a home run theory here. Although I wonder if LeRoux has the White Conduit - it's notoriously slippery, LeRoux may be blood related to Francois, and 'Life Sense'…
- Joy is Freya…. Possibly part of the Vangard at somepoint… My reasoning is found here: Freya
- To quote: "As leader of the Valkyries, she had considerable power. She had the right to claim half the souls of the bravest warriors who died in battle. Actually going onto the battlefield, she would gather them up and take them back with her to spend the after-life in her home in perpetual rest and recreation."
- Joy gathers the abilities of Evo's when they die and carries them with her.
- If Joy is collecting a piece of them… What if it is not just the abilities, but some of their memories, too.
- 02/12/2018 - New thought with this in mind. What if everything we have been seeing is simply the voices of the dead. How many have died that have witnessed multiple futures???? Hell Brian does all the time. This might explain why we are seeing so many different timelines. Repeats of logs. With that way open… with people traveling here from flood future… It makes so much sense!
- Now that we know that Joy is Yaeko, I have one question: Is Adam elongating her life with his blood or what?
- I'd assume 'what': the odds are high that she'll have encountered someone with another life-prolonging ability (if nothing else, with 'full regeneration from horrific dismemberment' possible, a less dramatic 'I don't age significantly' power certainly should be within the range of Evolved options). From what I've seen, she seems more like an independent actor than someone perennially dependent upon another for her continued existence.
- That was mostly tongue-in-cheek, but I agree with you. Her position as Corona's favorite 'vessel' (or whatever. Connection) might draw her life out. She might have gotten exposed to a regenator's death. It might be a side effect of her own ability, some kind of fallout from her body having to adapt to every power she's come into contact with.
- I'd assume 'what': the odds are high that she'll have encountered someone with another life-prolonging ability (if nothing else, with 'full regeneration from horrific dismemberment' possible, a less dramatic 'I don't age significantly' power certainly should be within the range of Evolved options). From what I've seen, she seems more like an independent actor than someone perennially dependent upon another for her continued existence.
Mateo Javier Ruiz
- Ruiz has appeared in the following scenes:
- So far he has recognized Lynette and Odessa, referring to them rather familiarly as 'Nette and 'Dess
- He also recognizes Veronica Sawyer, referring to her by surname
- He did not recognize Tamara
- He recognized Bella, noted that she's "always a therapist," and used her surname without it having been offered
- Lynette died in his timeline (in his presence, it sounds like) and it was not a fun experience for him. Ruiz Bookend
- Um. This is also a thing. Después de que el relámpago
- Co-signed - I popped in here to say that I think this one is about Lynette
- Um. This is also a thing. Después de que el relámpago
- Possible flood future refugee? Many references to water and boats, etc. (Be the Overflow, The Razor)
- Ruiz states he doesn't "think anyone's ever been further" from home than he is, suggesting he may not be from this timeline (Interesting People)
- He also implies that wherever he came from, he didn't mean to leave (Dess)
- Wherever he was from, Ruiz and Odessa were lovers (Dess)
- When she finds him in the Ark, newly restored, he initially mistakes her for his Dess, suggesting his timeline is either divergent from after this point, or in some possible parallel where Odessa's bloody confrontation with Eileen never happened
- His Dess may be dead, he says he didn't mean to leave her behind, but maybe he had to leave her somewhere to die (Oscar Isaacs sang a song once and it had pretty lyrics and I haven't slept in 36 hours)
- It's possible that Dess doesn't have Odessa's ability, because he seemed to recognize he wasn't looking at Dess anymore when he realized she had stopped time on him (Dess)
- Or maybe she's just shooting up with Adynomine (The Ordinary World)
- He apparently knows and hates Veronica Sawyer (The Razor)
- Ruiz has a collection of books in his suite (The Razor)
- By Grand Central Station I Sat Down and Wept by Elizabeth Smart
- The Illustrated Man by Ray Bradbury
- The Man in the High Castle by Philip K Dick
- The Stars My Destination by Alfred Bester
- This one was given to him by Tamara, and it was used to conceal the weapon he used to attack Veronica (Interesting People, The Razor)
- Ficciones by Jorge Luis Borges
- This is now in the possession of Odessa
- But has he read Mean Heat though?
- According to his dossier, Ruiz has the ability to create connected portals (Known by Odessa, known by Veronica Sawyer and confirmed in The Razor)
- According to what Odessa has read, tests of his ability by the Institute have Not Gone Well
- Should we be calling him Chell or…
- What is the garden?
- In the delirium, Ruiz speaks to Odessa in Spanish, which she barely understands, save for one word: Jardín (Dess)
- Could be referring to The Garden of Forking Paths, a short story contained within Ficciones
- In the story, the each path in the garden represents different choices made, each path running parallel, suggesting that all possibilities happen simultaneously in different space, rather than time
- So, Liz found a really great article about black holes and I theorize that this is how Ruiz managed to travel from his timeline into ours
- In the drabble "607", Ruiz laments that he was unable to save someone 607 days ago
- This could be referring to Lynette, who he definitely saved in the Ark
- It could also be referring to Dess, as he did die knowing she escaped the Ark
- Incidentally, 607 days before November 8, 2011, Odessa Knutson was being "recruited" to return to the Company as an agent (What)
- This is almost certainly a coincidence that I'm not reading too much into; after all, we have no idea if Ruiz stepped properly sideways (i.e. May 3 in Flood Timeline to May 3 in our canon timeline)
- Incidentally, 607 days before November 8, 2011, Odessa Knutson was being "recruited" to return to the Company as an agent (What)
Nathalie LeRoux
- Nathalie LeRoux has appeared in the following scenes:
- She is listed as having Life Sense for an ability (Whatever Happened, Happened)
- Hey. Hey, guys. Guys. Guess what. Guess whose maiden name was LeRoux
- Do you know who else's ability causes people's skin to prickle on contact? Y'all remember that, right?
- In Quietus II, she seems to be feeling Eileen's passing. At least, I think?? It 'hurts' her.
- Soooo there is a mention of a 'Michelle' LeRoux in Pythagorean. Mother? Grandmother? Aunt? IDK BUT IT IS A LeROUX.
Richard (Cardinal) Ray
- Who the hell even are you, Cardiray?
David Cardinal (Father):
- After hearing an enigmatic message (puᴉW ǝɥʇ ɟo sǝssǝɔǝɹ ʞɹɐp ǝɥʇ uI) and getting a lead (Information Can Be Difficult), Kaylee became convinced that David Cardinal was alive.
- She was proven correct when she tracked him down (A Shadow of a Shadow) - although he insisted that he didn't have a child, and his wife wasn't pregnant when she died.
- David is very angry at Edward Ray… because Bright!Edward kidnapped him and had Tyler steal his ability. Ironically enough, for his son. (Moving Mountains)
Michelle Ray (Mother):
- According to the Project Icarus site, Michelle LeRoux died on June 18, 1982 - the day Richard Cardinal was born.
- Tragic coincidence, Rianna Price died the day her daughter was born. Theoretically. Who the hell knows anymore? I sure don't. Michelle's middle name is Rianna, which may just be a red herring, rather than a connection.
Odessa (Knutson) Price
- Believes she has been in possession of her ability of Temporal Manipulation since she was roughly fifteen years old. (Thoughts of a Dying Atheist, Part I)
- This may not necessarily be true. (Eyes of Sun and Moon II, puᴉW ǝɥʇ ɟo sǝssǝɔǝɹ ʞɹɐp ǝɥʇ uI)
- To be fair, we saw her using lots of abilities in that, but not Temporal Manipulation! >.>
- In the Bright timeline, Odessa was born in 2009 and given the name Kara by her mother, Kara Price. According to her mother, baby Kara was stolen away by Hiro Nakamura and hidden in the past. (Starlight, Midnight, Goodnight)
- We have since been told by Hiro that this was a lie; Hiro never kidnapped Kara or Odessa, who were born on the same day, their memories altered by Arthur for some unknown reason— he claims it's 'too dire' to reveal. (For The Things I've Done)
- In the Prime timeline, Odessa is believed to have been born on April 8, 1984 to Rianna Price, who died in the hospital shortly after Odessa was born. Kara and Rianna are identical, but Rianna was several years older than Kara. (Starlight, Midnight, Goodnight)
- Appears to have been initially - or at one time - raised as the younger sister of Mateo Ruiz. The two were separated because apparently Something Happens when they're together. (Eyes of Sun and Moon II)
- The sibling relationship has been confirmed in the Virus timeline as well as the Flood.
- Their abilities seem to interact in an… interesting manner. Time and Space? One can theorize the keys to all creation (or to the prison of Sun and Moon?) - perhaps the reason they were separated?
- Rianna Price's brother was Eric Mas - Eve's father. Her maternal grandmother's maiden name was Beaumont, as was Jean-Martin Luis's wife, making Luis the grand-uncle of Odessa. (A Tree In The Woods)
Corona
- Corona has appeared in the following scenes:
- I think Corona gives non-Evolved people Evolved abilities. A catalyst?? But from the log, I'm going to say more like the original Evolved. Or something… more than that. (Bookends: ????, Eyes of Sun and Moon)
- So, what if Corona is "they" not wholly to denote a gender neutrality, but because Corona shares a consciousness with whichever body's inhabited? Like less erasure/merging of identities and more… blending/harmony? IDK, that just kind of hit me and I thought I'd note it.
- Corona may currently be Kimiko Nakamura. (Hunch)
- Theory co-signed.
- Hudson's alternative theory: Corona is currently Kam Nisatta. (Hunch, To Best Serve)
- Reasoning: She has ALL THE KENSEI SHIT. Just look at the Fellowship. LOOK AT IT.
- I still theorize that this is a dual entity; the 'moon' and the 'sun', feminine and masculine.
Chess Lang + Sestras = Chestras
- We have entered Orphan Black territory and I am here for it, it is also one of my favorite shows ever (Helena fo lyfeeee so!) Let's get down to business.
- In To Best Serve, Kam is giving Kay info on three parallel generations of genetic identicals from some eugenics program now being ran by Praxis which is an Yamagato competitor. If Chess is of a different generation then Vi and Alix then we have one more face that hasn't been revealed yet. So Chess! Has some identicals running around out there, in theory.
- In the same scene, the sisters abilities are listed and together these sound like all the abilities you need to basically take over the world. Clairvoyance, Kinetic Absorption, Teleportation, Clairaudience, Molecular Deconstruction, Friction Manipulation, Flight, Telekinesis, and Pyrokinesis. There are nine abilities listed (this is of only ONE of the Pods) and three parallel generations. There is also a Ivy icon already in place for the third sister to Alix, Vi Pod. The third Pod might consist of male siblings but I'm of the thought that it's all sisters. CUZ THE FUTURE IS FEMALE.
- I believe that Vi is obviously the Kinetic Absorper (Human Drama). Alix in my opinion is either the Clairvoyant or Clairaudience one seeing as in that scene she didn't seem to have an offensive ability to protect herself. I have no idea what Ivy would have ability wise, not yet anyway. I originally was going to say that sisters of the same Pod would have complimentary abilities but that isn't the case since Chess and Vi are clearly of different Pods and have similar abilities.
- Three different mothers? Or original egg donors then? With Chess' father as the main sperm donor?
- Are they property? Do they have rights if they are a genetic experiment?
- It appears that they are property and that they kinda do not (Sisters Of Sorts). Or at least the Jīn Jièzhǐ corporation doesn't think they do.
Rianna Price (Prime)
- Okay, y'all. Hear me out. What if Kara Price Prime is the one that was time displaced in our timeline, instead of Odessa? She gets sent back to the 80s and, needing a cover identity, did what Bright Kara did and took the possibility of someone else's existence. In this case, Rianna Price (née Cardinal?), rather than Sera Lang. It's possible Sera is having some connection to her other selves as well (34 Candles), explaining her tears while we saw flashbacks of Rianna. Additionally, Des doesn't seem to be as prone to be caught in the effects of Kara's ability, which may explain why Rianna Price's picture doesn't look like Kara to her. DISCUSS.
- I sort of wonder if any of the Seras and Karas are truly from anywhere. Or there was one, but her ability has edited her into other realities? IDK. We know some abilities can sort of have a mind of their own and/or exist separate from their original bearer, and if hers is to sort of 'edit' reality, well. WHAT ARE THE RULES EVEN??? She could be from some far lung future putting herself into the past just to see what it was like! (I am in tinfoil territory, forgive me)
- According to Hiro, Kara is not Rianna Price, and is not Odessa's mother, and they were born on the same day - but the two of them have had their memories altered by Arthur Petrelli, for some reason… that was too dire to speak of. For The Things I'll Do
Eileen Ruskin
- According to the woman herself, she's an approximation of Eileen, like she's a copy, and an imperfect one. (A Funny Thing)
- Her memories are spotty. She doesn't remember Barbara, or that Odessa attacked her, but she recalls the beginning of Pollepel.
- This Eileen has blue eyes. Eileen Prime had green eyes.
- When asked what name she knows Odessa by, Eileen was evasive. (A Funny Thing)
Mrs Who
- This string of binary reads mrs who: 01101101011100100111001100100000011101110110100001101111
- Referenced in And Yet as well as Kill the Messenger
- Claudia Zimmerman refers to the caller as "Director" (And Yet)
- Rhys Blüthner is in contact (Kill the Messenger)
- Since Rhys is working with Alice Shaw and she is part of the Deveaux Group, this may be her
Francis Allen
- Thought to be Francois Allegre, he was in Ojas Amargos, Mexico, but we have no date for that information. Whatever 'was found' there led Adrienne Allen to believe that he was dead. What was he doing there? When was here there?
- I found an review of a study in the Journal of Ethnopharmacology — review is published in 2017, HOWEVER the research WITHIN the studies that were being reviewed were from 1995 until 2014. The studies in question all looked at the in vitro antibacterial activities of medicinal plants used in traditional Mexican medicine. Francois's medical knowledge and herbal medicine knowledge I knew in both of my alts (Meg and Liz). Is it possible he came across a plant here for doing something ELSE in vitro? Or maybe tried to destroy whatever they were working on for drugs there (because the email indicates that there was destruction enough that Francis was believed dead). Article link: here
- The Institute has been conducting in vitro experiments in the past: Anger To Conviction
Juliette Luis
- First mentioned, although unnamed at the time, in A Very Difficult To Unwrap Present, in Bright-Future Edward's photographs as a pregnant woman clearly involved with Ray.
-
- Next mentioned in A Tangled Web and here identified as Juliette Luis, Jean Martin Luis's daughter. She died of the Shanti Virus in the prime timeline, which means she had to be Evolved.
- Hypothesis: Since Carolina wasn't in the photo album, Warren was never born in Bright.
- Someone else was. Who? Where are they? Where is Juliette?
-
- Juliette Luis was one of Rianna's hosts (This Must Be The Place).
-
- My current theory is that in Flood, Rianna remained in Juliette, and had a child with Edward Ray — Des. This explains the differences between Des and all other Odessa alternates.
-
They With Eyes of Sun or Moon
Sun
Moon
- Huruma - natural iris color; full white when augmented
- Eve
- Monica
- Phoenix
- Black Conduit users
- Griffin
- Owain
- Colette
- Eileen
- Logan
- Issac Mendez
- Gillian - when glowing white
- Nicole - when charged
- Lynette - when full throttle
Other Notes
- Perhaps the people with "sun" or "moon" eyes are just desendants of people who were changed and altered by the Entity's gift to change and reshape DNA. It could be a generic marker of sorts. Richard also has a note on this theory.
- Lucille's whisper: We're not so different, you and I. Feels like a clue but it could obviously point to the fact that Lucille is SLC-Expressive.
- Corona's ability is Genetic Manipulation… what does Lucille do again? What perhaps is her full potential?
- She can manipulate the body/biology and it's functions, her full potential… well that would be pretty scary but it's under that blanket I suppose yes. …If Logan can negate abilities and the both of them can manipulate adrenaline which is said to be apart of our abilities right? ..scary thoughts that don't make sense I am having.
- Since genetic expression/material(DNA) is not a biological 'function' of the body, I don't know if it is exactly the same.
Places
Ojas Amargos, Mexico
- 853M234X+55 (from a Manhattan Comtitle)
- Ferry safehouse, where apparently Ruiz and Joy lived? The Fear of Emptiness/The Fear of Excess
Mystery Lake, Manitoba, Canada
- 9674Q4FQ+2C (from a Manhattan Comtitle)
Dachau, Germany
- 8FWH7FF8+GQ (from a Manhattan Comtitle)
- Perhaps one of the broadcasts on the radio took place here?
Eureka, Nevada
- 85G53F6X+8P (from a Manhattan Comtitle)
The Commwealth Institute
- San Francisco, California
Whispers
Corona
Messages from Corona
So this bitch is speaking to us. Please add what you've had sent to you below. I added relevant conversation to mine for a clue of where it was in backscroll and also to illustrate HOLY SHIT NO ONE ELSE SEES THAT?
So, it started with this, which I think everyone saw:
Spoilers> {screech} Uluru says, "ODESSA"
Spoilers> {screech} Uluru says, "WHAT HAVE YOU DONE"
Odessa:
Spoilers> Eyes of Sun and Moon says, "Only you can hear me, child."
Spoilers> Girl's Not Gray. Odessa says, "……."
Spoilers> You Can't Trust Robyn says, "Look"
Spoilers> You Can't Trust Robyn says, "Odessa"
Spoilers> Girl's Not Gray. Odessa says, "NOBODY ELSE SEES THAT?!"
Spoilers> You Can't Trust Robyn says, "I don't need to hear about your screeching"
Spoilers> Eyes of Sun and Moon says, "Let me in."
Spoilers> Girl's Not Gray. Odessa says, "……"
Spoilers> Girl's Not Gray. Odessa says, "NOBODY?!"
Spoilers> Girl's Not Gray. Odessa says, "Fuck."
Spoilers> Girl's Not Gray. Odessa says, "Oh fuck."
Spoilers> Eyes of Sun and Moon says, "Let. Me. In."
Spoilers> Girl's Not Gray. Odessa says, "No no no no no."
- IC apperance: puᴉW ǝɥʇ ɟo sǝssǝɔǝɹ ʞɹɐp ǝɥʇ uI
Eve:
Spoilers> Eyes of Sun and Moon says, "You can see me, Eve. If you look hard enough."
- IC Appearance: Gold Dust Woman
Lucille:
Spoilers> Eyes of Sun and Moon says, "We are not so different, you and I."
Tibby:
Spoilers> Eyes of Sun and Moon says, "Sink your teeth into their weak flesh and suck their pathetic marrow from their bones."
Robyn:
Spoilers> Eyes of Sun and Moon says, "Do not trust Odessa. She is the broken mirror."
- I do not know Odessa. Perhaps someday soon, I will.
Spoilers> Eyes of Sun and Moon says, "Let yourself go, only when you step fully into the darkness will you be able to see the contrast of the light."
- …
Barbara:
Spoilers> Eyes of Sun and Moon says, "I can see, Eye to Eye."
- *cries* NO ONE EVEN UNDERSTANDS.
Ryans:
Spoilers> Eyes of Sun and Moon says, "You are not worthy. But I could make you."
- Part of me wants to say… YES! DO IT! MAKE ME WORTHY! Then the other part of me is scared… It could be awesome tho…
Kaylee:
Spoilers> Eyes of Sun and Moon says, "You have never fought for yourself. Only for the needs of other. Find your own desires. Find your true self."
- But…. how! *Kaylee whimpers*
- IC appearance: puᴉW ǝɥʇ ɟo sǝssǝɔǝɹ ʞɹɐp ǝɥʇ uI
Jonathan:
Spoilers> Eyes of Sun and Moon says, "No guns, no bombs, no artifice of man can stand against you. Therefore, you deserve to stand atop them. You are a King, act like one."
- I am no King! Meerly a man who wishes only peace!
Cooper:
Spoilers> Eyes of Sun and Moon says, "What good are you? Miserable pile of meat and bones."
- Yeah well… NO DONUTS FOR YOU!"
Edgar:
Spoilers> Eyes of Sun and Moon says, "Edgar, no matter how fast and far you run you will never escape your guilt."
Chess:
Spoilers> Eyes of Sun and Moon says, "You can't save him, no matter how hard you try. But perhaps you could save yourself."
Silvia:
Spoilers> Eyes of Sun and Moon says, "You could be so much more. So many things. And yet this… this is what you choose?"
Elaine:
Spoilers> Eyes of Sun and Moon says, "What is language, if not the act by which thought is made into action. You are the Tower of Babel amid a desert of the ignorant. You are the keystone in a greater construction."
Richard:
Spoilers> Eyes of Sun and Moon says, "You could have been everything. Now you are reduced to nothing."
- I've been reading books of old / The legends and the myths / The testaments they told / The moon and its eclipse / And Superman unrolls / A suit before he lifts / But I'm not the kind of person that it fits.
Niki:
Spoilers> Eyes of Sun and Moon says, "I can see, Eye to Eye."
- I wasn't even on the channel!!
- I'm sorry. I'm so, so sorry.
Luther:
Spoilers> Eyes of Sun and Moon says, "Yours is a chariot that can carry the sun on its back. All the heavens bow to you, if only you would raise your head high enough for them to see."
Savannah:
Spoilers> Eyes of Sun and Moon says, "How could you hope to tell a story, with such a limited perspective?"
Corbin
Spoilers> Eyes of Sun and Moon says, "You are nothing, and yet you are a vessel for something greater. I could make you worthy of her."
Mateo
Spoilers> Eyes of Sun and Moon says, "Let. Me. Out."
- IC Appearance: Let. Me. Out.
Gillian
Spoilers> Eyes of Sun and Moon says, "You, with the greatest gift, are a Queen."
Valerie
Spoilers> Eyes of Sun and Moon says, "Do not waver, but do not become one of his pawns either. Forge your own path, you are greater than he is."
Adel
Spoilers> Eyes of Sun and Moon says, "How could you let yourself be so debased?"
Lance
Spoilers> Eyes of Sun and Moon says, "They cannot defeat, what they cannot find."
Nadira
Spoilers> Eyes of Sun and Moon says, "Drown them. Drown them all."
Remi
Spoilers> Eyes of Sun and Moon says, "Money can only give you so much happiness. You crave more. Take what is yours."
- Remi has lots of happiness though!
Liza
Spoilers> Eyes of Sun and Moon says, "You should have been the one who died, not him."
Doyle
Spoilers> Joy says, "It's ok. You're home."
- Break my flippin' heart why don't you?
Keira
Spoilers> Eyes of Sun and Moon says, "Do you enjoy the taste of irony, your blood-traitor?"
- Why yes, yes she does.
Tasha ;.;
Spoilers> Eyes of Sun and Moon says, "How can you expect to be worthy of your father's love, let alone her love, if you are so weak?"
Peyton 0.0
Spoilers> Eyes of Sun and Moon says, "We are not all that different, you and I."
Nick ;.;
Spoilers> Eyes of Sun and Moon says, "You were not worthy to be her blood."
Veronica
Spoilers> Eyes of Sun and Moon says, SCREECH"
- Men love pterodactyls~
- My guess is Veronica can't hear anything because her ability reflects the attempt.
Owain
Spoilers> Eyes of Sun and Moon says, "Your father betrayed his own kind. Do not make his mistake."
- But…dad was a hero.
Tania:
Spoilers> Eyes of Sun and Moon says, "He wastes his time caring for you."
- I'm not going to lie, that one hurt a little bit.
Bowie:
Spoilers> Eyes of Sun and Moon says, "Worthless. But others have knelt before. Will you kneel to your betters?"
Berlin:
Spoilers> Eyes of Sun and Moon says, "How?"
Monica:
Spoilers> Eyes of Sun and Moon says, "They think they can restrain you, but you are limitless in their eyes. Why do you kneel?"
- Don't give Monica an ego, Corona, come on.
Lynette:
Spoilers> Eyes of Sun and Moon says, "Killing satisfies a dark part of you. Don't deny what you are."
- Both this voice and the one below seem to think Lynette is like, good at murdering. Which, you know, is not inaccurate, BUT COME ON, VOICES!! YOU ARE BRINGING ME DOWN!
- IC Appearance: Let. Me. Out.
Jaiden:
Spoilers> Eyes of Sun and Moon says, "What is water, without the deep. What is the deep, without crushing darkness. Delve, discover, become."
- I guessed that this was a call for Jaiden to embrace his darker instincts. Specifically I said " Trying to get Jaiden to turn more to his darker natures - the ones he keeps pushed down in the depths." Manny said I hit the nail on the head. ~
Delia:
Spoilers> Eyes of Sun and Moon says, "You are unbidden, but believe yourself restrained by the physical. You are so much more than meat."
Whispers from the Static (Stella)
I don't think these are from Corona, but I think it is tied to them.
- I agree. It seems to be a completely different personality to Corona. Maybe another aspect of them? Depending on how the eyes of sun and moon actually work. But this one seems to have better intentions? Or, at least, sounds nicer. (well. sometimes.)
Odessa:
Static> Someone whispers, "The thing you're most afraid of is real."
- IC appearance: puᴉW ǝɥʇ ɟo sǝssǝɔǝɹ ʞɹɐp ǝɥʇ uI
From afar, Kara thinks of you.
- Moooooom! ;_; (Starlight, Midnight, Goodnight)
Eimi:
Static> Someone whispers, "Why do you close your eyes when you slip into the darkness."
- Per Eimi-player: "Enter the darkness" could reference when she teleports/jumps with her ability. Since she doesn't teleport instantaneously. Which means that for a moment, whatever, she's somewhere else. The darkness, if I were to guess.
Ygraine:
Static> Someone whispers, "When the door is shut, you could be the key."
- A 'simple' option is that Ygraine could theoretically pick a lock by manipulating the orientation of individual lock-tumblers in succession. But that seems improbable as something for inter-dimensional whispering to point out…
- Much more likely is that this relates to gravity interacting with time-space. There's been some previous speculation on this, but (barring a string of very specific options being true for both gravity and the workings of Ygraine's ability) she can't do a Varlane and rip open a black hole even if such a thing permits jumping between times/dimensions/whatever. As hinted at in the Static comment, she very probably can't create a door herself. But her ability works based on her own perceptions and proximity: find some way to give her perception of a 'portal' (time-window, Mallet Device effect, or whatever else) and it might be possible for her to 'bridge' the gap - link something on one side to the other. As written, her ability redirects all gravity flowing through an object: if there's a door to another time-stream, it might thus be possible for her to use the other side's own gravity to make something cross over (or our side's gravity to propel something from here to there). It 'just' requires a door to already exist, to be perceptible to her, and (again) particular things to be true about her ability and about space/time/gravity. Simple all round.
Tibby:
Static> Someone whispers, "Do not enter the Dark Below."
Lucille:
Static> Someone whispers, "Bring her the dead."
Elaine:
Static> Someone whispers, "Listen to the sounds."
Robyn:
Static> Someone whispers, "When he offers you tea, you will already be dead."
Tahir:
Static> Someone whispers, "To give a name to something is to make it real."
- Someone was paying attention when I enthused at you about the power of Naming in fantasy literature and mythology…. ;)
Barbara:
Static> Someone whispers, "She can see you."
Static> Someone whispers, "He can see you."
Static> Someone whispers, "They can see you."
Static> Someone whispers, "All can see you."
Niki:
Static> Someone whispers, "You can see her."
Static> Someone whispers, "You can see him."
Static> Someone whispers, "You can see them."
Static> Someone whispers, "In the mirror."
Ryans:
Static> Someone whispers, "You can't save them all. But you will try."
Silvia:
Static> Someone whispers, "Do not follow him."
Kay:
Static> Someone whispers, "You made the right choice. Do it again."
Kaylee:
Static> Someone whispers, "David Cardinal is alive."
- WHAT THE FUCK EDWARD
- SERIOUSLY VAL I KNOW YOU LOVE HIM BUT I'M STRANGLING THE SONUVABITCH
- Sure enough! I found him! Now what do you want me to do?!? Gimme another mission, O' mysterious voice.
- IC appearance: puᴉW ǝɥʇ ɟo sǝssǝɔǝɹ ʞɹɐp ǝɥʇ uI
Eve:
Static> Someone whispers, "Seek out the fairy. Drink her blood."
- Girl, get you some Refrain. Drink that blue fairy's blood.
- I would say you could have Lynette's pocket Refrain, but I'm not sure on the shelf life.
- Well, that sure was a thing. (The Broken Path)
Lynette:
Static> Someone whispers, "When you have your chance. Kill him."
- You know, IDK who these voices are, but they are freaking me out on Lynette's behalf.
- IC Appearance: Let. Me. Out.
Monica:
Static> Someone whispers, "Run. They will come for you next."
- IC Appearance: A Celebration of History - Gallery
Berlin:
Static> Someone whispers, "Take what is yours."
Tania:
Static> Someone whispers, "He is weak. He will be tempted, and without you he will falter."
- ;-; Sashaaaaa
Valerie:
Got Static> Someone whispers, "Be ready. They will need you."
Rue:
Static> Someone whispers, "You can save their life, but it will cost your own."
- Oh no! Not Rue. :(
Mateo:
Static> Someone whispers, "I can't make your choice for you. I'm sorry."
- IC Appearance: Let. Me. Out.
Nicole:
Static> Someone whispers, "She is in great danger. They are watching her."
- Stay the hell away from my sister!!!
Delia:
Static> Someone whispers, "You are as strong as he is, and as noble. You will know what to do when the time comes."
Jonathan:
Static> Someone whispers, "She is brittle glass and she needs your strength."
- So this whisper finally happened for Jonathan while at the gala. It came with some sensory information that I think it going to be very important. One of those, he'll suddenly understand when those elements come together. I can't wait till that happens. So exciting to think about. Here is the whole thing:
- She is as brittle as glass, is a strange whisper echoing in the back of Jonathan’s mind. A voice not his own that insinuates itself like an intrusive thought, “and she needs your strength.” It comes with the sensory hallucination of wet concrete, dry leaves, damp soil, and the shadow of a bird flying in his peripheral vision.
- There is someone who likes the smell of wet concrete. Petrichor. Eyeing this bird shadow. EYEING IT.
- She is as brittle as glass, is a strange whisper echoing in the back of Jonathan’s mind. A voice not his own that insinuates itself like an intrusive thought, “and she needs your strength.” It comes with the sensory hallucination of wet concrete, dry leaves, damp soil, and the shadow of a bird flying in his peripheral vision.
Niles:
Static> Someone whispers, "Redemption isn't about making amends for the past, it's about making promises for the future."
Graeme:
Static> Someone whispers, "There is balance in harmony."
Gillian:
Static> Someone whispers, "Open the box."
Hailey:
Static> Someone whispers, "Gather your family. You are stronger together."
Edgar:
Static> Someone whispers, "At the red sky, run toward the gunfire."
Jaiden:
Static> Someone whispers, "Don't be afraid. it'll work out."
Corbin:
Static> Someone whispers, "There are seven."
Chess:
Static> Someone whispers, "His apple offered, is rotten to the core."
- Apple Core, Nevermore!
- In other words, DON'T TRUST WHAT ADAM IS OFFERING! In the vision that Kaylee is given by Joseph, it shows Adam holding up an apple. Don't listen to him!
Claire:
Static> Someone whispers, "When you are most in doubt, trust in me. You can endure it."
Bowie:
Static> Someone whispers, "She likes the smell of pavement after the rain."
- I dunno who she is, but I have a crush on her already.
- O-oh. Petrichor
Adel:
Static> Someone whispers, "Find the mirror, but do not accept what she has to offer lightly."
- I am sorry in advance.
Dirk:
Static> Someone whispers, "They laugh, but you will prove yourself. Then, they will mourn."
Tuck:
Static> Someone whispers, "You truly can save them all."
Noa:
Noa pages: Static> Someone whispers, "When the sun is high, they can hear you."
- The signals on AM stations are always stronger during the day…
- …no. Solar flares and heavy solar activity. The broadcasts—
Nadira:
Static> Someone whispers, "It will be hard to hear, but it will be the truth."
Cooper:
Cooper: Static> Someone whispers, "When you ask him about the fire, he's lying to you."
Savannah:
Static> Someone whispers, "The book is entitled, The Wolves of Valhalla: The Rise and Fall of Kazimir Volken's Vanguard. It is in her bag."
Nick:
Static> Someone whispers, "She will love you, and she will betray you."
- Cold, Delia. Real cold.
Veronica:
Static> Someone whispers, "You may be the only one who is immune to it."
- Thus the Other Voice freaking out at her. Save us, Ronnie!!
- The Institute has David Cardinal who has an ability that can be used in a machine that tracks evolved and potentially influence it… She might be the only one they can't see with it. You'd think telepaths would be too, but Vee is probably the only one.
Peyton:
Static> Someone whispers, "When the sun is high, you can see them."
- Solar flares. Heavy solar activity. Could Peyton 'see' between ti— oh. Oh god. Liz.
Tasha:
Static> Someone whispers, "You made the right choice."
Devon:
Static> Someone whispers, "The birds are watching."
- But are the owls what they seem?
Raith:
Static> Someone whispers, "The doctor's intentions are not pure, and yet she knows."
Static> Someone whispers, "Hati is alive."
- Who is Hati, Vithar?
- Solved that mystery… The Wolf and The Lightning, The Circular Ruins
Lashirah:
Static> Someone whispers, "When you find the body, take his eyes."
- Lashirah: "You are going to need to be a bit more specific…"
Tamara:
Static> Someone whispers, "There is nothing I can say, that you haven't already known."
Curtis:
Static> Someone whispers, "Help her embrace the future, or you'll be doomed to repeat the past."
- I can't help, but think this is linked to Claire's whisper…. Cause his Claire died. So there is a chance whatever she is suppose to endure, he's suppose to help her embrace whatever the future brings with it.
Vincent:
Static> Someone whispers, "You're the only one they'll trust. You bled with them."
New Whispers
Odessa:
Open the way
complete
the circle
open
the door
let me in
Chess:
Blood of my blood. Flesh of my flesh.
the apple, sweetest, from the garden
eat
be
Monica:
I can give you back what you've lost.
h o r s e m a n
take
your
place
and cleanse
with the fires
of war
Robyn:
Feel the touch of the sun.
kill
the boy
kill
the seer
kill
it all
Huruma:
Queens deserve to rule.
Luther:
Kill him.
Kill the red bird
Kill
Kill
Kill
Magnes:
You're almost there. Keep going.
Eve:
Herald Speak
- Said to Eve in the Witness
Jim:
Remember the story of sun and moon.
Richard:
only pain awaits you
pretender
Channel Broadcasts
NBD, just some torture. I mean, some hints. No, I mean torture.
Scanner
- SCANNER: Manhattan says, "{-a mer — on vo- t -nser le lon- des -lfes cl- ir }"
- La mer, qu'on voit danser le long des golfes clair
- See The News for more info
- SCANNER: Manhattan says, "{static}"
- SCANNER: Manhattan says, "{-his — s- tion —lph- b- -dca- -ing f- om Fi- h- s -oint }"
- Liz got: this is station alpha broadcasting from (Fisher's) Point
- Fisher's is a guess! But maybe a right one?? Google says Fisher Point is near Flagstaff, AZ
- There is also a Fisher's Point in Quebec east of Montreal, and previous coordinates of Manny Comtitles pointed to Mystery Lake in Manitoba, so the Canadian connection not entirely unheard of. Could be a Ferry waystation (Station Alpha might be the first one past the US Border?) — Definitely a less likely scenario, but must be considered. Also should consider if "Fi — " in the broadcast was short-i or long-i, which is obviously unclear in text.
- Liz got: this is station alpha broadcasting from (Fisher's) Point
- SCANNER: Manhattan says, "{static}"
- SCANNER: Manhattan says, "{-nkno- n b- -dcast- -r d- you c- -y? ov- -r }"
- Unknown broadcaster do you copy? Over
- SCANNER: Manhattan says, "{ -e rep- -t; -nkno- n b- -dcast- -r d- you c- -y? ov- -r }"
- I think Ash got: We repeat unknown broadcaster do you copy? Over
- SCANNER: Manhattan says, "{static}"
- SCANNER: Manhattan says, "{Ok I've cleaned up the channel. But I'm not picking up anything. I thrill they stopped broadcasting. There hasn't been anything for over a month. I'm going to shut down and do a debug of Looking Glass.}"
- SCANNER: Manhattan says, "{Hey, by the way is there a spot left on the subm— }"
Radio
RADIO: Manhattan says, "{fzzskt — the wake of the recent attacks, SESA will act as a humanitarian representative working in coordination with the UN observers to ta— fzzzskt}"
RADIO: Manhattan says, "fzzskt — irman and CEO Ishi Nakamura will visit New York for the groundbreaking ceremony of Yamagato P — fzzzskt"
RADIO: Manhattan says, "{fzzskt — ndicates that each resettlement agreement will come with a $10,000 USD grant to promote the revitalization of t — fzzzskt }"
RADIO: Manhattan says, "{fzzskt — uggest that the alleged side-effects of Negoxan were well known by the USDA when the drug went on the market in 2010, leaving questions as t — fzzzskt }"
- Excuse you? That's an FDA problem, not a USDA problem. Hmph!
RADIO: Manhattan says, "{fzzskt — in its third week now. With eighteen more trials left to go, Robert Caliban will take the stand as prosecution counsel attempts to d — fzzzskt }"
RADIO: Manhattan says, "{fzzskt — with nine more discovered dead today. This marks the first violence in nine months since the signing of the Chesterfield Act and the genesis of the S — fzzzskt }"
RADIO: Manhattan says, "{fzzskt — ed today, with the tribunal finding Gregory Armond guilty. The war crimes tribunal will begin the sentencing proc — fzzzskt }"
RADIO: Manhattan says, "{fzzskt — nt Praeger spoke to the nation today asking for unity. "We must find the way back to normalcy" he asked before a crowd of ten th — fzzzskt }"
- President Praeger, eh?
- Wasn't Praeger one of the Humanis Firsters? I gotta be mis-remembering that.
- Praeger was the Secretary of the DoEA. Several members of it absolutely WERE HF, but not Praeger.
RADIO: Manhattan says, "{fzzskt — fzzzskt }"
RADIO: Manhattan says, "{static}"
RADIO: Manhattan says, "{szzkt}"
RADIO: Manhattan says, "{sskt-*pop*}"
RADIO: Manhattan says, "{sskkktt} —ame in from a rainy Thursday on the avenue"
RADIO: Manhattan says, "Thought I heard you talking softly"
RADIO: Manhattan says, "I turned on the lights, the TV, and the radio"
RADIO: Manhattan says, "Still I can't escape the ghost of you"
RADIO: Manhattan says, "What has happened to it all?"
RADIO: Manhattan says, "Crazy someone say"
RADIO: Manhattan says, "Where is the life that I recognize?"
RADIO: Manhattan says, "Gone away"
RADIO: Manhattan says, "{ksszht} FOX 7 ALPHA 8 — Sighting of a pack on 34th street. Moving west. {kssht}"
RADIO: Manhattan says, "{kzzsht} —t I won't cry for yesterday"
RADIO: Manhattan says, "There's an ordinary world"
RADIO: Manhattan says, "Somehow I have to find"
RADIO: Manhattan says, "And as I try to make my way"
RADIO: Manhattan says, "To the ordinary world"
RADIO: Manhattan says, "I will learn to survi— {fzzst}"
RADIO: Manhattan says, "{krzzt} —hink we spotted some of the soldiers. They were sweeping through Roosevelt Island, came down from the bridge. Picked some of them off from across the river while I had the cha— {kssszt}"
RADIO: Manhattan says, "{ssszst} —sion or coincidence once prompted you to say"
RADIO: Manhattan says, ""Pride will tear us both apart""
RADIO: Manhattan says, "Well now prides gone out the window"
RADIO: Manhattan says, "Cross the rooftops, run away"
RADIO: Manhattan says, "Left me in the vacuum of my hea— {fzzznt}"
RADIO: Manhattan says, "{ksszt} —lmost got caught. Heard the screaming right before they came through the window. Fuck. Someone radio back to the Hub, I haven't been able to get through with all this interfer— {kzzssnt}"
RADIO: Manhattan says, "{fffsznt} —hat is happening to me?"
RADIO: Manhattan says, "Crazy someone say"
RADIO: Manhattan says, "Where is my friend when I need you most?"
RADIO: Manhattan says, "Gone away"
RADIO: Manhattan says, "{ksszt} —an't stop the bleeding! Jesus Christ someone open the fucking door! Please! For the love of god open the fucking door they're comin— {zzznt}"
RADIO: Manhattan says, "{zzzst} —ut I won't cry for yesterday"
RADIO: Manhattan says, "There's an ordinary world"
RADIO: Manhattan says, "Somehow I have to find"
RADIO: Manhattan says, "And as I try to make my way"
RADIO: Manhattan says, "To the ordinary world"
RADIO: Manhattan says, "I will learn to surviv— {kzzsnt}"
RADIO: Manhattan says, "{zzznt} —ink we got a major payload today. K-Mart's gonna be so fucking happy he might shit his pants. A whole shipping container of pasta and rice. Unbelievable. I'm in fucking tears, m— {kzzsnt}"
RADIO: Manhattan says, "{sssznt} —pers in the roadside tell of suffering and greed"
RADIO: Manhattan says, "Fear today, forgot tomorrow"
RADIO: Manhattan says, "Besides the news of holy war and holy need"
RADIO: Manhattan says, "Ours is just a little sorrowed ta— {hzzzst}"
RADIO: Manhattan says, "{sssznt} —orry, I— I can't open the door. There's a hole in your suit. I can't. I can't risk everyone else. I— I'm so fucking sorry. I just— I can't. I can't open the door. I'm sorry. I'm — I'm so sor— {kssznt}"
- Virus future? A containment suit could be to protect them from the disease outside - where the fucking crazy rage zombies are - and if there's a hole in that suit, bringing someone potentially infected inside would jeopardize everyone
RADIO: Manhattan says, "{kzzsnt} —nd I don't cry for yesterday"
RADIO: Manhattan says, "There's an ordinary world"
RADIO: Manhattan says, "Somehow I have to find"
RADIO: Manhattan says, "And as I try to make my way"
RADIO: Manhattan says, "To the ordinary world"
RADIO: Manhattan says, "I will learn to survive"
RADIO: Manhattan says, "{ksssznt} —eneral announcement: we lost seventeen more today. I know that things were starting to look up, but we've been through worse setbacks. We have to hold together as a community and hope that we can find a way to su— {kzzssn}"
RADIO: Manhattan says, "{sssznt} —ery world is my world"
RADIO: Manhattan says, "(I will learn to survive)"
RADIO: Manhattan says, "Any world is my world"
RADIO: Manhattan says, "(I will learn to survive)"
RADIO: Manhattan says, "Any world is my worl— {hssssznt}"
RADIO: Manhattan says, "{kzznt} —his is Ruiz. We have a breach in the disposal room. {ksssznt}"
- This came up in the bookends (Bookends: Woods, Bookends: Kain)
RADIO: Manhattan says, "{ksssznt}"
RADIO: Manhattan says, "{sssznt}"
RADIO: Manhattan says, "{*pop*}"
RADIO: Manhattan says, "{ssszkt} - . ... - .. -. --. .-.-.- / - . ... - .. -. --. .-.-.- / .- .--. .--. .-. --- .- -.-. .... .. -. --. / ... --- .-.. .- .-. / -- .- -..- .. -- ..- -- .-.-.- {kssszt}"
- TESTING. TESTING. APPROACHING SOLAR MAXIMUM.
RADIO: Manhattan says, "{kssss}"
RADIO: Manhattan says, "{ksszt}"
RADIO: Manhattan says, "{kzznn}"
RADIO: Manhattan says, "{sssskt}"
RADIO: Manhattan says, "{zznnn} — WELCOME TO K98! The home of the Fever Beaver! With Marty and Josh in the Morning!"
RADIO: Manhattan says, "so before we get to the winner of this morning's Worst Dog Ever contest, how about we talk about the news that President Raymond Praeger is going to have his first official state of the u— {ssskz}"
RADIO: Manhattan says, "{ssszzztt} — finding out exactly what she was trying to say, right? She's up there with a painting of a white horse with a little girl riding it saying "The horse is a metaphor!!""
RADIO: Manhattan says, "I mean this is a war crimes tribunal, right? Did you see the look on Robert Muldoon's face? Swear to god he was going to commit a war crime right there and then!"
RADIO: Manhattan says, "So listeners, we need your help! Send us your best photoshops of Eve Mas trying to explain whatever it was she thought she was doing and we'll get you a free K98 t-shirt to— {ssszzt}"
RADIO: Manhattan says, "{hzzznt} — examining the classic New Testament tale of the Four Horsemen of the apocalypse. For those reading along, we'll be examining Book of Revelations 6:1 - 6:8. With me is internationally renowned biblical scholar Harold Dupris, author of "Are we living in the Rapture: God and the Evolved.""
RADIO: Manhattan says, "Harold, in your book you claim that the SLC-Expressive are an unambiguous sign of intelligent design. Before we get into discussion of the Four Horsemen, can you explain a little about what you mean in your book? How are the SLC-Expressive evidence of intelligent design?"
RADIO: Manhattan says, "Well, I mean — when we're looking at people with supernatural abilities I see god's hand everywhere. As someone who pursues where science and faith intersect, I'll pose you a question. What evolutionary imperative would the ability to change the flavor of food present?"
RADIO: Manhattan says, "That's a fascinating question. I'm not sure I know the answer."
RADIO: Manhattan says, "I say it serves no purpose. Most abilities serve no real "evolutionary" purpose, even academics in purely secular fields agree. There is little biological imperative for these powers."
RADIO: Manhattan says, "The child of a person who manipulates fire and a person who manipulates ice is equally likely to have an unrelated ability. But how is this chosen? An atheist might say chance."
RADIO: Manhattan says, "And you think it's God? I've heard others who've said quite the opposite, in fact."
RADIO: Manhattan says, "I know this may seem strange, but I don't believe in the devil as an equal force to God. But I do see His hand in the seeming random chance of how and where abilities manifest."
RADIO: Manhattan says, "Food for thought, very fascinating. We'll be discussing more about Harold's book on Thursday's episode of In His Design. But, Harold, why don't we switch gears a bit and move to today's topic: the four horsemen of the apocalypse?"
RADIO: Manhattan says, "Oh yes, absolutely. Absolutely."
RADIO: Manhattan says, "So, when we think of the Horsemen of the apocalypse, we think of them as physical beings. But in the Bible they're meant more as a metaphor, a representation of mankind's capability for cruelty on itself."
RADIO: Manhattan says, "The iconography represented in each horse and rider represent— {kssszt}"
RADIO: Manhattan says, "{kzzsst} — ink that she moved the finances through a shell corporation. I've been sitting and watching it for years now, and the Maxwell Corporation has done nothing with it. Not moved it to an offshore holding, not liquidated, it's just been sitting."
RADIO: Manhattan says, "Do you think she knows it's there? Was it… misplaced? Perhaps Mr. Knight seized it when he supplanted the boy?"
RADIO: Manhattan says, "She knows. She's always been his understudy, standing beside the table, taking scraps of knowledge and cleaning them to the bone."
RADIO: Manhattan says, "The others may not have watched her grow fat with his inspiration, but I did. Ever the carrion bird."
RADIO: Manhattan says, "But now?"
RADIO: Manhattan says, "Gone. Every penny. Whoever took the electronic finances was clever enough to hide their tracks and prevent me from following the trail. But I know her. I know where it went."
RADIO: Manhattan says, "Where? How— can you be so sure?"
RADIO: Manhattan says, "Look at the paper."
RADIO: Manhattan says, "I don't understand."
RADIO: Manhattan says, "Wolfhound, old friend. Wolfhound."
RADIO: Manhattan says, "But-"
RADIO: Manhattan says, "Like Herr Volken, she is sometimes predictable in her sentimentality."
RADIO: Manhattan says, "I need to call t— {kssszt}"
RADIO: Manhattan says, "{zzzzznnnt} — anning to move within the next two weeks. Praxis Heavy Industries already has people inside the Safe Zone. It will only be a matter of time before they move."
RADIO: Manhattan says, "So what, we wait?"
RADIO: Manhattan says, "No. Send word to Miss Damaris that her specialist is needed. I'll have someone figure out where the Praxis people are staying, and we'll give them a New York hello."
- I know what this is about~~ I'll never tell you~~~
RADIO: Manhattan says, "Certainly, sir."
RADIO: Manhattan says, "Oh, and… Nisatta?"
RADIO: Manhattan says, "Sir?"
RADIO: Manhattan says, "Draft me a proposal for this Fellowship Gala you want to throw. I think it will be good for morale."
RADIO: Manhattan says, "At once, sir. At onc- {ssszznt}"
RADIO: Manhattan says, "{sssznt} — and THAT makes Rocko and his overfill doggy diaper the WORST DOG OF THE DAY! Stay tuned, we're gonna have Mike the Beer Guy in to talk about the new f- {kzzst}"
RADIO: Manhattan says, "{sssszt}"
RADIO: Manhattan says, "{zznn}"
RADIO: Manhattan says, "{*pop*}"
RADIO: Manhattan says, "{ksst}"
RADIO: Manhattan says, "{zznnt}"
RADIO: Manhattan says, "{sssznt} — 'm not tied up to anyone"
RADIO: Manhattan says, "They've got strings"
RADIO: Manhattan says, "But you can see"
RADIO: Manhattan says, "There are no strings on m— {ksszt}"
RADIO: Manhattan says, "{sszzt} — ay announce the opening of the Eric Doyle Memorial Children's Library in Brooklyn. The library, located at 264 Vanderbilt Ave, is a 2,600 square foot learning space for the children of the New York Safe Zone."
RADIO: Manhattan says, "At the official opening, Gillian Childs, chairman of the Safe Zone Public Library Association said that the facility would, "be a new light for the people of the Safe Zone, and a fitting memorial to a man who was given a new lease on life by the children he cared for." The Safe Zone Cooperative is expected t— {kssszt}"
- No, Mister Bond, I expect you to cry!
- Cardinal's Reaction: ♥ ♥
RADIO: Manhattan says, "{kssst}"
RADIO: Manhattan says, "{ksssz}"
RADIO: Manhattan says, "{*pop*}"
RADIO: Manhattan says, "{kkssst}"
RADIO: Manhattan says, "{nnzzzt}"
RADIO: Manhattan says, "{ksssht} –o my father what of your sons?"
RADIO: Manhattan says, "All of your children"
RADIO: Manhattan says, "Even the ones"
RADIO: Manhattan says, "Sent out to martyr"
RADIO: Manhattan says, "To face the gun"
RADIO: Manhattan says, "Precious bodies opposed to bombs"
RADIO: Manhattan says, "Led on led on"
RADIO: Manhattan says, "To take the path"
RADIO: Manhattan says, "Where our bright future"
RADIO: Manhattan says, "Is in our pas– {ksszt}"RADIO: Manhattan says, "{kssszt} –presentatives from the Coalition of Evolved Laborers met today with the Chicago Labor Association to dispute what they are claiming are unfair working conditions. In response to these allegations, representatives from Maxwell Industries said that their Evolved workers were being given a fair wage for their skilled labor."
RADIO: Manhattan says, "Damon Hollis, spokesman for the Coalition of Evolved Laborers had this to say: "Ever since the Unity Act passed, businesses have been scraping up workers like us, getting us to do the work of ten people or more. Just because I don't have a degree don't mean I deserve less pay than somebody with a piece of paper. I can lift ten steel girders with one arm. Ain't that skilled labor?""
RADIO: Manhattan says, "These tensions come after weeks of negotiations with Pinehearst Corporation over their use of Evolved Labor in the construction of Unity Park in Midtown Manhattan. New York Labor Union officials indic— {ksssst}"
RADIO: Manhattan says, "{kzzznt}"
RADIO: Manhattan says, "{kzzz}"
RADIO: Manhattan says, "{*pop*}"
- This should be from the Bright timeline, given the choice of song, as well as the mention of Unity Park which I understand is closed on weekends and holidays
RADIO: Manhattan says, "{kzznst}"
RADIO: Manhattan says, "{ssskhhkt}"
RADIO: Manhattan says, "{ssskzt} — at are the roots that clutch, what branches grow"
RADIO: Manhattan says, "Out of this stony rubbish? Son of man, you cannot say, or guess, for you know only a heap of broken images, where the sun beats, and the dead tree gives no shelter, the cricket no relief"
RADIO: Manhattan says, "And the dry stone no sound of water. Only"
RADIO: Manhattan says, "There is shadow under this red rock, (Come in under the shadow of this red rock), and I will show you something different from either"
RADIO: Manhattan says, "Your shadow at morning striding behind you, or your shadow at evening rising to meet you;"
RADIO: Manhattan says, "I will show you fear in — {kzzshr}"
RADIO: Manhattan says, "{kzzssnt} — everclear, everclear. Sign six six nine. Boxcars. Six six nine alpha."
RADIO: Manhattan says, "Code confirmed, channel clear."
RADIO: Manhattan says, "Spotted a strider out by the salt flats. It was chasing some fucking dogs."
RADIO: Manhattan says, "I think… it ate them? Do they need to eat?"
RADIO: Manhattan says, "Yeah. Biomass conversion. It's the reserve fuel. How many dogs and how many strikers?"
RADIO: Manhattan says, "Strikers? No. striders. Christ, is this a clear channel?"
RADIO: Manhattan says, "Sorry. We're getting noise from the solar flare. Strider, how many?"
RADIO: Manhattan says, "Single. Tore apart four dogs. Bones and all. Unbelievable."
RADIO: Manhattan says, "Bearing?"
RADIO: Manhattan says, "Lost sight in a dust storm. I think it's on a patrol route. Must be separated from the herd."
RADIO: Manhattan says, "Ok. Head back. That's too much for one night."
RADIO: Manhattan says, "Affirmative. Tell Ruiz I found his fucking headphones."
RADIO: Manhattan says, "Primal. He'll be excited. See you when you're back h— {ssskzkt}"
RADIO: Manhattan says, "{sssskts}"
RADIO: Manhattan says, "{sss}"
RADIO: Manhattan says, "{*pop*}"
- This exchange very probably comes to us from the Wasteland timeline, given the choice of poem at the top, the use of slang, the stalking bots, and the dust storm
RADIO: Manhattan says, "{squeal}"
RADIO: Manhattan says, "{sssssss}"
RADIO: Manhattan says, "{ksssszzzz}"
RADIO: Manhattan says, "{bzzzznnnn}"
RADIO: Manhattan says, "{nnnnnn}"
RADIO: Manhattan says, "{ksszt}"
RADIO: Manhattan says, "{*click*}"
RADIO: Manhattan says, "La mer"
RADIO: Manhattan says, "qu'on voit danser le long des"
RADIO: Manhattan says, "golfes clairs"
RADIO: Manhattan says, "a des reflets d'argent"
RADIO: Manhattan says, "la mer"
RADIO: Unknown says, "Ok, that's enough."
RADIO: Else says, "You're sure?"
- NO! NOT EVEN A LITTLE BIT!!
RADIO: Unknown says, "Yeah. Whatever that signal was, I don't think anyone's listening right now. We'll try again tomorrow."
RADIO: Else says, "Ok. An', maybe next time a different song, yeah?"
RADIO: Edward says, "No."
RADIO: Edward says, "It has to be La Mer."
RADIO: Unknown says, "Ok. Whatever you say, Professor."
RADIO: Unknown says, "We'll try again tomorrow."
RADIO: Manhattan says, "{*click*}"
- So, initially I figured that the use of La Mer was to warn against the flood - and maybe it still is? - but now I'm beginning to wonder if it's because it's a specific song that means a specific thing to a specific someone. Maybe like one of Rupe's triggers? Or maybe it just has significance to someone and it's the signal that, hey, this is important. Pay attention.
- My question is: would Beyond The Sea work just as well?
- I have my doubts
- I'm not sure which other characters have any significant connection to this song, but I can say the Nichols sisters have it buried deep in their history - Nicole would sing it to Colette; it's her first memory (Would Have)
- While the Mallett Device was active, the room above could hear La Mer as the portal/distortion opened to send Cardinalternate's broadcast. In the chamber below, where they could hear none of that, Nicole was singing the song at the exact same moment in an attempt to calm Colette (Ouroboros, Part IV, Ouroboros, Part III)
RADIO: Manhattan says, "{sssshhkt}"
RADIO: Manhattan says, "{kssszzzn}"
RADIO: Manhattan says, "{ksss} — In the end everyone ends up alone"
RADIO: Manhattan says, "Losing her; the only one who's ever known"
RADIO: Manhattan says, "Who I am, who I'm not, and who I wanna be; No way to know how long she will be next to me"
RADIO: Manhattan says, "Lost and insecure; you found me, you found me"
RADIO: Manhattan says, "Lying on the floor; surrounded, surrounded"
RADIO: Manhattan says, "Why'd you have to wait? Where were you, where were you?"
RADIO: Manhattan says, "Just a little late…"
RADIO: Manhattan says, "You found— {ksssszh}"
- This one is "You Found Me" by The Fray
RADIO: Unknown says, "{ksssh} –oing to have any use for it anymore. With Ruiz lost and the arcology gone, the project is scrapped. The best we could do is repurpose it for the Vision initiative, but even then it's old tech."
RADIO: Mohinder says, "I don't entirely agree."
RADIO: Mohinder says, "We have an opportunity sitting in front of us. Something that we could use to enact real change, if we only seized onto it."
RADIO: Unknown says, "Mr. Suresh, I don't think you of anyone should be lecturing me about seizing opportunity."
RADIO: Mohinder says, "I simply think that, if we were able to take the concept behind Looking Glass and set aside the original intention we could–"
RADIO: Unknown says, "No."
RADIO: Unknown says, "I'm done with the past, Mr. Suresh. If Doctor Allen wants to pursue dusty bones she's free to do so off of these premises."
RADIO: Unknown says, "I'm invested in the future. Yours, mine, the world's."
RADIO: Unknown says, "And if you and Doctor Allen want to lead Wolfhound to our doorstep by digging up the past, you're free to take this gun – and put a bullet in your head right here, right now."
RADIO: Mohinder says, "I– No. I understand. I'll– I'll show myself o–"
RADIO: Unknown says, "The offer will stand, Mohinder. I may not have much patience left to spare. But I have plenty of bullets. Are we clear?"
RADIO: Mohinder says, "Crystal clear, Ms. Kravid. Crystal Clea– {ksssht}"
RADIO: Manhattan says, "{kssssh}"
RADIO: Manhattan says, "{ksss}"
RADIO: Manhattan says, "{*pop*}"
- Okay. So, this happened. Based on what we've read from the whatisprojecticarus.com page, Mohinder and Erica Kravid are colleagues at the San Francisco Institute facility. According to what I've read in the e-mail archives, when Natazhat and the Arcology went dark, San Fran scrambled, evacuating everyone and scattering to the winds. They have safehouses established somewhere. So, they're hiding out from Wolfhound.
- Looking Glass was a project of the SF Institute. Kravid says they lost Ruiz, which could imply that he was with them? But I believe the Ruiz we've seen at the Ark was definitely not. I posit they were attempting to use his ability to try to go through the looking glass. That makes a whole lot of sense, knowing what I know from Odessa's review of Ruiz's file.
RADIO: Manhattan says, "{kssss}"
RADIO: Manhattan says, "{zzzzznn}"
RADIO: Manhattan says, "{kssshh}"
RADIO: Manhattan says, "{ksss} —at you touch"
RADIO: Manhattan says, "And all that you see"
RADIO: Manhattan says, "All that you taste"
RADIO: Manhattan says, "All you feel"
RADIO: Manhattan says, "And all that you love"
RADIO: Manhattan says, "And all that you hate"
RADIO: Manhattan says, "All you distrust"
RADIO: Manhattan says, "All you save"
RADIO: Manhattan says, "And all that you give"
RADIO: Manhattan says, "And all that you deal"
RADIO: Manhattan says, "And all that you buy"
RADIO: Manhattan says, "Beg, borrow or steal"
RADIO: Manhattan says, "And all you create {…listen…}"
RADIO: Manhattan says, "And all you destroy {…to me…}"
RADIO: Manhattan says, "And all that you do {…listen…}"
RADIO: Manhattan says, "And all that you say {…to me…}"
RADIO: Manhattan says, "And all that you eat {…child…}"
RADIO: Manhattan says, "And everyone you meet {…come…}"
RADIO: Manhattan says, "And all that you slight {…back to me…}"
RADIO: Manhattan says, "And everyone you fight {…before…}"
RADIO: Manhattan says, "And all that is now {…I find you…}"
RADIO: Manhattan says, "And all that is gone {…or else…}"
RADIO: Manhattan says, "And all that's to come {…you'll know…}"
RADIO: Manhattan says, "And everything under the sun is in tune {…my anger…}"
RADIO: Manhattan says, "But the sun is eclipsed by the moon {…my wrath…}"
- I posit this is They With Eyes of Sun and Moon, who I'm calling Corona now for short, so enjoy that (Eyes of Sun and Moon, Hunch)
- So… there is also this…. Eclipse by Pink Flloyd
RADIO: Manhattan says, "{hzzzn} —on't know how long I've got. I can hear — I can hear gunfire?"
RADIO: Manhattan says, "{hzzzn} J'ai peur — I —"
- "J'ai peur" is "I'm afraid" - heh. ;)
RADIO: Unknown says, "I can't tell if you can hear me. God, I'm — I'm so sorry"
RADIO: Unknown says, "I'm so sorry for getting you involved in this."
RADIO: Unknown says, "Y— you were right."
RADIO: Unknown says, "We should have left —"
RADIO: Unknown says, "God, we should have left."
RADIO: Unknown says, "Donna."
- Donna… Dunlap? Surely there's only one important Donna in the world >.>
- Donna Varlane?
- …damnit
- My money is on this being Adrienne Allen leaving a message for Donna Dunlap, based on the Project Icarus e-mail archives
RADIO: Unknown says, "I don't know if you'll get this."
RADIO: Unknown says, "They're — they're almost here."
RADIO: Unknown says, "Jesus Christ — ils les tuent — je suis vraiment désolé — I'm so sorry."
- "ils les tuent": they're killing them. "Je suis vraiment desole": I am truly sorry.
RADIO: Unknown says, "{crashing}"
RADIO: Unknown says, "{screams}"
RADIO: Unknown says, "No! NO!"
RADIO: Unknown says, "{gunfire}"
RADIO: Unknown says, "{screams}"
RADIO: Unknown says, "Stop!"
RADIO: Unknown says, "{crashing}"
RADIO: Another says, "Women zhaodàole ta."
- women zhao dao le ta.. we found him
RADIO: Another says, "Gàosù Adam."
- Eimi says, "gaosu means tell. so. Tell Adam."
RADIO: Another says, "{kssssh}"
RADIO: Another says, "{ksss}"
RADIO: Another says, "{*pop*}"
RADIO: Manhattan says, "{hksss}"
RADIO: Manhattan says, "{ssszzn}"
RADIO: Manhattan says, "{bzzznnn}"
RADIO: Manhattan says, "{nnnnnnzzzz} — expecting more than a seventeen foot raise in sea level over the next two months. Authorities are still uncertain as to what caused the explosion, but Evolved activity is not being ruled out. The tsunami is expected to reach Southern Africa and South America within the next three hours. We — {kzzzn}"
RADIO: Manhattan says, "{nnnnnnzzzz} — loss of life is staggering. Death tolls in New York state alone are estimated to be in the millions. The water shows no sign of abatement and is likely to press further inland as secondary and tertiary tsunamis reach the mainland. No word yet from the Pr— {kzzzn}"
RADIO: Manhattan says, "{nnnnnnzzzz} — They're awake. Eric, your uh— they're awake— {kzzzn}"
RADIO: Manhattan says, "{nnnnnnzzzz} — ood morning, sunshines. I've got a fresh catch down on the boat, if you're hung— {kzzzn}"
RADIO: Manhattan says, "{nnnnnnzzzz} — "Uh, my— My name's Else, this is Eric. and this is New York City. I take it you've gotta' be from around here though, right? There's no other settlements till you reach the Institute up north, and that's a few days by boat. Were you caught up in the storm the other n— {bzznt}"
RADIO: Manhattan says, "{bsszzn} — Time is a river. You may not see the rapids before you hit them… but when you survive, and turn? Then, they become clear. Moreso, if you look together. — {sssszzn}"
RADIO: Manhattan says, "{hzznn} —ou are here to see something, Dajan, my good friend — perhaps you should see it. — {ksssnt}"
- From here up is from this following log: La Mer, Part II
RADIO: Manhattan says, "{fzzznt} —God had nothing to do with this. Unless your God is a life-sucking two-hundred year old nazi, of cour— {ssssnz}"
RADIO: Manhattan says, "{ssssssnnn} —e not staying here! This— can't be fucking happening. I laid down to sleep after taking watch, I was a-fucking-sleep! We didn't get washed away by some— some fucking tide, this is all some sort of screwed up— some— fuck if I kn— {sssnn}"
RADIO: Manhattan says, "{ffffnnssszzz} —ome big fucking tidal wave just came and washed this all away, out of fucking nowhere? Weren't we looking for a goddamned nuclear warhead? How the fuck does that make any sense? How does any of this add the fuck up at all? Am I the only one here having a hard time believing that we just fucking laid down and all of the sudden we're in—fucking NARNIA. — {ksssznt}"
RADIO: Manhattan says, "{kzzznn} —Does anyone see an armoire I can climb in? Maybe a little fucking guy with goat legs? Little fucking goat legs! — {kzznzt}"
RADIO: Manhattan says, "{ssshhnn} "Traveling forward in time isn't a problem; you travel from A to B. Typically this presents you with a view into what will become an unrealized reality. Travel from A to B, now attempt to travel back. Without the proper frame of reference or guidance, you could arrive at point A before you left, or a year earlier, or a year later, or ten, or ten thousand, or millions of permutatio— {krrrrkkk} —ello Gabriel. I heard you'd come back. I don't think the rest of us have been introduced properly. My name's Edward Ray. And you all don't look like you're from around he— {hhssssnn}"
RADIO: Manhattan says, "{ssskkh} —t's time to — {SCREEEEEECH} — WAKE UP!"
- From here up is from the log: La Mer, Part IV
- I feel like the screeching might be signifying a switch between major events?
RADIO: Manhattan says, "{horrible screech} — I swear t'fuckin' Christ above, if you two suck me inta' bloody Narnia— Tape's in, camera's rollin', let's get on with thi— {clickclickclick}"
- I have only noted a couple canonically established characters whose speech matches this, and I don't remember Martin Crowley being quite this excitable
- Just cuz I *can* put it here… this speech pattern has repeated itself somewhere else that we've seen in a log (It's Going to Get Weird) spoken by Pete Varlane. This is clearly NOT him… so who is it and what relation to Varlane? It's a relatively unique specific cuss word
RADIO: Manhattan says, "{clickclickclick} — the bottle's gone — {clickclickclick}"
- Where could it have gone?
RADIO: Manhattan says, "{clickclick} —Jesus flapjacking Christ's fuckin' brother on a bicycle! Are you— is he— fu — {clickclickclick}"
- Gone? IDK why, but I instantly remembered a bottle rolling across the floor to smack Odessa in the head when she wound up in "Oz." This stuck out to me, because my money is on the speaker above being Woods, and the bottle rolling across the floor immediately preceded his own arrival. This is probably just the product of a lack of sleep, but it resonated to me, so I'm noting it. Go ahead and laugh, but know that I'll flip you off as hard as I can! (Monochrome Delirious, Part I)
- Wait. Someone else used a similar turn of phrase. …Pete??? (It's Going to Get Weird)
RADIO: Manhattan says, "{clickclickclick} —e have Edward Ray, the last hope of humanity! {clickclickclick}"
RADIO: Manhattan says, "{clickclick} We're so bloody fuck— {clickclick}"
- From the {horrible screech} to this point, is bits of Woods and Ruiz. (The Nature of Nothing)
RADIO: Manhattan says, "{screech} November 8, 2006. The bomb. {screech}"
RADIO: Manhattan says, "{screech} The 2008 election. {screech}"
RADIO: Manhattan says, "{screech} The December assassination attempt. {screech}"
RADIO: Manhattan says, "{screech} The defeat of the Vanguard. {screech}"
RADIO: Manhattan says, "{screech} Your death… came in November. {screech}"
RADIO: Manhattan says, "{screech} November 21st, 2008. {screech}"
RADIO: Manhattan says, "{screech} Tell me what you remember about that d— {clickclickclick}"
- Jenny Childs died November 20, 2008 (Living Legacy)
- I corrected this date from Nov 20 to Nov 21 at Manhattan's request.
- In that case, the attack on Washington Irving High School is on the log page for November 21, but the log itself is dated for November 20, so I'm not sure what's going on here, but I suspect this miiiiight be the source of our mistaken dates? (What a Lovely Way to Burn)
- Yes, this was the source of confusion :)
- Thomas Cain was also murdered by Sylar on this date (To Peter, From Sylar, With Love)
RADIO: Manhattan says, "{clickclick} —Mister President, I believe we always have time for you. I believe Mr. Rickham requires no introductions, yes? {clickclick}"
RADIO: Manhattan says, "{clickclick} — Allen Rickham, but— please. Just Allen will do. Edward's got this thing with thinking the Presidency still matters. {clickclick}"
RADIO: Manhattan says, "{click} Try strings. {click}"
RADIO: Manhattan says, "{click}"
- It's almost like a slide show? In my head, I hear the sounds of the slides switching out
RADIO: Unknown says, "Well. That didn't work."
RADIO: Unknown says, "Whatever the hell that was."
RADIO: Else says, "I— haven't got a clue."
RADIO: Unknown says, "Guess… we'll try again tomorrow."
RADIO: Unknown says, "{*pop*}"
RADIO: Nothing says, "{breathing}"
RADIO: Nothing says, "{I}"
RADIO: Nothing says, "{Can}"
RADIO: Nothing says, "{See}"
RADIO: Nothing says, "{You}"
- I'm in a mood, new shoes, and a bulletproof dress. Come at me, bro! (Hudson has had some scotch)
- Is that you, Corona?
RADIO: Manhattan says, "{.. / -.-. .- -. / ... . . / . -.-- . / - --- / . -.-- .}"
- I CAN SEE EYE TO EYE
RADIO: Manhattan says, "{… . - - . - - . … - - - … - . . - . - . . - . - . . - . - . - - . . - . - . . - . . . - . - . - - . - . - - - - - - . . - . - . - - - - - . . … - . - . … - . - - - - . … .}"
- This leads to: Sunspots - Nine Inch Nails (Cover)
RADIO: Manhattan says, "{shhhhk}"
RADIO: Manhattan says, "{sssskt}"
RADIO: Manhattan says, "{kzzz} — Our brightest day. {kzzz}"
RADIO: Manhattan says, "{hzzzz} — "
RADIO: Manhattan says, "{hzzzz} — And for the first time in a long time. We can make it without these crimes. So bring on the day an' we'll come alive. There's no need t' fight, we will survive. — {hzzz}"
RADIO: Manhattan says, "{hzzzz} Our decline {hzzzkt}"
- Song lyrics? Quinnie, are you writing new music?
RADIO: Manhattan says, "{ksssszt} — need to know you're on top of this. We have nine bodies in the morgue and families demanding answers. "A matter of national security" is only going to take this so far."
RADIO: Manhattan says, "No offense sir but why're we not pinning her ass to a wall? She confessed."
- I don't think that Eve is set to be in Wolfhound to Murderimp people, so… is this more likely to be grimdark future-Colette or Hana? I suspect that the latter might be less likely to bother to confess…
- This is in reference to Some Shit Colette pulled (Fly Blind)
RADIO: Manhattan says, "This doesn't leave the room. Are we clear?"
RADIO: Manhattan says, "Of course."
RADIO: Manhattan says, "Seven of those dead men turned out to have ties back to the former administration. We noticed some suspicious financial activity. Money to Pure Earth cells in Wyoming."
RADIO: Manhattan says, "Jesus Christ."
RADIO: Manhattan says, "It's an ongoing investigation. SESA stepped in, wants this laid wide open. We start putting war heroes in prison to protect dead terrorists… You're seeing how this goes."
RADIO: Manhattan says, "What's SESA's angle?"
RADIO: Manhattan says, "Preventing history from repeating itself. I'd wager."
RADIO: Manhattan says, "They're assigning an agent as oversight to Wolfhound, making sure they're not all off the reservation."
RADIO: Manhattan says, "Who?"
RADIO: Manhattan says, "Exactly the agent we want. Past connection to several members, we could make a case that her judgment is compromised."
- This would be Miss Robyn Quinn, I believe - who has applied for the role of Wolfhound oversight, but might be considered unsuitable due to prior ties to some of its members, and whose behaviour from the end of 2011 till the war crimes trials could certainly suggest someone who has been emotionally and mentally 'compromised' through trauma.
- Definitely Robyn. The fact that she has the connections to many members of Wolfhound at all is enough to suggest that her judgement would be compromised, no matter what she uncovers
RADIO: Manhattan says, "We get the investigation shut down, sweep it under the rug. We come away clean. We do our fucking jobs."
- What do they need to sweep under the rug?
- Surely the murder of nine people by a 'war hero' is reason enough for a cover-up? Especially when tied to evidence that 7 of the dead were involved in he last administration and some or all had ties to anti-Evolved terrorism. It's not the kind of story to promote peaceful thoughts from either side's aggressive types.
- I think this rabbit hole goes much deeper
RADIO: Manhattan says, "That's the easier option. Yeah."
RADIO: Manhattan says, "If this goes public—"
RADIO: Manhattan says, "Yeah. We'll make it work."
RADIO: Manhattan says, "Oh, and Pierce? Keep your head down. {ssskt}"
- Keep calm and go fuck yourself, Pierce
RADIO: Manhattan says, "{hzzzzkt}"
RADIO: Manhattan says, "{*pop*}"
RADIO: Lene says, "{crackle} —is is AM radio WSZR 1510, Safe Zone Radio. I'm Jolene and if you're just tuning in we… {papers shuffling} …right, uh— we just heard Malachite by Lydia Ainsworth. And, um— before that was— Shores of the Empire State by Else Kjelstrom and the Shattered Skies. You're listening to New Futures, and in our next hour— {crackle}"
- Lene volunteers her time with the local AM station - nice to see Else's music is still getting play, but I am hardly surprised
RADIO: Manhattan says, "{I just had}"
RADIO: Manhattan says, "{a sort of feeling this morning}"
RADIO: Manhattan says, "{something good}"
RADIO: Manhattan says, "{was gonna happen}"
RADIO: Manhattan says, "{today}"
RADIO: Manhattan says, "{Now there comes a sound}"
RADIO: Manhattan says, "{without any}"
RADIO: Manhattan says, "{warning}"
RADIO: Manhattan says, "{I just know it's}"
RADIO: Manhattan says, "{good luck}"
RADIO: Manhattan says, "{coming my way}"
RADIO: Manhattan says, "{Goodness gracious}"
RADIO: Manhattan says, "{can it be}"
RADIO: Manhattan says, "{someone's coming}"
RADIO: Manhattan says, "{back to me}"
RADIO: Manhattan says, "who's that knocking"
RADIO: Manhattan says, "{at my door} at my door"
RADIO: Manhattan says, "{I've been waiting}"
RADIO: Manhattan says, "{oh so long} oh so long"
RADIO: Manhattan says, "{I'll just die}"
RADIO: Manhattan says, "{if I'm wrong} if I'm wrong"
RADIO: Manhattan says, "{who's that}"
RADIO: Manhattan says, "{knocking}"
RADIO: Manhattan says, "{at my}"
RADIO: Manhattan says, "{door}"
- Who's That Knocking at My Door, Annette Hanshaw
RADIO: Manhattan says, "{kssssshh}"
RADIO: Manhattan says, "{kssskh} — Hallo, meine Liebste."
- "Hello, my love." (literally "favorite," but it's a term of endearment)
- Okay, but like, hang the fuck on. The fact that we're conjugating to end in e… That generally denotes a feminine usage? (i.e. the person being spoken to is a woman.) Otherwise it should be "mein Liebster"
RADIO: Manhattan says, "Bist du… heute nach draußen gegangen?"
- "Are you… going outside today?"
RADIO: Manhattan says, "Die luft ist hier so… so… sauber?"
- "The air here is so… so… clean?"
RADIO: Manhattan says, "Ist es nicht?"
- "Is it not?/Isn't it?"
RADIO: Manhattan says, "Du solltest."
- "You should."
RADIO: Manhattan says, "Geh nach… draußen."
- "Go… outside."
RADIO: Manhattan says, "Wir werden dich… morgen töten?"
- "We are going to kill you… tomorrow?"
- Literally "tomorrow morning."
RADIO: Manhattan says, "Morgen töten."
- "Tomorrow." (Could potentially also mean "in the morning" more specifically)
RADIO: Manhattan says, "Sei nicht so traurig, Mateo."
- "Don't be so sad, Mateo."
RADIO: Manhattan says, "Niemand lebt für immer."
- "No one lives forever."
RADIO: Manhattan says, "Nicht mal ich."
RADIO: Manhattan says, "Nicht… mal ich."
- "Not… even me."
RADIO: Manhattan says, "{*pop*}"
- Okay, so, all of this happened. I feel like this is a reference to a series of Queens' comtitles:
- Que desde el prncipio lo han traicionado, que ha sido condenado a muerte, porque ya lo daban por muerto
- From the beginning they had betrayed him, who has been sentenced to death, because they already considered him dead
- Obviously that's just a gut feeling because there appears to be a death sentence of some sort here
- As to who the speaker is… The address in the beginning is terribly familiar. You don't just call someone "your favorite" (or however you choose to translate that particular endearment) - unless you're being a sarcastic asshole, I suppose. Without cues of tone, it's hard to say
- After re-thinking this, I think we're looking at a conversation between a man and a woman - the man being Mateo Ruiz, presumably. Without clues to determine who's speaking what lines in this exchange - and it is possible this is all one speaker having a one-sided conversation, but I doubt it - it's hard for me to determine the correct context regarding who is the condemned
- Also this grammar is… off. Like in a different way than the Japanese was off, to my ears. Either the speakers are a little clunky… or this can be chalked up to Google Translate (or its ilk). Most of it is like the differences between when to use 'who' and 'whom,' so it's negligible. Not like the obvious choices in phrasing from Eyes of Sun and Moon
- I take it back. There is something significant here. The speaker is using "du" and "dich" instead of "Sie" to refer to the other. When you're speaking to an authority in German, generally you'd use "Sie" to address. If you're speaking to someone you're very familiar with, it's "du." So, the speakers are close enough that the formality isn't necessary. Couple that with the endearment…
RADIO: Manhattan says, "{I stand}"
RADIO: Manhattan says, "{at your gate}"
RADIO: Manhattan says, "{and the song}"
RADIO: Manhattan says, "{that I sing}"
RADIO: Manhattan says, "{is of moonlight}"
RADIO: Manhattan says, "{I stand}"
RADIO: Manhattan says, "{and I wait}"
RADIO: Manhattan says, "{for the touch of your hand}"
RADIO: Manhattan says, "{in the June night}"
RADIO: Manhattan says, "The roses"
RADIO: Manhattan says, "{are sighing} are sighing"
RADIO: Manhattan says, "{a moonlight serenade}"
RADIO: Manhattan says, "{The stars}"
RADIO: Manhattan says, "{are aglow}"
RADIO: Manhattan says, "{and tonight}"
RADIO: Manhattan says, "{how their light}"
RADIO: Manhattan says, "{sets me dreaming}"
RADIO: Manhattan says, "{My love}"
RADIO: Manhattan says, "{do you know}"
RADIO: Manhattan says, "{that your eyes} that your eyes"
RADIO: Manhattan says, "{are like stars}"
RADIO: Manhattan says, "{brightly beaming?}"
RADIO: Manhattan says, "{I bring you}"
RADIO: Manhattan says, "{and sing you}"
RADIO: Manhattan says, "{a moonlight serenade}"
RADIO: Manhattan says, "{ssshhhhk}"
- Moonlight Serenade, Glenn Miller (likely a Frank Sinatra recording, however)
RADIO: Manhattan says, "{sssskkn}"
RADIO: Manhattan says, "{kzzzn} —Oh c'est, um, c'est— tes yeux… son—sont? Sont comme la lumiere des… etoiles?"
- "Oh, it's, um, it's— your eyes… a—are? Are like the light of… stars?" (the lyrics above?)
- Again, an 'intimate' version of you/your: "vos" would be formal or for addressing multiple people; "tes" is for someone the speaker knows well. Of course, this could just be a translation of the tone of the love song, but the speaker seems very hesitant and might well default to addressing their audience.
RADIO: Manhattan says, "That's— not terrible? But you're getting better, mon chou."
- "Mon chou" is literally "my cabbage," but it's like calling someone "sweetheart" or "poppet"
RADIO: Manhattan says, "If you keep calling me that, I'm going to start calling you my donut."
RADIO: Manhattan says, "Tu n'oserais pas!"
- "You would not dare!"
- "Tu" here is unequivocally informal/intimate.
RADIO: Manhattan says, "Are you calling my bluff?"
RADIO: Manhattan says, "…"
RADIO: Manhattan says, "Mon. Chou."
RADIO: Manhattan says, "That's it! That's it! {happy laughter}"
RADIO: Manhattan says, "{klaxons blaring}"
RADIO: Manhattan says, "wh— what the fuck?"
RADIO: Manhattan says, "{crashing sounds}"
RADIO: Manhattan says, "Merde. We— we have to— Call Luis. Now!"
- Merde literally translates to "shit", but is an even more widely used and broader-purpose expletive in French. In this context, unequivocally bad.
RADIO: Manhattan says, "Line's dead."
RADIO: Manhattan says, "Merde. Merde. Merde. Merde."
RADIO: Manhattan says, "Come with me."
RADIO: Manhattan says, "But—"
RADIO: Manhattan says, "There's no time."
RADIO: Manhattan says, "They need me out there to—"
RADIO: Manhattan says, "Fuck them! We have to go!"
RADIO: Manhattan says, "{gunfire}"
RADIO: Manhattan says, "Try him again!"
RADIO: Manhattan says, "It's not— there's no *signal*!"
RADIO: Manhattan says, "We're being jammed."
RADIO: Manhattan says, "Fuck. Through here— through {gunfire} other way! Other way!"
RADIO: Manhattan says, "Who the fuck are they!?"
RADIO: Manhattan says, "{screaming}"
RADIO: Manhattan says, "{gunfire}"
RADIO: Manhattan says, "Oh my god! Oh my god!"
RADIO: Manhattan says, "He's getting back up! What the fuck!"
RADIO: Manhattan says, "{gunfire}"
RADIO: Manhattan says, "Ladies. You can keep shooting, or we can discuss this like civil people."
RADIO: Manhattan says, "{gunfire}"
RADIO: Manhattan says, "You're just going to run out of—"
RADIO: Manhattan says, "{gunfire}"
RADIO: Manhattan says, "{rapid clicking}"
RADIO: Manhattan says, "…Bullets."
RADIO: Manhattan says, "Shut the door! Shut the door!"
RADIO: Manhattan says, "Bloody hell don't make me— {slam}"
RADIO: Manhattan says, "What are you doing? We have to go he's going to—"
RADIO: Manhattan says, "I'm flooding the chamber with argon gas."
RADIO: Manhattan says, "Lets see how good he does when he can't breathe."
RADIO: Manhattan says, "{glass shattering}"
RADIO: Manhattan says, "{screams}"
RADIO: Manhattan says, "{panicked screaming}"
RADIO: Manhattan says, "{heavy breaths}"
RADIO: Manhattan says, "{metal grinding sound}"
RADIO: Manhattan says, "{smash}"
RADIO: Manhattan says, "{screaming}"
RADIO: Manhattan says, "{slam}"
RADIO: Manhattan says, "{heavy breathing}"
RADIO: Manhattan says, "Did— did he—"
RADIO: Manhattan says, "Je ne sais pas."
- "I do not know."
RADIO: Manhattan says, "It looked like he— he— oh my god."
RADIO: Manhattan says, "I love you, but please shut up. Please just climb the ladder."
RADIO: Manhattan says, "{distant gunfire}"
RADIO: Manhattan says, "What… what was that? Whats {restrained sobs} what's going on?"
RADIO: Manhattan says, "Don't think about it.">
RADIO: Manhattan says, "Tout ira bien."
RADIO: Manhattan says, "Tout ira bien."
- "Everything will be all right."
RADIO: Manhattan says, "{*pop*}"
RADIO: Unknown says, "{deep sigh}"
RADIO: Unknown says, "Jesus Christ."
RADIO: Else says, "Don."
RADIO: Else says, "Did that—"
RADIO: Else says, "Did that sound like…"
RADIO: Don says, "Adrienne."
RADIO: Don says, "{deeper sigh}"
RADIO: Else says, "But. She—"
RADIO: Else says, "She's—"
RADIO: Don says, "I know."
RADIO: Don says, "Um."
RADIO: Don says, "Fuck. Ok."
RADIO: Don says, "We—"
RADIO: Else says, "Need to tell Donna."
RADIO: Else says, "Like"
RADIO: Else says, "Right now, yeah?"
RADIO: Don says, "{deeper sigh}"
RADIO: Don says, "Find Edward. Please."
RADIO: Don says, "And for the love of god and all that's holy."
RADIO: Don says, "Else."
RADIO: Don says, "Please."
RADIO: Don says, "Do not. Tell. Donna."
RADIO: Else says, "I—"
RADIO: Don says, "You know what?"
RADIO: Don says, "I'll find him myself."
RADIO: Don says, "You stay here. And keep listening."
RADIO: Else says, "{resigned sigh}"
RADIO: Else says, "{chair creak}"
RADIO: Else says, "{door slam}"
RADIO: Else says, "Fuck me."
RADIO: Else says, "{*click*}"
- As I suspected, the fluent French speaker should be Adrienne Allen - my suspicion would have been that she's talking to Donna Dunlap, but this exchange has me thinking otherwise. So, if not Donna, then who? Could be Lauren Gilmore, as there appears to be an Institute connection and the attacker refers to the speakers as "Ladies." I sincerely doubt it's Kravid. And who is Don? The hit I turned up doesn't necessarily seem all that likely. Was denken sie, Theoretiker?
RADIO: Manhattan says, "{ksssss}"
RADIO: Manhattan says, "{shhkkrrrr}"
RADIO: Manhattan says, "{skssss} —sten to the wind blow, watch the sun rise"
RADIO: Manhattan says, "Run in the shadows, damn your love, damn your lies"
RADIO: Manhattan says, "And if, you don't love me now"
RADIO: Manhattan says, "You will never love me again"
RADIO: Manhattan says, "I can still hear you saying"
RADIO: Manhattan says, "You would never break the chain Never break the chain"
RADIO: Manhattan says, "And if, you don't love me now"
RADIO: Manhattan says, "You will never love me again"
RADIO: Manhattan says, "I can still hear you saying"
RADIO: Manhattan says, "You would never break the chain Never break the chain"
RADIO: Manhattan says, "Listen to the wind blow down comes the night {ringing}"
RADIO: Manhattan says, "Running in the shadows damn your love, damn your lies {click}"
RADIO: Manhattan says, "Break the silence, damn the dark, damn the light {clickclick}"
- This is, of course, MOTHERFUCKING FLEETWOOD MAC
RADIO: Manhattan says, "{beep} Ichihara."
RADIO: Manhattan says, "Good, you're awake. I was hoping you'd be available."
RADIO: Manhattan says, "Please, sir. To business."
RADIO: Manhattan says, "Of course, always the devil in the details. Alright, that's fair. I've got a special delivery I need you to have one of your eyes look after."
RADIO: Manhattan says, "Specifications?"
RADIO: Manhattan says, "I'm sending Mr. Verse to check on my accountant."
RADIO: Manhattan says, "Ah"
RADIO: Manhattan says, "I'm sure you understand why this is so sensitive."
RADIO: Manhattan says, "Absolutely, sir."
RADIO: Manhattan says, "Keep an eye on Mr. Verse. He's asked some troubling questions at his therapy sessions."
RADIO: Manhattan says, "We will find out everything, sir. If there is anything to know, you will know it."
RADIO: Manhattan says, "See, that's why I knew I could count on you Akado. You run a tight ship, you get results."
RADIO: Manhattan says, "If I may, sir?"
RADIO: Manhattan says, "Of course."
RADIO: Manhattan says, "After this is finished, perhaps… some leave time?"
RADIO: Manhattan says, "{silence}"
RADIO: Manhattan says, "Let's focus on the mission, Mr. Ichihara. If you and Hokuto get results, we'll talk leave time."
RADIO: Manhattan says, "Of… course, sir."
RADIO: Manhattan says, "Oh and, Akado?"
RADIO: Manhattan says, "{noise of questioning}"
RADIO: Manhattan says, "If he's been compromised…"
RADIO: Manhattan says, "No one will find out, Arthur."
- Aaa! Daddy Bad Touch
RADIO: Manhattan says, "Atta' boy."
RADIO: Manhattan says, "{click}"
RADIO: Manhattan says, "{crackle}"
RADIO: Manhattan says, "{kssss}"
RADIO: Manhattan says, "{crackle}"
RADIO: Manhattan says, "{screech}"
RADIO: Manhattan says, "{click}"
RADIO: Manhattan says, "{ksssszt} —ee trouble on the way"
RADIO: Manhattan says, "I see earthquakes and lightnin'"
RADIO: Manhattan says, "I see bad times today"
RADIO: Manhattan says, "Don't go 'round tonight"
RADIO: Manhattan says, "It's bound to take your life"
RADIO: Manhattan says, "There's a bad moon on the rise"
RADIO: Manhattan says, "I hear hurricanes a-blowing {Chapter, Chapter. Alpha, Seven}"
RADIO: Manhattan says, "I know the end is coming soon {We have inbound}"
RADIO: Manhattan says, "I know the end is coming soon {We have inbound}"
RADIO: Manhattan says, "I fear rivers over flowing {payload away}"
RADIO: Manhattan says, "I hear the voice of rage and ruin {fox one, fox two}"
RADIO: Manhattan says, "Don't go 'round tonight {direct hit}"
RADIO: Manhattan says, "It's bound to take your life {pulling up}"
RADIO: Manhattan says, "There's a bad moon on the rise {we're away}"
RADIO: Manhattan says, "I hope you got your things together {wait— something's— }"
RADIO: Manhattan says, "I hope you are quit prepared to die {jesus— fuck— someone's on the— oh fuck— }"
RADIO: Manhattan says, "Look's like we're in for nasty weather {eject! eject!}"
RADIO: Manhattan says, "One eye is taken for an eye {I can't he's holding the hatch down! Oh my god!}"
RADIO: Manhattan says, "Oh don't go 'round tonight {screaming}"
RADIO: Manhattan says, "It's bound to take your life {alarms}"
RADIO: Manhattan says, "There's a bad moon on the rise {static}"
RADIO: Manhattan says, "There's a bad moon on the rise {static}"
- Creedence. I approve of this broadcast's musical tastes.
RADIO: Manhattan says, "{hzzznn}"
RADIO: Manhattan says, "{kzzzsn}"
RADIO: Manhattan says, "{kzzzsn} —eckless! Stupid and RECKLESS!"
RADIO: Manhattan says, "It's one less jet."
RADIO: Manhattan says, "But they still launched their missiles! If you had just fucking listened we would have all been in position!"
RADIO: Manhattan says, "There wasn't time!"
RADIO: Manhattan says, "A war isn't about rushing, Petrelli!"
RADIO: Manhattan says, "And it isn't about sitting on your hands, waiting for people who can't actually do anything to call the shots!"
RADIO: Manhattan says, "So help me fucking god, Petrelli, there were seven hundred people in that safehouse."
RADIO: Manhattan says, "And I got them all out."
RADIO: Manhattan says, "You— what?"
RADIO: Manhattan says, "Why do you think I was late."
RADIO: Manhattan says, "Get— the fuck out of my office you smug son of a bitch."
RADIO: Manhattan says, "Before I go, I just wanted to let you know I'm done. We're done."
RADIO: Manhattan says, "With?"
RADIO: Manhattan says, "This. You. Everything."
RADIO: Manhattan says, "You can't just walk the fuck out on—"
RADIO: Manhattan says, "I have a son. I can't keep— doing this. Risking my life for a war we can't win."
RADIO: Manhattan says, "And exactly what future is your son going to have, in a nuclear winter?"
RADIO: Manhattan says, "{silence}"
RADIO: Manhattan says, "Sebastian—"
RADIO: Manhattan says, "No."
RADIO: Manhattan says, "Look—"
RADIO: Manhattan says, "I said no, Petrelli."
RADIO: Manhattan says, "I need to—"
RADIO: Manhattan says, "I and the seven thousand people we care for don't care what you and your family has to say. You are a military asset."
RADIO: Manhattan says, "I realized that a while ago."
RADIO: Manhattan says, "Petrelli, if you walk out that door—"
RADIO: Manhattan says, "Goodbye, General."
RADIO: Manhattan says, "Petrelli! For God's sake think about the people here!"
RADIO: Manhattan says, "I am. You should all leave. Like I am. We lost. It's over."
RADIO: Manhattan says, "{silence}"
RADIO: Manhattan says, "I'm taking my family, and I'm leaving. You and Curtis should do the same. Before it's too late."
RADIO: Manhattan says, "{crackle}"
RADIO: Manhattan says, "{hiss}"
RADIO: Manhattan says, "{crackle}"
RADIO: Manhattan says, "{crackle} Too late."
RADIO: Manhattan says, "{hiss} Too late."
RADIO: Manhattan says, "{crackle} Too late."
RADIO: Manhattan says, "{hiss}"
RADIO: Manhattan says, "{ringing}"
RADIO: Manhattan says, "{ringing}"
RADIO: Manhattan says, "{click} This is an unusual hour for a social call."
RADIO: Manhattan says, "I'm sorry to bother you at such a late hour, Director. The ah, our mole has informed us that Petrelli's abandoned the resistance."
RADIO: Manhattan says, "{deep sighing} Of course he has."
RADIO: Manhattan says, "Should we… try and intervene? Or—"
RADIO: Manhattan says, "No. If that's what he and Gillian want, I'm… not going to stop them."
RADIO: Manhattan says, "It's unlikely they'll be able to push back another assault."
RADIO: Manhattan says, "{sigh} Yeah. That's… probably true."
RADIO: Manhattan says, "Should we, perhaps, extend an olive branch?"
RADIO: Manhattan says, "I'll draft up a list. Likely candidates. People who would… be trustworthy. At least— fuck— as trustworthy as I can assume."
RADIO: Manhattan says, "As you will. I'll— "
RADIO: Manhattan says, "Has anyone… talked to her?"
RADIO: Manhattan says, "{silence}"
RADIO: Manhattan says, "{silence}"
RADIO: Manhattan says, "No, sir. Our mole has kept her distance."
RADIO: Manhattan says, "{sigh} Right. Right."
RADIO: Manhattan says, "If you want, I can get a surveillance d— "
RADIO: Manhattan says, "No."
RADIO: Manhattan says, "I could do it myself."
RADIO: Manhattan says, "{strained} Just. Leave it, for now, Des."
RADIO: Manhattan says, "As you wish, sir."
RADIO: Manhattan says, "Um, get… can you— send someone up? From medical?"
RADIO: Manhattan says, "Sir?"
RADIO: Manhattan says, "The last round of meds didn't— the pain's still an issue."
RADIO: Manhattan says, "Oh— Of course. Yes. Is there anything else?"
RADIO: Manhattan says, "Kravid."
RADIO: Manhattan says, "Pardon?"
RADIO: Manhattan says, "I… need to talk to her about that project we scrapped."
RADIO: Manhattan says, "Of course, sir. I'll have Ms. Fournier send her up."
RADIO: Manhattan says, "Thanks, Des."
RADIO: Manhattan says, "We'll make this work, sir. We've got— "
RADIO: Manhattan says, "I said thanks, Des."
RADIO: Manhattan says, "Yes. Right. Goodnight, sir."
RADIO: Manhattan says, "Goodnight."
RADIO: Manhattan says, "{click}"
RADIO: Manhattan says, "{click}"
RADIO: Manhattan says, "{click}"
RADIO: Manhattan says, "{static}"
RADIO: Manhattan says, "{screech}"
RADIO: Manhattan says, "{clickclick}"
RADIO: Manhattan says, "{screech}"
RADIO: Manhattan says, "{crackle} —ind if I ask you a question, Carp? Over."
RADIO: Manhattan says, "We're supposed to be radio silent. Over."
RADIO: Manhattan says, "Well, yes, but it's boring here. Over-rover."
RADIO: Manhattan says, "{long, exasperated sigh}"
RADIO: Manhattan says, "You didn't say over, over."
RADIO: Manhattan says, "You're awfully chatty, for someone who is about to test the limits of their immortality. Over."
RADIO: Manhattan says, "Oh, I don't know. You think it's going to be that bad? Maybe the Furhur will have tea and biscuits ready? Over."
RADIO: Manhattan says, "{longer, deeper sigh}"
RADIO: Manhattan says, "Look, all I'm saying is that maybe we both make it out of this? Over."
RADIO: Manhattan says, "Exactly, in what way, do you see that as a possibility? Over."
RADIO: Manhattan says, "How married are you, exactly, to the Fatherland?"
RADIO: Manhattan says, "{long pause}"
RADIO: Manhattan says, "Sorry, over."
RADIO: Manhattan says, "You know the answer to that. Over."
RADIO: Manhattan says, "I'm just saying, things… don't have to end like this, not for people like us. Over."
RADIO: Manhattan says, "You're considering defecting. To the Allies. Over."
RADIO: Manhattan says, "I'm not considering it. While we've been talking I shot the three chaps with me, and opened a few doors. Over."
RADIO: Manhattan says, "You— did what!?"
RADIO: Manhattan says, "{silence}"
RADIO: Manhattan says, "You didn't say over, Carp."
RADIO: Manhattan says, "Over."
RADIO: Manhattan says, "Adam, what— did you do? Over."
RADIO: Manhattan says, "Liberated us. Liberated our people. The world is sick, Carp. We're the only ones who can heal it. Over."
RADIO: Manhattan says, "We. Are a disease. Over."
RADIO: Manhattan says, "You're wrong, Carp. We're the cure. Over."
RADIO: Manhattan says, "Monroe, where are you? Over."
RADIO: Manhattan says, "Doing what I should have done a long time ago. Make friends."
RADIO: Manhattan says, "{silence}"
RADIO: Manhattan says, "Adam? {sirens}"
RADIO: Manhattan says, "Adam! {sirens}"
RADIO: Manhattan says, "{crackle}"
RADIO: Manhattan says, "{bzzzn}"
RADIO: Manhattan says, "{click}"
RADIO: Don says, "So. Did you… recognize anyone?"
RADIO: Else says, "A few, but, s'hard."
RADIO: Else says, "Y'know, with the static. I can't be sure."
RADIO: Don says, "You?"
RADIO: Unknown says, "Volken."
RADIO: Don says, "You're sure?"
RADIO: Unknown says, "Absolutely."
RADIO: Unknown says, "His first body."
RADIO: Unknown says, "The one before Santiago."
RADIO: Don says, "{deep sigh}"
RADIO: Else says, "Anyone else?"
RADIO: Don says, "I recognized Peter."
RADIO: Don says, "I mean… sort of."
RADIO: Unknown says, "Who he used to be, yes."
- Oh, fuck me. Is that why you've been quoting Shakespeare on channel at me, buddy? God damn it.
RADIO: Else says, "{uncomfortable noise.}"
RADIO: Don says, "And… possibly a couple others? But I just… I can't be sure."
RADIO: Don says, "What… what are we listening to?"
RADIO: Unknown says, "That, I believe, is the question we should all be asking."
RADIO: Else says, "Does… Edward know?"
RADIO: Don says, "He's been very tight-lipped. When we hauled this out of the water… I…"
RADIO: Don says, "I don't know. But I'm starting to worry. This thing, it's not… we should never have let Gabriel work on it."
RADIO: Don says, "I think we should dismantle it."
RADIO: Unknown says, "Are you so afraid of the unknown?"
RADIO: Unknown says, "Are you so afraid of the unknown?"
RADIO: Unknown says, "Life is a journey through series of unknown corridors. Myriad doors, myriad possibilities. Why lock one you haven't opened?"
RADIO: Don says, "Christ. Joy. Please."
RADIO: Don says, "This is… so far beyond any of us."
RADIO: Joy says, "To that… I agree."
RADIO: Joy says, "And yet."
RADIO: Else says, "I— I can't take this anymore."
RADIO: Else says, "{clanking sounds}"
RADIO: Else says, "{door closes}"
RADIO: Don says, "{deep sigh}"
RADIO: Don says, "I won't make a decision tonight."
RADIO: Don says, "But once this solar storm is over…"
RADIO: Joy says, "Give it time."
RADIO: Joy says, "I'm, personally, very curious to see how this all goes."
RADIO: Don says, "That's… not comforting, Joy."
RADIO: Joy says, "My apologies. I'll… ruminate on this. Perhaps I'll see something useful. You, however, should get some sleep. I don't want your ability any time soon, Don."
RADIO: Don says, "{rueful laughter}"
RADIO: Don says, "Yeah."
RADIO: Don says, "Yeah I suppose not."
RADIO: Don says, "Ok. I'm… turning this fucking thing off."
RADIO: Manhattan says, "{*pop*}"
- And now i can die.
RADIO: Manhattan says, "{*pop*}"
- Okay, I got this
RADIO: Manhattan says, "{click}"
RADIO: Unknown says, "Ssh."
RADIO: Unknown says, "Holy shit this thing… is working?"
RADIO: Unknown says, "{silence}"
RADIO: Unknown says, "How the hell does this thing… work…"
RADIO: Unknown2 says, "Stop. Don't— we shouldn't be in here."
RADIO: Unknown says, "I know what I'm doing."
RADIO: Unknown says, "I'm a— {SCREECH}"
- A what, Dess? You're a doctor, not a radio technician. So what is that thing? Something somehow biological or organic?
RADIO: Unknown says, "{SCREECH}"
RADIO: Unknown says, "Fuck! Fuck what is that!? {SCREECH}"
RADIO: Unknown2 says, "Oh my god turn it down! {SCREECH}"
RADIO: Unknown says, "I— I don't think there's a volume know? {SCREECH}"
RADIO: Unknown says, "Shit. Ok, hold on. I— {Watashi}"
RADIO: Unknown says, "Whh-hat the fuck? {wa}"
RADIO: Unknown2 says, "{whispering} Do— do you hear that??"
RADIO: Unknown says, "Shh. {anata}"
RADIO: Unknown says, "{ga}"
RADIO: Unknown says, "{kikoeru}"
- "I can hear you."
RADIO: Unknown says, "Oh my god. Oh— my god. {screech}"
RADIO: Unknown2 says, "What? Dess, what did it say!?"
RADIO: Dess says, "It can hear us."
RADIO: Unknown2 says, "Turn it off!"
RADIO: Dess says, "Wait, wait. {Watashi}"
RADIO: Dess says, "I just want to… {no}"
RADIO: Dess says, "listen… {kodomo}"
- "My child(ren)."
RADIO: Unknown2 says, "Dess, please. Please turn it off. {Watashi no chi}"
- "My blood."
RADIO: Dess says, "Who… who is it? {Doa wo akete}"
- "Open the door."
RADIO: Dess says, "Why… why do they sound so familiar? {watashi wo naka}"
- I know why
RADIO: Dess says, "I can't— {ni hairasete kudasai}"
- "Please let me inside."
RADIO: Unknown2 says, "Turn it of—"
RADIO: Manhattan says, "{*pop*}"
- I knew all that Japanese would pay off one day
RADIO: Manhattan says, "{kasssh}"
RADIO: Manhattan says, "{ssssshhk}"
RADIO: Manhattan says, "{ksssss}"
RADIO: Manhattan says, "{hmbzzn} —t the machine. It's a part of me. It's inside of me."
RADIO: Manhattan says, "I'm stuck in this dream it's changing me I am becoming"
RADIO: Manhattan says, "The me that you know he had some second thoughts {beeping}"
RADIO: Manhattan says, "She's covered with scabs and she is broken and sore {beeping}"
RADIO: Manhattan says, "The me that you know doesn't come around much {beeping}"
RADIO: Manhattan says, "That part of me isn't here anymore {Heartrate is steady.}"
RADIO: Manhattan says, "All pain disappears it's the nature of my circuitry {This part is going to hurt.}"
RADIO: Manhattan says, "Drowns out all I hear there's no escape from this my new consciousness. {We have to keep your nerve endings live for the interface.}"
RADIO: Manhattan says, "That me that you know used to have feelings. {Otherwise it won't synchronize with your gift.}"
RADIO: Manhattan says, "But the blood has stopped pumping and he's left to decay. {Begin the procedure.}"
RADIO: Manhattan says, "The me that you know is now made up of wires. {machine sounds}"
RADIO: Manhattan says, "And even when I'm right with you I'm so far away. {screaming}"
RADIO: Manhattan says, "I can try to get away but I've strapped myself in. {We've cut through the bone. Removing the remainder of the stump.}"
RADIO: Manhattan says, "I can try to scratch away the sound in my ears. {infiltrating subcutaneous fibers}"
RADIO: Manhattan says, "I can see it killing away all my bad parts. {EKG is spiking.}"
RADIO: Manhattan says, "I don't want to listen but it's all too clear {Infiltration to cerebral cortex is confirmed.}"
RADIO: Manhattan says, "Hiding backwards inside of me I feel so unafraid {sending EM pulse}"
RADIO: Manhattan says, "Annie, hold a little tighter, I might just slip away {full nerve connection established}"
RADIO: Manhattan says, "It won't give up it wants me dead. {Preparing dermal bonding agent}"
RADIO: Manhattan says, "Goddamn this voice inside my head. {Initializing the system.}"
RADIO: Manhattan says, "It won't give up it wants me dead. {Synchronizing.}"
RADIO: Manhattan says, "Goddamn this voice inside my head. {We have overlap.}"
RADIO: Manhattan says, "It won't give up it wants me dead. {Lets let her rest}"
RADIO: Manhattan says, "Goddamn this voice inside my head."
RADIO: Manhattan says, "{Miss Dawson's been through a lot today}"
RADIO: Manhattan says, "{static}"
- I see how it is. So Monica and I don't get to taunt about knowing what this was all about? Fine. Be that way!
RADIO: Manhattan says, "{ringing}"
RADIO: Manhattan says, "{ringing}"
RADIO: Manhattan says, "{click} Is it done?"
RADIO: Manhattan says, "The assignment was a success. The field asset performed exceptionally."
RADIO: Manhattan says, "That's wonderful news. How is she doing?"
RADIO: Manhattan says, "En route now."
RADIO: Manhattan says, "You misunderstand me. How is she, emotionally?"
RADIO: Manhattan says, "Unchanged."
RADIO: Manhattan says, "That's disappointing. I need you to reinforce to our public relations director that our assets' mental health is of the utmost importance."
RADIO: Manhattan says, "Absolutely. She'll be informed as soon as we're through here."
RADIO: Manhattan says, "When the asset returns, give her four weeks leave."
RADIO: Manhattan says, "Will there be a follow-up assignment?"
RADIO: Manhattan says, "Of course, mister Erizawa. She has a contractual obligation to fulfill."
RADIO: Manhattan says, "What is next, then?"
RADIO: Manhattan says, "Howard LeMay continues to give information on the Institute's former holdings to the US Government."
RADIO: Manhattan says, "You're not suggesting — "
RADIO: Manhattan says, "No. I want to beat the wolves to their next meal, Mister Erizawa."
RADIO: Manhattan says, "Do we know who the target is?"
RADIO: Manhattan says, "In time. Stay in touch with our asset in that field. I will keep Ms. Damaris abreast of the rest of the particulars."
RADIO: Manhattan says, "Will there be anything else?"
RADIO: Manhattan says, "Not today, Eizen. Get some rest."
RADIO: Manhattan says, "Yes, Ms. Nakamura."
RADIO: Manhattan says, "{click}"
RADIO: Manhattan says, "{click}"
RADIO: Manhattan says, "{click}"
RADIO: Manhattan says, "{clickclick}"
RADIO: Manhattan says, "{ringing}"
RADIO: Manhattan says, "{ringing}"
RADIO: Manhattan says, "{background noise, voices} Sharrow speaking. What do you have for me."
RADIO: Manhattan says, "Mister Sharrow. The ah, the — operative? He's dead."
RADIO: Manhattan says, "{many voices, noise} I'm sorry, what did you say?"
RADIO: Manhattan says, "He's dead. Ah, the agent, sir. Is this— line secure?"
RADIO: Manhattan says, "{noise, voices} I was actually enjoying an espresso right up until you called."
RADIO: Manhattan says, "S-sir?"
RADIO: Manhattan says, "{noise, voices} How did to happen?"
RADIO: Manhattan says, "Pardon?"
RADIO: Manhattan says, "{noise, voices} Our agent. How did he die?"
RADIO: Manhattan says, "Epstein."
RADIO: Manhattan says, "{noise, voices} Well, that is certainly a point of contention, now isn't it?"
RADIO: Manhattan says, "I don't know if he made him, sir. Local authorities are already on the scene."
RADIO: Manhattan says, "{noise, voices} It hardly matters. If he did, he'll never sleep again. He will see us in every shadow cast across the ground."
RADIO: Manhattan says, "What— do you want us to do, though? Should we go after him? They've got him in lockup."
RADIO: Manhattan says, "{noise, voices} No. Let him stew in his choices until he's properly cooked. Then, see who pulls the meat from the pot."
RADIO: Manhattan says, "What if he tells— what if he knows about us?"
RADIO: Manhattan says, "{noise, voices} Have some faith, Boy. You know that he never brooked any fear."
RADIO: Manhattan says, "Sharrow, it's a reasonable concern. I'm the one state-side. If he talks—"
RADIO: Manhattan says, "{noise, voices} Then I suppose you will join our brothers in failure."
RADIO: Manhattan says, "{silence}"
RADIO: Manhattan says, "{noise, voices} What about the His trail?"
RADIO: Manhattan says, "Lost it in Mexico. Allegre, Deckard, and Laudani did something."
RADIO: Manhattan says, "{noise, voices} Fascinating."
RADIO: Manhattan says, "He's gone, Sharrow. Gone for good."
RADIO: Manhattan says, "{noise, voices} A less faithful man would believe as much."
RADIO: Manhattan says, "{Silence}"
RADIO: Manhattan says, "{noise, voices} I won't take any more of your time. But, do let me know if there's any further developments."
RADIO: Manhattan says, "Yes. Sir."
RADIO: Manhattan says, "{noise, voices} And please, do have some faith. He will return to us again. Of this… I am certain."
RADIO: Manhattan says, "{click}"
RADIO: Manhattan says, "{*pop*}"
- So this is the prelude to SSCP, apparently. We don't know much about Sharrow except that he's either in the Vanguard or Vanguard adjacent. Given the things he's said here, I'm going with Vanguard proper. I'll be curious to see who the operative stateside turns out to be… (Fly Blind, A Legacy That Lasts)
- Also, I called Kazimir's return days ago and Monica, Ray, and Eve will back me up on this. I HAVE BEEN TRYING SO HARD TO GET PEOPLE TO THIS CONCLUSION WITH ME, YOU GUYS!!! I may be wrong about the how of the return, but I've got two or three solid ideas about it. We'll see what comes to pass!!
RADIO: Manhattan says, "{kssshhh}"
RADIO: Manhattan says, "{skssss}"
RADIO: Manhattan says, "{ksztbzzzn}"
RADIO: Manhattan says, "{zzznnn}"
RADIO: Manhattan says, "{shhhkhh} —reports all as losses. No collateral assets remain, no liquid assets remain, no human assets remain."
RADIO: Manhattan says, "What of Muspelheim?"
RADIO: Manhattan says, "Lost."
RADIO: Manhattan says, "They were thorough this time. What are your estimates on human assets that received the fallback order?"
RADIO: Manhattan says, "Less than 200 worldwide. Possibly less than 100 functional. We're still sorting that out."
RADIO: Manhattan says, "Freya?"
RADIO: Manhattan says, "Unaccounted for. We're still going over intelligence."
RADIO: Manhattan says, "Heimdall?"
RADIO: Manhattan says, "Same. Unfortunately."
RADIO: Manhattan says, "I don't think we'll ever have a full account of what happened in New York."
RADIO: Manhattan says, "Yes. Yes I do suppose not. When is the next check-in?"
RADIO: Manhattan says, "Six weeks."
RADIO: Manhattan says, "Very well. Keep your head down, Freyr. I would hate for you to lose it."
RADIO: Manhattan says, "Yes, Njord. You have my complete compliance."
RADIO: Manhattan says, "Yes. So it would seem."
RADIO: Manhattan says, "{ssshksss}"
RADIO: Manhattan says, "{sssssss}"
RADIO: Manhattan says, "{*pop*}"
- This is almost definitely a broadcast between members of the _vanguard
- Per Word of Mod, Freya and Freyja are definitely different, meaning this is not Lucrezia being referenced
RADIO: Manhattan says, "{click}"
RADIO: Manhattan says, "{click}"
RADIO: Manhattan says, "{click}"
RADIO: Manhattan says, "{static}"
RADIO: Manhattan says, "{click}"
RADIO: Manhattan says, "{static}"
RADIO: Manhattan says, "{click}"
RADIO: Manhattan says, "{buzzing}"
RADIO: Manhattan says, "{static}"
RADIO: Manhattan says, "{static and screams}"
RADIO: Manhattan says, "{buzzing}"
RADIO: Manhattan says, "{high-pitched whine}"
RADIO: Manhattan says, "{buzzing}"
RADIO: Manhattan says, "{buzzing and screams}"
RADIO: Manhattan says, "{screams}"
RADIO: Manhattan says, "{multiple voices screaming}"
RADIO: Manhattan says, "{gunfire}"
RADIO: Manhattan says, "{static}"
RADIO: Manhattan says, "{screams}"
RADIO: Manhattan says, "{crackling fire}"
RADIO: Manhattan says, "{static}"
RADIO: Manhattan says, "{screams}"
RADIO: Manhattan says, "{static}"
RADIO: Manhattan says, "{popping}"
RADIO: Manhattan says, "{engines}"
RADIO: Manhattan says, "{static}"
RADIO: Manhattan says, "{static} —ust a copy of a copy of a copy"
RADIO: Manhattan says, "Everything I say has come before"
RADIO: Manhattan says, "Assembled into something into something into something"
RADIO: Manhattan says, "I don't know for certain anymore"
RADIO: Manhattan says, "I am just a shadow of a shadow of a shadow"
RADIO: Manhattan says, "Always trying to catch up with myself"
RADIO: Manhattan says, "I am just an echo of an echo of an echo"
RADIO: Manhattan says, "Listening to someone's cry for help"
RADIO: Manhattan says, "{je suis vraiment desole}"
RADIO: Manhattan says, "{Je ne pourrais pas te sauver.}"
- Who couldn't you save?
RADIO: Manhattan says, "Look what you had to start"
RADIO: Manhattan says, "Why all the change of heart?"
RADIO: Manhattan says, "You need to play your part"
RADIO: Manhattan says, "A copy of a copy of a"
RADIO: Manhattan says, "Now look what you've gone and done"
RADIO: Manhattan says, "Well that doesn't sound like fun"
RADIO: Manhattan says, "See I'm not the only one"
RADIO: Manhattan says, "A copy of a copy of a"
RADIO: Manhattan says, "{Witch, Witch, Witch}"
RADIO: Manhattan says, "{I didn't— I haven't done anything, stop! Stop! St— }"
- This is Madeline Rouen, who was the vessel for the Black Conduit from 1754 to 1812 (The Fall of Man, Kazimir)
RADIO: Manhattan says, "I am little pieces little pieces little pieces"
RADIO: Manhattan says, "Pieces that were picked up on the way"
RADIO: Manhattan says, "Imprinted with a purpose with a purpose with a purpose"
RADIO: Manhattan says, "A purpose that's become quite clear today"
RADIO: Manhattan says, "{Mik stop. Think about what you're doing, we don't have time for— }"
- This one is from the disarming of Munin (Midnight, Part IV)
RADIO: Manhattan says, "Look what you had to start"
RADIO: Manhattan says, "Why all the change of heart?"
RADIO: Manhattan says, "You need to play your part"
RADIO: Manhattan says, "A copy of a copy of a"
RADIO: Manhattan says, "Now look what you've gone and done"
RADIO: Manhattan says, "Well that doesn't sound like fun"
RADIO: Manhattan says, "See I'm not the only one"
RADIO: Manhattan says, "A copy of a copy of a"
RADIO: Manhattan says, "{Do you remember, when we both discovered what my gift could do to you? It frightened you, but it scared me more than you imagined. That it could do harm, as well as heal. It was then I knew that whatever it was we were, it was bigger than either of us. But you… you were always too arrogant to believe yourself as anything but your power. Monstrous.}"
RADIO: Manhattan says, "{Perhaps it is just better to let go, non? Release the boy, whether in death or life. You had your time to make amends and now it is borrowed. You should have died before Santiago, truly.}"
RADIO: Manhattan says, "{You and I both know I can't do that, Francois.}"
RADIO: Manhattan says, "I am just a finger on a trigger on a finger"
RADIO: Manhattan says, "Doing everything I'm told to do"
RADIO: Manhattan says, "Always my intention my intention your attention"
RADIO: Manhattan says, "Just doing everything you tell me to"
RADIO: Manhattan says, "{I am seeing this to its absolute end, because no one other me can destroy the monster I've made.}"
RADIO: Manhattan says, "{This is what the boy would have wanted to, for what it's worth. He isn't the kind to give up, or let go, when things become difficult… not, anymore at least.}"
- This is a conversation between Kazimir (in Peter's body) and Francois (Tree of Virtues, Tree of Vices)
RADIO: Manhattan says, "Look what you had to start"
RADIO: Manhattan says, "Why all the change of heart?"
RADIO: Manhattan says, "Well you need to play your part"
RADIO: Manhattan says, "A copy of a copy of a {I dont hate myself}"
RADIO: Manhattan says, "Now look what you gone and done {I hate the possibilities I represent.}"
RADIO: Manhattan says, "Well that doesn't sound like fun {The failures I hold inside of me. I hate the weakness, the loss, and the bitter resentment of the past.}"
- This is Kazimir speaking to Eileen (A Legacy That Lasts)
RADIO: Manhattan says, "So I'm not the only one"
RADIO: Manhattan says, "A copy of a copy of a"
RADIO: Manhattan says, "{Are you dead mister?}"
RADIO: Manhattan says, "{Are you going to visit Jesus?}"
RADIO: Manhattan says, "{Non…}"
RADIO: Manhattan says, "{Not yet. I am just… very tired.}"
- This is Abby receiving the White Conduit from Francois (Human, All Too Human)
RADIO: Manhattan says, "Look what you had to start"
RADIO: Manhattan says, "Why all the change of heart?"
RADIO: Manhattan says, "Well you need to play your part"
RADIO: Manhattan says, "A copy of a copy of a"
RADIO: Manhattan says, "{I've been on my best fucking behavior.}"
RADIO: Manhattan says, "{You think I am here because you deserve it?}"
- This is when it was believed the Conduits were both destroyed (The End)
RADIO: Manhattan says, "Now look what you've gone and done"
RADIO: Manhattan says, "Well that doesn't sound like fun"
RADIO: Manhattan says, "See I'm not the only one"
RADIO: Manhattan says, "A copy of a copy of a"
RADIO: Manhattan says, "{These}"
RADIO: Manhattan says, "{These ones you will bury, and give markers to.}"
RADIO: Manhattan says, "{Sir, the ground is frozen, we— }"
RADIO: Manhattan says, "{Then you will dig. Harder.}"
- This one is Nick out of time (The Light)
RADIO: Manhattan says, "(Look what you had to start) Look what you had to start"
RADIO: Manhattan says, "{Of course there's government agents here, Lewis, this is a government facility. Kindly tell them to— }"
RADIO: Manhattan says, "{They said they wanted to talk to you about Doctor Lancaster's disappearance.}"
- This is a scene that reveals more about Project Icarus (Beyond Good and Evil)
RADIO: Manhattan says, "(Why all the change of heart) Why all the change of heart"
RADIO: Manhattan says, "{I'll be fine. I'm always fine. I'm Abigail, God's chosen, healing the world one person at a time.}"
- Abby using her ability from the White Conduit (Call Me With a Drop of Faith)
RADIO: Manhattan says, "(You need to play your part) You need to play your part"
RADIO: Manhattan says, "{Witch, Witch, Witch}"
RADIO: Manhattan says, "A copy of a copy of a copy of a copy of a"
RADIO: Manhattan says, "{They are coming for you! Volken! I told you— }"
RADIO: Manhattan says, "(Look what you've gone and done) And look what you've gone and done"
RADIO: Manhattan says, "{Follow my lead, and pay attention to where my feet are.}"
- This series seems to be Kazimir's flashbacks (Flooding Back)
RADIO: Manhattan says, "(Yeah, that doesn't sound like fun) That doesn't sound like fun"
RADIO: Manhattan says, "{I was in Belgium during the war, a boy of seventeen years back then.}"
RADIO: Manhattan says, "(Yeah, I'm not the only one) See I'm not the only one"
RADIO: Manhattan says, "{I am glad to see all of this almost complete,}"
RADIO: Manhattan says, "A copy of a copy of a copy of a copy of a"
RADIO: Manhattan says, "{May it die with Volken}"
- We see a lot of the Conduits changing hands in these scenes, and I don't think it died with Volken
- The song choice here is important. Reading through Children of Ghosts indicates strongly that the Conduits do not hold actual 'souls', they don't carry the true essence of past hosts - they hold /copies/ of them. Deckard, for instance, spoke like Francois now and then when the White Conduit was in him - while Francois was quite alive. There's no actual transfer of consciousness. Which means that by the time the Black Conduit was in Peter, Kazimir was just a copy of a copy of a
RADIO: Manhattan says, "{static}"
RADIO: Manhattan says, "{static}"
RADIO: Manhattan says, "{static}"
RADIO: Manhattan says, "{ringing}"
RADIO: Manhattan says, "{ringing}"
RADIO: Unknown says, "{click} Hello?"
RADIO: Unknown Woman says, "It's… me."
RADIO: Unknown says, "Jesus Christ. You're— you're alive?"
RADIO: Unknown Woman says, "I'm… things… have been…"
RADIO: Unknown says, "Where are you?"
RADIO: Unknown Woman breathlessly, "Cambridge."
RADIO: Unknown says, "Aren't— isn't that a war zone right now? The riots!"
RADIO: Unknown says, "Are you safe?"
RADIO: Unknown Woman says, "For now. I'm—"
RADIO: Unknown says, "Are you coping?"
RADIO: Unknown says, "Can you get out of there?"
RADIO: Unknown Woman says, "I'm overwhelmed."
RADIO: Unknown Woman says, "It's— s-so much."
RADIO: Unknown says, "Joy. You have to get out of there."
RADIO: Joy says, "I don't think I can. I'm— having trouble concentrating."
RADIO: Joy says, "Everyone's voices."
RADIO: Joy says, "All at once."
RADIO: Joy says, "They're so scared."
RADIO: Unknown says, "Can you get to me? I can put you to sleep again."
RADIO: Joy says, "I don't… I don't know."
RADIO: Joy says, "The— when the security alert went off, it… the door opened."
RADIO: Unknown says, "For your safety."
RADIO: Unknown says, "You need to get as far away from there as possible, Joy."
RADIO: Joy, in a small voice. "Where?"
RADIO: Unknown says, "There's only one place I can think you'd be safe."
RADIO: Unknown says, "Follow the Yellow Brick Road, Joy."
RADIO: Joy says, "Y-you. Told me. Not to."
RADIO: Unknown says, "He won't betray you."
RADIO: Unknown says, "I trust him. Implicitly."
RADIO: Joy says, "I don't know if I can do it, Simon."
RADIO: Broome says, "You can."
RADIO: Broome says, "Find Richard."
RADIO: Broome says, "Find the end of the Yellow Brick Road."
RADIO: Manhattan {click}
RADIO: Manhattan {click}
RADIO: Manhattan {*pop*}
- Richard, what the fuck?!
- Don't you put this on me! I have no idea what's going on either! Broome is alive, though. The ones that died were all walking - Prime Broome is in a wheelchair. (ref: A Sum of Memories)
- I will pin this on you like a children's party game! So where the fuck is Prime Broome then? He can't be that far, or he wouldn't be asking her if she could get to him, right?
RADIO: Don says, "What the fuck even was that?"
RADIO: Else says, "Joy. I… I definitely recognized Joy."
RADIO: Else says, "She sounded so scared. When— when did that even fuckin' happen? Was it the flood?"
RADIO: Unknown Woman says, "The other voice was Simon Broome."
RADIO: Unknown Woman says, "He… used to run this place, when it was operational."
RADIO: Unknown Woman says, "He died in the outbreak inside the Ark."
RADIO: Don says, "How, exactly, do you know that?"
RADIO: Unknown Woman says, "I've listened to the log files, the ones that aren't corrupted."
RADIO: Unknown Woman says, "That's definitely Simon Broome."
RADIO: Else says, "So, so this's stuff from b'fore the flood then?"
RADIO: Else says, "Why're— why's it—"
RADIO: Don says, "I dunno."
RADIO: Don says, "Look, we said we'd give this one more go."
RADIO: Don says, "I'm fuckin' spooked."
RADIO: Else says, "Likewise."
RADIO: Unknown Woman says, "Don't be like that, Don."
RADIO: Unknown Woman says, "You're just as bad as Mateo."
RADIO: Unknown Woman says, "We need to figure out what this is."
RADIO: Else says, "An' then what? Listen t'all the sad shit in the bloody past?"
RADIO: Else says, "Count me straight th' fuck out."
RADIO: Don says, "Look. Edward put me in charge of this thing."
RADIO: Don says, "He trust my judgment."
RADIO: Don says, "We're all going to be cool, ok?"
RADIO: Don says, "Can we be cool?"
RADIO: Else says, "I'll go be cool out-fuckin'-side."
RADIO: Else says, "{chair creak}"
RADIO: Else says, "{clanking footsteps}"
RADIO: Unknown Woman says, "Let her go."
RADIO: Don says, "She's upset."
RADIO: Unknown Woman says, "Wouldn't you be?"
RADIO: Unknown Woman says, "Looking into a window of…"
RADIO: Don says, "…you trailed off there."
RADIO: Unknown Woman says, "{chair creaking}"
RADIO: Unknown Woman says, "What if it's not the past?"
RADIO: Don says, "Well, unless the people who died in here during the flood are suddenly coming back to life, I highly doubt it."
RADIO: Unknown Woman says, "I'm not talking about the future."
RADIO: Unknown Woman says, "I need to tell you about this dream I had."
RADIO: Don says, "Dessa. You're worrying me."
RADIO: Dessa says, "Yeah."
RADIO: Dessa says, "I worry me too."
RADIO: Dessa says, "{*pop*}"
- And let me tell you, Odessa has been having some dreams lately (The Ordinary World, Breathe in the Air)
RADIO: Manhattan says, "{static}"
RADIO: Manhattan says, "{buzzing}"
RADIO: Manhattan says, "{static}"
RADIO: Manhattan says, "{static} ~ me is where I want to be"
RADIO: Manhattan says, "Pick me up and turn me around"
RADIO: Manhattan says, "I feel numb, born with a weak heart"
RADIO: Manhattan says, "I guess I must be having fun"
RADIO: Manhattan says, "{This's yer captain speakin'. If you look out the left side'a the boat you'll see tha' we're about 1000 yards off'a the coast of home.}"
RADIO: Manhattan says, "The less we say about it the better"
RADIO: Manhattan says, "Make it up as we go along"
RADIO: Manhattan says, "Feet on the ground, head in the sky"
RADIO: Manhattan says, "It's okay, I know nothing's wrong, nothing"
RADIO: Manhattan says, "{An' tha' little beauty over there was the Statue of Liberty! When you wee ones weren't even born yet it was a big ol' statue, not like - a lady's hand stickin' outta the water.}"
RADIO: Manhattan says, "Oh! I got plenty of time"
RADIO: Manhattan says, "Oh! You got light in your eyes"
RADIO: Manhattan says, "And you're standing here beside me"
RADIO: Manhattan says, "I love the passing of time"
- Spoilers> CONFUSED BY METAPHORS!!! Jaiden says, "Talking Heads - this must be the place, 1983."
RADIO: Manhattan says, "Never for money, always for love"
RADIO: Manhattan says, "Cover up and say goodnight, say goodnight"
RADIO: Manhattan says, "{Alright kiddies back on'ta the bloody shore with ya. First Mate Doyle's gonna take y'down to the library. C'mon, c'mon.}"
RADIO: Manhattan says, "Home, is where I want to be"
RADIO: Manhattan says, "But I guess I'm already there"
RADIO: Manhattan says, "I come home, she lifted up her wings"
RADIO: Manhattan says, "I guess that this must be the place"
RADIO: Manhattan says, "{Oh bloody, let me in the door. Yes, yes I love you too. Ok, stop— get out from under m'bloody feet I'll feed ya. Inger! Stop, y'bloody menace! No claws on m'pants!}"
RADIO: Manhattan says, "I can't tell one from the other"
RADIO: Manhattan says, "I find you, or you find me?"
RADIO: Manhattan says, "There was a time before we were born"
RADIO: Manhattan says, "If someone asks, this is where I'll be, where I'll be oh!"
RADIO: Manhattan says, "{Dessa? Dessa? Oh. Bloody hell, where'd she go'n run off to now?}"
RADIO: Manhattan says, "We drift…"
RADIO: Manhattan says, "{static}"
RADIO: Manhattan says, "{beeps}"
RADIO: Manhattan says, "{crackle}"
RADIO: Manhattan says, "{buzzing}"
RADIO: Manhattan says, "{beeps}"
RADIO: Unknown Man says, "{crackle} This is the Featherweight, callin' all vessels in range. Anybody seen a wee blonde problem-child aboard?"
RADIO: Unknown Man says, "{crackle} This is the Trawler, out by the Jersey archipelago. Ain't seen her all day. Sorry Cap'n."
RADIO: Unknown Man says, "{crackle} This is the Far Mariner. Sorry, haven't seen her all day."
RADIO: Unknown Woman says, "{crackle} Forthright checking in. Yeah, I saw her. She boarded the Stray this morning."
RADIO: Unknown Man says, "{crackle} Oh bloody fuckin'— What's she doin' on Edward's bloody boat?"
- She's listening to… this… radio? Radioception! We know she's one of the Listeners, and we're pretty sure that's the Flood Future..
RADIO: Unknown Woman says, "{crackle} No idea. There were two other people with them, couldn't make them out. Sorry, Woods."
RADIO: Woods says, "{crackle} Lovely. Just lovely. Well, if Captain Sawyer winds up killin' her than I suppose I'll just go'n politely drown m'self."
RADIO: Unknown Woman says, "{crackle} No sign of pirates today, Woods. She'll be fine. And Eric wouldn't make you drown yourself. That's too quick."
RADIO: Woods says, "{crackle} Oh. Thanks a whole fuckin' bunch Eve. Thanks. A bunch."
RADIO: Woods says, "{crackle} a whole fuckin bunch."
RADIO: Manhattan says, "{*pop*}"
- This whole thing was prompted by Manny MAVing to the Radio channel, then responding to the amusement that generated!
- What I'm reading here is that Doyle and Odessa had a happy ending in the Flood future and right now I can't even.
- I'm not entirely convinced they aren't just besties. But I also recall they have rather explosive tempers and could see them clashing as long term partners, ngl. lol But the fact that they have a connection at all is a happy ending, regardless of what shape their relationship takes
- Besties is still a happy ending for them!
RADIO: Manhattan says, "{click}"
RADIO: Manhattan says, "{buzzing}"
RADIO: Manhattan says, "{static}"
RADIO: Manhattan says, "{static} —p on the wind, we've soared far and wide"
RADIO: Manhattan says, "On wings of our memories"
RADIO: Manhattan says, "Up high above, we fell so far below"
RADIO: Manhattan says, "Washed up on shores of the never was"
RADIO: Manhattan says, "So we go to the end of one road"
RADIO: Manhattan says, "Fresh on our memories we say"
RADIO: Manhattan says, "No"
RADIO: Manhattan says, "Turning back this time"
RADIO: Manhattan says, "Because we've got miles to go"
- Our Separate Ways, one of the ten final songs by Else Kjelstrom recovered by Robyn Quinn in the Institute Arcology. (Else)
RADIO: Manhattan says, "Before we're back to our lives"
RADIO: Manhattan says, "{Ol' bug-eyes doesn't pay me enough t'keep all these secrets.}"
RADIO: Manhattan says, "Ash all and dust, fade to the endings"
RADIO: Manhattan says, "We see by candle light"
RADIO: Manhattan says, "Deep down below, we follow our hearts"
RADIO: Manhattan says, "To the whispers of our families"
RADIO: Manhattan says, "We walk under boulevards"
RADIO: Manhattan says, "We hide in the dark"
RADIO: Manhattan says, "We go"
RADIO: Manhattan says, "Our"
RADIO: Manhattan says, "Way"
RADIO: Manhattan says, "{I'm sorry. But… Dessa didn't make it back from her assignment. I don't know if she was able to find the cache of adynomine, or… I'm sorry Mateo.}"
RADIO: Manhattan says, "{I'm… I— I understand. She knew the risks. She always told me she was lucky. Wasn't an ability, just… lucky.}"
RADIO: Manhattan says, "{I understand how important she was to you. She'll be missed. But… Mateo, you realize how important the Work is.}"
RADIO: Manhattan says, "{Yeah. Yeah… I do.}"
RADIO: Manhattan says, "{Make sure they're ready when the time comes, Mateo. We've only got one shot to save everyone.}"
RADIO: Manhattan says, "{Ok, Ed. Ok…}"
- So this is clearly Ed lying through his fucking teeth to Mateo about killing his—
RADIO: Manhattan says, "So we go to the end of one road"
RADIO: Manhattan says, "Fresh on our memories we say"
RADIO: Manhattan says, "No"
RADIO: Manhattan says, "Turning back this time"
RADIO: Manhattan says, "Because we've got miles to go"
RADIO: Manhattan says, "Before we're back to our lives"
RADIO: Manhattan says, "{Peter. Give me a situation report.}"
RADIO: Manhattan says, "We built up our lives"
RADIO: Manhattan says, "Through thick and through thin"
RADIO: Manhattan says, "But paint can't hide cracks in the wall"
RADIO: Manhattan says, "We're two paces behind our own footsteps"
RADIO: Manhattan says, "But we don't know"
RADIO: Manhattan says, "How to find"
RADIO: Manhattan says, "The way"
RADIO: Manhattan says, "Back"
RADIO: Manhattan says, "{At about… 3:00pm there was a massive electromagnetic storm. We think it had something to do with the solar flare, but I haven't checked in with the lab yet.}"
RADIO: Manhattan says, "{Mnhmm. And… what happened to the bus?}"
RADIO: Manhattan says, "{Completely cut in half. Perfectly smooth shear, hot on the edges. You can see there… that's where it melted the asphalt.}"
RADIO: Manhattan says, "{I see that, son. My eyesight is perfectly fine. I mean… where's the rest of it?}"
RADIO: Manhattan says, "{I have no idea.}"
- Arthur and Peter? So, there was an electromagnetic storm, which I can guess at the origins of… Except that the condition of the bus doesn't match up with my expectations. I'm coming back for you
RADIO: Manhattan says, "So we go to the end of one road"
RADIO: Manhattan says, "Fresh on our memories we say"
RADIO: Manhattan says, "No"
RADIO: Manhattan says, "Turning back this time"
RADIO: Manhattan says, "Because we've got miles to go"
RADIO: Manhattan says, "Before we're back to our lives"
RADIO: Manhattan says, "{I… I wish I had better news, Brian. I wish I had… anything.}"
RADIO: Manhattan says, "{Yeah. Me too.}"
RADIO: Manhattan says, "{Neither of them made it out of the fire. It— nobody was around to help. I'm sorry. I'm— so fucking sorry.}"
RADIO: Manhattan says, "{Jo?}"
RADIO: Manhattan says, "{We haven't told her yet.}"
RADIO: Manhattan says, "{Its ok. I'll— figure it out. You don't have to do this.}"
- Brian finding out about the death of Gillian and her son Nate
RADIO: Manhattan says, "All is not lost, we've seen this before"
RADIO: Manhattan says, "Though the blood and the tears fall anew"
RADIO: Manhattan says, "We've built these lives"
RADIO: Manhattan says, "Behind walls of stone"
RADIO: Manhattan says, "and towers of emotion trapped inside"
RADIO: Manhattan says, "But we're almost home"
RADIO: Manhattan says, "Just one more heart"
RADIO: Manhattan says, "To beat"
RADIO: Manhattan says, "As"
RADIO: Manhattan says, "One"
RADIO: Manhattan says, "{It has to be good news, right?}"
RADIO: Manhattan says, "{If there wasn't anyone alive, Tasha and Quinn would be back by now to tell us. It has to be okay ? maybe not great but okay. They must have needed to bring my Mom or brother to the doctor or something, if it's taking this long. Don't you think, Ygraine? It has to be something like that.}"
RADIO: Manhattan says, "{It might just be that Robyn's got lost}"
RADIO: Manhattan says, "{But I'm sure we'll find out as soon as they have anything to tell us. I've never seen Tasha be unkind, and you know that Robyn has a good heart, don't you?}"
RADIO: Manhattan says, "{So they're not going to keep us waiting any longer than we have to be. One or both of them'll be here to tell us what's going on soon, I'm sure of it. And if there was any definite news, we'd have it already.}"
RADIO: Manhattan says, "{static— You're not going to be alone}"
RADIO: Manhattan says, "{No one has to be alone. Especially not you.}"
- This is straight out of By Bond - Ygraine talking to Jolene before Quinn and Tasha return from Gillian's home with the news of her death.
RADIO: Manhattan says, "So we go to the end of one road"
RADIO: Manhattan says, "Fresh on our memories we say"
RADIO: Manhattan says, "No"
RADIO: Manhattan says, "Turning back this time"
RADIO: Manhattan says, "Because we've got miles to go"
RADIO: Manhattan says, "Before we're back to our lives"
RADIO: Manhattan says, "{If you're here, then where am I?}"
RADIO: Manhattan says, "The river of time carries us on our way"
RADIO: Manhattan says, "We row down the boulevard"
RADIO: Manhattan says, "of our lost hopes and dreams"
RADIO: Manhattan says, "We can light the way to get home"
RADIO: Manhattan says, "If we just try hard enough"
RADIO: Manhattan says, "They'll leave the door open"
RADIO: Manhattan says, "Just long enough"
RADIO: Manhattan says, "For us"
RADIO: Manhattan says, "To get"
RADIO: Manhattan says, "Home"
RADIO: Manhattan says, "{I don't know. There was no finding your body.}"
RADIO: Manhattan says, "{After our team was evacuated from Madagascar? I was arrested. For what I did to the girl. You and the others went to Marion island, south of Madagascar, and when the tidal wave hit, everyone died. The people with me too. I survived.}"
RADIO: Manhattan says, "{I stole a boat. Make my way back to New York. I guess all roads lead to. As you can see— I came back to this. No more New York City, no more Vanguard either. Things could be worse than they are. I'm fine, out here, no one tries to take the boat anymore.}"
RADIO: Manhattan says, "{He resents me}"
RADIO: Manhattan says, "{I think because I'm not the person he wants me to be. Were you relieved?}"
RADIO: Manhattan says, "{Were you relieved when I died?}"
- This is Eileen (Prime) speaking with Flood!Gabriel (La Mer, Part III)
RADIO: Manhattan says, "So we go to the end of one road"
RADIO: Manhattan says, "Fresh on our memories we say"
RADIO: Manhattan says, "No"
RADIO: Manhattan says, "{Please take care of him.}"
RADIO: Manhattan says, "Turning back this time"
RADIO: Manhattan says, "{I won't be able to control it.}"
RADIO: Manhattan says, "Because we've got miles to go"
RADIO: Manhattan says, "{Run.}"
- Too soon, dude (Quietus I)
- This wasn't even spoken… it was telepathically said, guys! So does that mean this machine is somehow punching through the fabric of space and time; recording memories of the past? A telepathic machine. What?! (yeah…IDK… just been thinking about this all night.) Either way it is a scary machine.
- On this thread of thought: Brains and Radiowave So.. this machine could be latching on to the electromagnetic waves of our brains… rather then just the radiowaves we put into the air… and or both.
RADIO: Manhattan says, "Before we get back to our lives."
RADIO: Manhattan says, "{static}"
RADIO: Manhattan says, "{*pop*}"
RADIO: Dessa says, "Well. That was stupid. I'm obviously not dead."
- I thought you were having dreams, Dessa. Should this really be a shock to you?
- Wait… Are you dreaming of Odessa and not Fauxdessa?
- She can't be. I know my girl, and since I haven't written a single fucking line for her in these exchanges, Manhattan knows her, too. If Floodessa saw Viressa die, at Edward's hands, who she would fucking recognize, she would be way more rattled here. Odessa's a survivor. Anything that threatens that survival freaks her out. Although her intense curiosity would keep her close to this device, whatever it is. She would absolutely risk herself for the sake of satisfying her need to know. If she'd had this dream, and told Don about it, neither of them would be puzzled by the interaction they heard between Edward and Ruiz. So, which Odessa is Floodessa dreaming of? Prime? Bright? Wasteland?
RADIO: Don {weary, muffled sigh}
RADIO: Else says, "That was one'f my fucking songs. My fucking voice. But— but I've never written it? How the fuck does that—"
RADIO: Dessa says, "Maybe you forgot because you were"
RADIO: Dessa says, "You know"
RADIO: Dessa falsetto, "High."
RADIO: Else says, "Ey! Fuck you Rui—"
- I see what you did there
RADIO: Don says, "Enough!"
RADIO: Don says, "Jesus Christ you two've worse than fucking cats."
RADIO: Don says, "Just— just get out of here and let me think. Jesus Christ."
RADIO: Else says, "Dismantle it, Don."
RADIO: Else says, "{chair creak}"
RADIO: Else says, "{footsteps}"
RADIO: Dessa mocking. "The opposite of whatever she said, Don."
RADIO: Don says, "OUT."
RADIO: Dessa {harumph noise.}
RADIO: Dessa says, "{door slam}"
RADIO: Joy says, "They're scared."
RADIO: Don says, "That your expert opinion?"
RADIO: Joy says, "They have every right to be. What Mortimer was able to to here, before he…"
RADIO: Joy says, "We have no way of really understanding how this works."
RADIO: Don says, "Don't you have his… uh, gift, now?"
RADIO: Joy says, "It's… not very helpful to me. Unless you want me winding up like him. Some abilities have consequences to their use. His, over long periods of time… The mind wasn't meant to bend that way."
RADIO: Don says, "Right."
RADIO: Don says, "Well."
RADIO: Don says, "You've got a vote in this."
RADIO: Joy says, "I abstain."
RADIO: Don says, "That makes sense. Sure. Yeah. Ok."
RADIO: Don says, "Just leave me to decide the fate of whatever doomsday device this is that Mort left for us before he jettisoned himself out of a fucking airlock."
RADIO: Joy says, "It's not your vote to make."
RADIO: Joy says, "Not really."
RADIO: Don says, "The… fuck do you mean?"
RADIO: Joy says, "Edward's looking for you."
RADIO: Joy says, "And… I should step outside."
RADIO: Don says, "Jesus Christ."
RADIO: Don says, "{*pop*}"
- So the theme of tonight's broadcast was "loss," apparently…
CONTENT WARNING: This broadcast contains depictions of abuse.
To skip: ctrl+f for "ALL CLEAR"
RADIO: Voices says, "{click}"
RADIO: Voices says, "{click}"
RADIO: Voices says, "{click}"
RADIO: Voices says, "{click}"
RADIO: Voices says, "{click}"
RADIO: Whispers says, "{moaning}"
RADIO: Whispers says, "{screaming}"
RADIO: Whispers says, "{sirens}"
RADIO: Howling says, "{gunfire}"
RADIO: Howling says, "{machine noises}"
RADIO: Howling says, "{crashing}"
RADIO: The Nothing says, "{static}"
RADIO: . says, "{static}"
RADIO: . says, "{static}"
RADIO: . says, "{static} —hen I was just a little girl"
RADIO: . says, "I asked my mother, what will I be"
RADIO: . says, "Will I be pretty"
RADIO: . says, "Will I be rich"
RADIO: . says, "Here's what she said to me"
RADIO: . says, "{You're a worthless little piece of shit, do you know that?}"
RADIO: . says, "{Stop crying!}"
RADIO: . says, "{I'll give you something to cry about!}"
RADIO: . says, "{Come here you little shit! Come here!}"
RADIO: . says, "Que sera, sera"
RADIO: . says, "Whatever will be, will be"
RADIO: . says, "The future's not ours to see"
RADIO: . says, "Que sera, sera"
RADIO: . says, "What will be, will be"
RADIO: . says, "{Get in there! No! I told you to stop crying!}"
RADIO: . says, "{The bad girl gets a time out!}"
RADIO: . says, "{Get down the stairs! Get down there right now!}"
RADIO: . says, "{No! You don't get to keep the lights on! I don't care if you're scared!}"
RADIO: . says, "{You wanna be afraid!? I'll give you something to be scared of!}"
RADIO: . says, "{screaming}"
RADIO: . says, "When I grew up and fell in love"
RADIO: . says, "I asked my sweetheart, what lies ahead"
RADIO: . says, "Will we have rainbows"
RADIO: . says, "Day after day"
RADIO: . says, "Here's what my sweetheart said"
RADIO: . says, "{Takes you back, doesn't it?}"
RADIO: . says, "{The concrete walls… the security checkpoints… the complete lack of humor}"
RADIO: . says, "{I think it could use a little color, personally, but I guess they appreciate that whole 'hopelessness' aesthetic they've got going.}"
RADIO: . says, "{Oh. But you don't look like you're enjoying it very much. And they went to all that trouble to get you such a good room.}"
RADIO: . says, "{We never talk anymore.}"
RADIO: . says, "Que sera, sera"
RADIO: . says, "Whatever will be, will be"
RADIO: . says, "The future's not ours to see"
RADIO: . says, "Que sera, sera"
RADIO: . says, "What will be will be"
RADIO: . says, "{Why, I remember when we'd have… conversations that went for hours. Whatever happened to the good ol' days, hm?}"
RADIO: . says, "{Aren't you supposed to be watching these monitors?}"
RADIO: . says, "{You should sit up too.}"
- Oh God. Nice to see you too, Eric. (The Wind Cries)
RADIO: . says, "Now I have children of my own"
RADIO: . says, "They ask their mother, what will I be"
RADIO: . says, "Will I be handsome"
RADIO: . says, "Will I be rich"
RADIO: . says, "I tell them tenderly"
RADIO: . says, "{Screaming}"
RADIO: . says, "{No! No please no!}"
RADIO: . says, "{Please don't!}"
RADIO: . says, "{Please don't take her away!}"
RADIO: . says, "{Kara!}"
RADIO: . says, "{KARA!}"
RADIO: . says, "Que sera, sera"
RADIO: . says, "Whatever will be, will be"
RADIO: . says, "The future's not ours to see"
RADIO: . says, "Que sera, sera"
RADIO: . says, "What will be, will be"
RADIO: . says, "Que sera, sera"
RADIO: . says, "{screech}"
RADIO: . says, "{static}"
RADIO: . says, "{my baby}"
RADIO: . says, "{no}"
RADIO: . says, "{*pop*}"
ALL CLEAR
RADIO: Manhattan says, "{click}"
RADIO: Manhattan says, "{click}"
RADIO: Manhattan says, "{click}"
RADIO: Manhattan says, "{static}"
RADIO: Manhattan says, "{buzzing}"
RADIO: Manhattan says, "{buzzing}"
RADIO: Manhattan says, "{static}"
RADIO: Manhattan says, "{static} —e got my eyes on you,"
RADIO: Manhattan says, "So best beware where you roam"
RADIO: Manhattan says, "I've got my eyes on you,"
RADIO: Manhattan says, "So don't stray too far from home."
RADIO: Manhattan says, "Incidentally"
RADIO: Manhattan says, "I've set my spies on you"
RADIO: Manhattan says, "I'm checking all you do"
RADIO: Manhattan says, "From A to Z!"
RADIO: Manhattan says, "So, darling, just be wise"
RADIO: Manhattan says, "Keep your eyes on— {static}"
RADIO: Manhattan says, "{static}"
RADIO: Manhattan says, "{buzzing}"
RADIO: Manhattan says, "{ringing}"
RADIO: Manhattan says, "{ringing}"
RADIO: Manhattan says, "{ringing}"
RADIO: Manhattan says, "{ringing}"
RADIO: Manhattan says, "{beep} It's me. Big development. Want to tell you all about it, so maybe you should pick up your fucking phone."
RADIO: Manhattan says, "{beep} Seriously? Epstein's in custody. I don't know what for. Would appreciate an update when things cool down over there. Call me back."
RADIO: Manhattan says, "{beep} Jesus fucking Christ. I know you're tough to pin down, but this is something else. Don't you ghost on me."
RADIO: Manhattan says, "{beep} Hey, asshole. I know where you live. Call me back."
RADIO: Manhattan says, "{beep} You know what? Fuck it. Just fuck it. People like you are the reason I charge a deposit."
RADIO: Manhattan says, "{beep} Hey, friend. I, uh. Temper got the better of me. It's in my blood. Italians, you know? My mother's side. Look. I'm gonna switch over to Holden or Demsky. If you don't like that, you get back to me…"
RADIO: Manhattan says, "{static}"
- Who the hell's answering machine was that? And who's got the temper?
RADIO: Manhattan says, "{static}"
RADIO: Manhattan says, "{ringing}"
RADIO: Manhattan says, "{ringing}"
RADIO: Manhattan says, "{ringing}"
RADIO: Manhattan says, "{click} Sharrow."
RADIO: Unknown Man says, "There's been a development."
RADIO: Unknown Man says, "Polyphemus is out of Hades."
RADIO: Sharrow says, "Interesting. Did he cut a deal?"
RADIO: Unknown Man says, "No. Apate broke him out."
RADIO: Unknown Man says, "Violently."
RADIO: Sharrow says, "Interesting. Do we have eyes on either target?"
RADIO: Unknown Man says, "Unknown. We're having contact issues. Our operatives in the field have gone to ground. Too many eyes."
RADIO: Sharrow says, "Do I need to come tend to this… personally?"
RADIO: Unknown Man says, "No, fath— sir. No sir."
- Sharrow Jr???
RADIO: Unknown Man says, "I'll reestablish connections. It'll only be a matter of time. But things are rapidly spiraling out of control from the narrative."
RADIO: Sharrow says, "Have you had any luck determining the location of an advent?"
RADIO: Unknown Man says, "Nnn. No. sir."
RADIO: Unknown Man says, "I'm not—"
RADIO: Sharrow says, "Do not."
RADIO: Sharrow says, "Finish."
RADIO: Sharrow says, "That sentence."
RADIO: Sharrow says, "You will have faith. You will reestablish our lines of sight. You will find His place of return."
- Faith like a child, Sharrow Jr.
RADIO: Sharrow says, "Or I will come and personally handle this for you and your sister."
RADIO: Unknown Man says, "Understood."
RADIO: Sharrow says, "He will Rise."
RADIO: Unknown Man says, "He will Rise."
- And also with you.
RADIO: Unknown Man says, "{click}"
RADIO: Unknown Man says, "{click}"
RADIO: Unknown Man says, "{click}"
RADIO: Unknown Man says, "{screech}"
- Pretty sure this denotes a change of 'verse. Changing gears from Prime to…
RADIO: Unknown Man says, "{click}"
RADIO: Unknown Man says, "{click}"
RADIO: Unknown Man says, "{click}"
RADIO: Sharrow says, "{click} —o choice but to conclude things this way."
RADIO: Sharrow says, "Victory is both a blessing and a curse, for us. It is the passing of one future to the next, a torch handed down to a new generation free of the stain of the past."
RADIO: Sharrow says, "I loved my daughter. I loved her even when she confided in me that she was one of Them."
RADIO: Sharrow says, "But now the time has come."
RADIO: Sharrow says, "We commit her remains to the deep."
RADIO: Sharrow says, "And the world is purer in her passing."
RADIO: Sharrow says, "Would you like to say a few words?"
RADIO: Kazimir says, "Certainly, Charles."
RADIO: Kazimir says, "Our victory, our success, is nothing to be celebrated."
RADIO: Kazimir says, "Billions died, for the sins of fewer."
RADIO: Kazimir says, "The world as once was spoken of in books is no more. The future has been spared, and we the torchbearers of a new generation of human kind."
RADIO: Kazimir says, "It is through our successes that we are able to lift this light."
RADIO: Kazimir says, "And it is by that light we watch a new world be born. Today, the Vanguard are cast into the flames."
RADIO: Kazimir says, "The War for humanity has ended, and the Vanguard are no longer needed."
RADIO: Kazimir says, "But you will stand watch, none the less, to keep the remnants of this world pure."
RADIO: Kazimir says, "Though the Vanguard may be dead, the Sentinel will stand vigilant over its grave."
RADIO: Kazimir says, "You have made me proud."
RADIO: Many Voices riotous cheering.
RADIO: Manhattan says, "{click}"
RADIO: Manhattan says, "{click}"
RADIO: Manhattan says, "{*pop*}"
- Virus? Or Flood? There's reference to billions being dead, which could denote the Virus wiping out 95% of the population. It could also refer to the drowning of the world. This can be further supported by the notion of committing the remains of Sharrow's daughter to the deep. I'm still leaning toward Virus, though.
RADIO: Manhattan says, "{crackle}"
RADIO: Manhattan says, "{static}"
RADIO: Manhattan says, "{buzzing}"
RADIO: Manhattan says, "{*click*}"
RADIO: Manhattan says, "{static}"
RADIO: Manhattan says, "{*click*}"
RADIO: Manhattan says, "{static}"
RADIO: Manhattan says, "{*click*}"
RADIO: Manhattan says, "{static}"
RADIO: Manhattan says, "{*click*}"
RADIO: Manhattan says, "{static}"
RADIO: Manhattan says, "{static}"
RADIO: Manhattan says, "{static} — idn't care more than words can say"
RADIO: Manhattan says, "If I didn't care, would I feel this way?"
RADIO: Manhattan says, "If this isn't love then why do I thrill? {cerebro-spinal connection in place}"
- The Ink Spots, "If I Didn't Care"
RADIO: Manhattan says, "And what makes my head go 'round and 'round {Hector, if you would be so kind.}"
RADIO: Manhattan says, "While my heart stands still? {Cranial saw ready.}"
RADIO: Manhattan says, "If I didn't care, would it be the same? {Blood pressure and pulse are steady}"
RADIO: Manhattan says, "Would my every prayer begin and end with just your name? {Let's begin.}"
RADIO: Manhattan says, "And would I be sure that this is love beyond compare? {Removing epidermis and musculoskeletal connections.}"
RADIO: Manhattan says, "Would all this be true if I didn't care for you? {Connecting blood oxygenator}"
RADIO: Manhattan says, "If I didn't care {Removing non-essential organs.}"
RADIO: Manhattan says, "Honey child, more than words can say {Beginning augmentation process}"
RADIO: Manhattan says, "If I didn't care {Heart rate is elevated, still within safe grounds}"
RADIO: Manhattan says, "Would I feel this way? {Adrenal pump successfully installed}"
RADIO: Manhattan says, "Darlin' if this isn't love {Ocular implants installed}"
RADIO: Manhattan says, "Then why do I thrill so much? {Ferroskeletal augmentation is… holding.}"
RADIO: Manhattan says, "And what is it that makes my head go 'round and 'round {Beginning cerebral implantation}"
RADIO: Manhattan says, "While my heart just stands still so much? {Layering dermal sheathing}"
RADIO: Manhattan says, "If I didn't care would it be the same? {Testing nervous system connections… all green.}"
RADIO: Manhattan says, "Would my every prayer begin and end with just your name? {Chromatizing complete}"
RADIO: Manhattan says, "And would I be sure that this is love beyond compare? {I think we're done here…}"
RADIO: Manhattan says, "Would all this be true if I didn't care for you? {Welcome to the new you, Director Mayes}"
RADIO: Manhattan says, "{static}"
RADIO: Manhattan says, "{static}"
RADIO: Manhattan says, "{buzzing}"
RADIO: Manhattan says, "{*pop*}"
- I did not see this one coming.
RADIO: Manhattan says, "{click}"
RADIO: Manhattan says, "{click}"
RADIO: Manhattan says, "{click}"
RADIO: Manhattan says, "{static}"
RADIO: Don says, "I think I finally get how this works."
RADIO: Manhattan says, "{static}"
RADIO: Manhattan says, "{buzzing}"
RADIO: Manhattan says, "{static}—ow, I'm sick of doubt"
RADIO: Manhattan says, "Live in the light of certain South"
RADIO: Manhattan says, "Cruel bindings"
- The Doors, "The Severed Garden" (or "A Feast Of Friends")
- I have concerns about this one.
RADIO: Manhattan says, "The servants have the power"
RADIO: Manhattan says, "Dog men and their mean women"
RADIO: Manhattan says, "Pulling poor blankets over our sailors"
RADIO: Manhattan says, "I'm sick of dour faces"
RADIO: Manhattan says, "Staring at me from the T. V. Tower"
RADIO: Manhattan says, "I want roses in my garden bower; dig?"
RADIO: Manhattan says, "Royal babies, rubies"
RADIO: Manhattan says, "Must now replace aborted"
RADIO: Manhattan says, "Strangers in the mud"
RADIO: Manhattan says, "These mutants, blood meal"
RADIO: Manhattan says, "For the plant that?s plowed— {static}"
- Origin of Slice rats
RADIO: Unknown Woman says, "Recording begins"
RADIO: Unknown Woman says, "April 9th, 1981. Facility B. 10:44 am Eastern Time."
RADIO: Unknown Woman says, "Test subject: Shakespeare"
RADIO: Unknown Woman says, "R. Norvegicus, age 1."
- Rattus norvegicus?
RADIO: Unknown Woman says, "Generation 4"
RADIO: Unknown Woman says, "It has been seventeen hours since the second injection and Shakespeare is not exhibiting the signs of neurophagia that Frost and Plath experienced."
RADIO: Unknown Woman says, "Last maze run confirmed metacognition completely intact."
RADIO: Unknown Woman says, "And, if we're lucky, he'll shorten his time by half today."
RADIO: Unknown Woman says, "Come on Shakespeare. {squeaking}"
RADIO: Unknown Woman says, "Ok here we go. {Squeaking}"
RADIO: Unknown Woman says, "Shakespeare is… navigating the maze. He's remembered the turns… avoided the trap door. Gosh, just– look at him go!"
RADIO: Unknown Woman says, "He's— oh Shakespeare. He's gotten himself lost in a corner."
RADIO: Unknown Woman says, "Ok. Well, this– {crackle}"
RADIO: Unknown Woman says, "Oh my god!"
RADIO: Unknown Woman says, "{alarms}"
RADIO: Unknown Woman says, "Oh— oh my god where– where did–"
RADIO: Unknown Woman says, "Doctor Price!"
RADIO: Unknown Woman says, "Doctor Price! He's– he's out of the maze!"
RADIO: Doctor Price says, "How… how did he– why is the alarm going off!"
RADIO: Unknown Woman says, "I don't know! I think it was a power surge– it– {crackle} Ah!"
RADIO: Doctor Price says, "Oh. My god."
RADIO: Doctor Price says, "Did—"
RADIO: Unknown Woman says, "Oh my god. Call Mr. Deveaux right now."
RADIO: Unknown Woman says, "We– might have an unexpected mutation."
RADIO: Unknown Woman says, "Tell Victoria too. She's– going to be beside herself."
RADIO: Doctor Price says, "{alarms stop}"
RADIO: Doctor Price says, "Yes ma'am."
- This… I don't think this is Odessa at all. Even an alternate timeline. I could be wrong, but I don't think the timing is good.
- After having a little more time to think about this, I think Doctor Price is one of Odessa's parents. Or "parents." She might be named Price for the doctor in the same way she was named Knutson for the nurse that took care of her - a nurse she doesn't actually remember. Additionally, any other time Odessa has spoken in these broadcasts, she's been identified by her first name. I assume this is because we would recognize her voice.
- Also, I don't feel like I wrote this, so. Take that for what it's worth, I guess.
- I think the Victoria being referenced is Victoria Pratt, one of the Company Founders and engineer of Strain 138, capable of wiping out 93% of the population.
- So, does that make this a Company experiment, then? Early Formula trials? With the mention of Mr. Deveaux, presumably Charles…
RADIO: Unknown Woman says, "Um. Log– log, ah–"
RADIO: Unknown Woman says, "Shakespeare escaped the maze."
RADIO: Unknown Woman says, "He–"
RADIO: Unknown Woman says, "I think he escaped through the wiring in the buzzer."
RADIO: Unknown Woman says, "As electricity."
RADIO: Unknown Woman says, "I– once we find him we can be certain what happened."
RADIO: Unknown Woman says, "Good lord."
RADIO: Unknown Woman says, "{click}"
RADIO: Manhattan says, "{click}"
RADIO: Manhattan says, "{click}"
RADIO: Manhattan says, "{static}"
RADIO: Manhattan says, "{static}"
RADIO: Manhattan says, "{screech}"
RADIO: Manhattan says, "{static}"
RADIO: Unknown Man says, "{static}– need you to think this through clearly, ok? Can you do that?"
RADIO: Unknown Man says, "I know we talked about trying to recover some of the bodies for… morale. But, something's come up."
RADIO: Unknown Man says, "I'm going to need you to leave the city. Not for– well, for a while."
RADIO: Unknown Man says, "…are you listening?"
RADIO: Unknown Man says, "Peter?"
RADIO: Peter has joined this channel.
RADIO: Peter says, "Yeah. Yeah I'm listening."
RADIO: Unknown Man says, "And?"
RADIO: Peter says, "Sorry I just… I had a weird dream last night."
RADIO: Unknown Man says, "…Ordinary? Or, like your mother's?"
RADIO: Peter says, "{long silence}"
RADIO: Peter says, "I saw… a man, standing over a pit. I think it was Mateo."
RADIO: Peter says, "He was holding… scales?"
RADIO: Unknown Man says, "The weighing kind? Or, like a liz–"
RADIO: Peter says, "Weighing. Like, the statue of Lady Justice? Whatever that's called, with the blindfold?"
RADIO: Peter says, "One was empty, the other had a feather on it."
RADIO: Peter says, "He… was talking to people, but I couldn't make out their faces. They were in shadow."
RADIO: Unknown Man says, "What did their voices sound like?"
RADIO: Peter says, "Whispers."
RADIO: Peter says, "I couldn't hear the shadows. But I could hear Mateo."
RADIO: Peter says, "He said he was sorry. That he couldn't help them get any further, because the feather was too light."
RADIO: Peter says, "Then he just… fell backwards into the pit."
RADIO: Peter says, "When he did there was… plants? They grew up out of the pit. Covered everything."
RADIO: Peter says, "I saw myself, tangled in them. I think I was dead…"
RADIO: Peter says, "My… dad was there too. I could barely remember what he looked like."
RADIO: Unknown Man says, "You've never mentioned your father before."
RADIO: Peter says, "He… died before the– bomb. Before the virus."
RADIO: Peter says, "He, um. It's not important."
RADIO: Unknown Man says, "What happened next?"
RADIO: Peter says, "A woman stepped out of the plants. On like, stone? There were these— statues? It looked like the stuff on top of the old Deveaux building."
RADIO: Peter says, "She was young. Maybe like, eighteen?"
RADIO: Unknown Man says, "Did you recognize her?"
RADIO: Peter says, "{quietly} maybe twenty?"
RADIO: Peter says, "Um, maybe? I dunno she looked– familiar."
RADIO: Peter says, "She turned to the shadows and smiled."
RADIO: Peter says, "She was holding scales too. Same kind as Mateo."
RADIO: Peter says, "Then she just… dropped them. Like they weren't important."
RADIO: Peter says, "She said something to them. To the shadows…"
RADIO: Unknown Man says, "What?"
RADIO: Peter says, ""Whatever happened, happened.""
- Tamara? Is that you? (Whatever Happened, Happened)
RADIO: Manhattan says, "{click}"
RADIO: Manhattan says, "{click}"
RADIO: Manhattan says, "{static}"
RADIO: Manhattan says, "{click}"
RADIO: Manhattan says, "{*pop*}"
RADIO: Manhattan says, "{static}"
RADIO: Manhattan says, "{*click}"
RADIO: Manhattan says, "{*click*}"
RADIO: Manhattan says, "{*click*}"
RADIO: Manhattan says, "{static}"
RADIO: Manhattan says, "{static}"
RADIO: Manhattan says, "{static} –agnes Varlane! How did I know it would be you? {rumbling}"
RADIO: Manhattan says, "Look, Liz, if we're going to die in this elevator together. I need to confess something to you."
RADIO: Manhattan says, "What are you getting at?"
RADIO: Manhattan says, "Officer Harrison, I think I ll– {explosion}"
- They were meant to be together, even the BBC knows.
- Somewhere out in the ether, Elisabeth is wailing in abject horror.
RADIO: Manhattan says, "{car tires screeching}"
RADIO: Manhattan says, "{explosion}"
RADIO: Manhattan says, "{gunfire}"
RADIO: Manhattan says, "They've forsaken us, but we're the only ones who can help."
RADIO: Manhattan says, "They've made us pariahs, but we'll make ourselves…"
RADIO: Manhattan says, "Heroes."
RADIO: Manhattan says, "{guitar}"
RADIO: Manhattan says, "{gunfire}"
RADIO: Manhattan says, "{glass breaking}"
RADIO: Manhattan says, "Wot're you gonna' do 'bout it? Hit me? I'm Ethan Fuckin' Hold–"
RADIO: Manhattan says, "{meaty slap}"
RADIO: Manhattan says, "Did you jus' fuckin' slap me?"
RADIO: Manhattan says, "{guitar}"
RADIO: Manhattan says, "{gunfire}"
RADIO: Manhattan says, "This world… is sick."
RADIO: Manhattan says, "All this world, a stage of diseased dolls."
RADIO: Manhattan says, "Ripe for the killing."
RADIO: Manhattan says, "Coming this Fall to BBC-1"
RADIO: Manhattan says, "The River Styx"
RADIO: Manhattan says, "{explosion}"
RADIO: Manhattan says, "{static}"
RADIO: Manhattan says, "{static}"
RADIO: Manhattan says, "{static}"
RADIO: Manhattan says, "{static}"
RADIO: Manhattan says, "{static} –ext up on 60 Minutes, an exclusive interview with the author of Wolves of Valhalla: The Rise and Fall of Kazimir's Volken's Vanguard. Lyuba Kolosova, former member of Russia's Right Cause, now teaching classes in Political Science at Brooklyn College in the New York Safe Zone."
RADIO: Manhattan says, "Ms. Kolosova, your book is based on hundreds of hours of interviews with associates and surviving members of the Vanguard— of which there are, if I'm not mistaken, very few?"
RADIO: Manhattan says, "That is correct. Less than 100, worldwide."
RADIO: Manhattan says, "Slim pickings. This is a fascinating and insightful examination of Volken's rise to power, but some of your critics have argued that you haven't been able to draw any conclusions about his point of origin. Your assertion of his age, for example–"
RADIO: Manhattan says, "I have multiple first-hand accounts of how he came to possess the body of Richard Santiago, as told directly by Volken himself."
RADIO: Manhattan says, "You don't think it's possible that Santiago could have just fabricated that story? Because it's a very good story."
RADIO: Manhattan says, "In researching this book, I was given intelligence from Operation: Apollo, a joint multinational task force that hunted the Vanguard. In that documentation, operations director Sarisa Kershner indicated that Volken had moved to a new host in, of all people, Peter Petrelli. Brother of President Nathan Petrelli."
RADIO: Manhattan says, "Right. And there are a number of individuals who could corroborate your theory—"
RADIO: Manhattan says, "It is not a theory. It is a fact."
RADIO: Manhattan says, "Who could corroborate your theory if you could get their statements on an official record. Ethan Holden, for example…"
RADIO: Manhattan says, "Fenrir, yes."
RADIO: Manhattan says, "But he won't meet with you?"
RADIO: Manhattan says, "I have not been able to gain access to Mr. Holden."
RADIO: Manhattan says, "Then can you speak more to what you think caused Holden and the other members of the New York City cell to flip? You touch on it very briefly in the book, but there's little follow-up on what they were doing after Operation Apollo. We know that some of them joined up with the Ferrymen, only to later turn on them as well. Eileen Ruskin served on their Council for a time, and there's enough evidence from Pollepel survivors to suggest that she was the mole for– {static}"
- DO NOT EVEN, 60 MINUTES PERSON. ONLY LYNETTE GETS TO MAKE THAT ACCUSATION AND THEN LEARN SHE WAS WRONG AT THE LAST MINUTE.
RADIO: Manhattan says, "{static}"
RADIO: Manhattan says, "{static}"
RADIO: Manhattan says, "{*pop*}"
RADIO: Manhattan says, "{static}"
RADIO: Manhattan says, "{static}"
RADIO: Manhattan says, "{*click*}"
RADIO: Manhattan says, "{static}"
RADIO: Manhattan says, "{*click*}"
RADIO: Manhattan says, "{buzzing}"
RADIO: Manhattan says, "{static}"
RADIO: Manhattan says, "{static}"
RADIO: Manhattan says, "{static} – ple are strange when you're a stranger"
RADIO: Manhattan says, "Faces look ugly when you're alone"
RADIO: Manhattan says, "Women seem wicked when you're unwanted"
RADIO: Manhattan says, "Streets are uneven when you're down"
RADIO: Manhattan says, "{I know this meeting is going to be awkward for the both of us. But, I think we need to hash this out. Like adults. Can you do that?}"
RADIO: Manhattan says, "When you're strange"
RADIO: Manhattan says, "Faces come out in the rain"
RADIO: Manhattan says, "When you're strange"
RADIO: Manhattan says, "No one remembers your name"
RADIO: Manhattan says, "When you're strange"
RADIO: Manhattan says, "When you're strange"
RADIO: Manhattan says, "When you're strange"
RADIO: Manhattan says, "{Now, I remember when you joined the Company. That was in… 1987, I'm pretty sure. Things were different back then, but you stood out from the crowd.}"
- Arthur?
RADIO: Manhattan says, "People are strange when you're a stranger"
RADIO: Manhattan says, "Faces look ugly when you're alone"
RADIO: Manhattan says, "Women seem wicked when you're unwanted"
RADIO: Manhattan says, "Streets are uneven when you're down"
RADIO: Manhattan says, "{Joined? Is that what you call kidnapping a three-year-old? I didn't join anything, I was abducted.}"
- Is Odessa's entire life a lie? Or… is this Kara?
RADIO: Manhattan says, "When you're strange"
RADIO: Manhattan says, "Faces come out in the rain"
RADIO: Manhattan says, "When you're strange"
RADIO: Manhattan says, "No one remembers your name"
RADIO: Manhattan says, "When you're strange"
RADIO: Manhattan says, "When you're strange"
RADIO: Manhattan says, "When you're…"
RADIO: Manhattan says, "{Now, don't take that attitude with me little lady. I know I was in charge back then, but I didn't always know what my subordinates were doing. Here? At Pinehearst? It's different now. You'd best think about that.}"
RADIO: Manhattan says, "{static}"
RADIO: Manhattan says, "{static}"
RADIO: Manhattan says, "{static}"
RADIO: Unknown Man says, "{crackle} — just gone. It's just… the whole bloody fucking facility is just gone."
RADIO: Unknown Woman says, "Are— you sure? It can't just vanish. It's probably an illus–"
RADIO: Unknown Man says, "It's not a bloody fuckin' illusion. I'm standin' in the middle of just– snow. The whole fuckin' complex is gone. Like it never bloody existed."
RADIO: Unknown Woman says, "Is there any sign of the transmitter tower or the hangars?"
RADIO: Unknown Man says, "Yer not fuckin' listening t'me. It's gone. There's no debris, no rubble, no– fuckin' anything. It's like it never existed."
RADIO: Unknown Woman says, "Calm down Agent Woods. We– we'll figure this out. Can you pick up any of the signals from the radio isotope tracker?"
RADIO: Woods says, "No. There's not a thing. It's jus'… I mean I'm getting pings from Anchorage, but nothin' local. I'm pullin' back on the Satcomm and I'm not seeing her anywhere. She was bloody fuckin' tagged in the new system!"
RADIO: Unknown Woman says, "Ok, we've got another team on approach they'll be there shortly. Mr. Petrelli is sending his son and Agent Canfield."
RADIO: Woods says, "Lovely. I'll jus' sit here in the bloody fuckin' Alaskan frontier freezin' my jongleurs off while we wait for ol' Pete t'work me into his schedule!"
RADIO: Unknown Woman says, "We'll find her, Woods. We'll figure out what happened."
RADIO: Woods says, "Mnhmm. Yeah– sorry yer' breakin' up {fake static noises} must be this solar storm! What? Speak up Kayla I can't hear you! {fake static noises continue} I've lost your signal!"
RADIO: Manhattan says, "{*click*}"
RADIO: Manhattan says, "{*click*}"
RADIO: Manhattan says, "{*click*}"
RADIO: Manhattan says, "{*click*}"
RADIO: Manhattan says, "{*pop*}"
RADIO: Don says, "O– Dessa? Are you ok?"
RADIO: Dessa says, "What? I'm fine."
RADIO: Don says, "No you're– crying."
RADIO: Dessa says, "I'm not c– {pause}"
RADIO: Dessa says, "what the fuck?"
RADIO: Don says, "Let's– turn this thing off."
RADIO: Don says, "{*pop*}"
- Great. Awesome. This is great. WHAT IS REAL ANYMORE?! I DON'T KNOW!! ahem! So, Bright timeline for this one? There wasn't a screech, so I don't think we switched between timelines midway. But why is Dess crying? What doesn't she remember that she remembers? Your guess is as good as mine on this one, folks.
- If this whole thing was Bright, then that first section is super disconcerting. Because it not only implies that Bridessa has some childhood memories that Odessa Prime does not, but also that they were altered somehow after that point. Bright timeline Odessa is "no closer to knowing her origins than she was ten years previous, something she has reconciled with over the years." So, what the actual is going on here? (Odessa)
- Alternative theory: That isn't Odessa that's being spoken to at all in the first section, but Kara, since we know Kara was at the Pinehearst facility when shit hit the fan. And just what is Odessa's connection to Kara to cause that reaction? (Effect and Cause)
RADIO: Manhattan says, "{static}"
RADIO: Manhattan says, "{static}"
RADIO: Manhattan says, "{static}"
RADIO: Manhattan says, "{static}"
RADIO: Manhattan says, "{static} –ine on the water thread of silvery beads"
RADIO: Manhattan says, "Lay low watch it crumble rippling through the open sea"
RADIO: Manhattan says, "I wait for the morning golden glimmer of day"
RADIO: Manhattan says, "I wait for the falling of the waters once again"
RADIO: Manhattan says, "For the waters once again"
- So when google fails you, as it did me… Manny provided this: https://soundcloud.com/postcardsmusic/waves
RADIO: Manhattan says, "{You can stay here, you know. We can't accept everyone, but… You seem like you're a good person, would be good for the community.}"
RADIO: Manhattan says, "The blue of the ocean could not ever fool me"
RADIO: Manhattan says, "Beyond the stillness there's a darkness we can't see"
RADIO: Manhattan says, "{What killed everyone who lived here before? Sickness? Starvation? I… this place must have been like a tomb when you found it.}"
RADIO: Manhattan says, "Sunlight has gone too quickly for my tastes"
RADIO: Manhattan says, "How I wish that the sun could feel like more than just a blaze"
RADIO: Manhattan says, "{Yeah… a tomb. Yeah, I guess it was.}"
RADIO: Manhattan says, "The light from the tower has been fading through the years"
RADIO: Manhattan says, "A once shining beacon that now flickers in a dream"
RADIO: Manhattan says, "Even if it disappears"
RADIO: Manhattan says, "{So, what d'you say? People could really use someone like you here. You know, give 'em a little hope. Something to look forward to.}"
RADIO: Manhattan says, "A line on the water would you ever believe"
RADIO: Manhattan says, "They say nothing fits our bodies better than the sea"
RADIO: Manhattan says, "Nothing better than the sea"
RADIO: Manhattan says, "{I say you've got y'self a musician.}"
RADIO: Manhattan says, "{static}"
RADIO: Manhattan says, "{static}"
RADIO: Manhattan says, "{static} –ould you just calm down for a bloody minute? Yer signal is breakin' up."
RADIO: Else says, "Woods. I need you t'come out to the tower. I can't stay here any longer. I– I can't do it. Please."
RADIO: Woods says, "You've been fuckin' ghost-gone fer three bloody years, Else! I thought you were dead! An' now y'just go'n radio me like nothin' fuckin' happened! Where's Dessa?"
- What the heeeell did this machine do?
- Wait. Have they been gone for three years? Or was it just Else that fucked off three years ago?
RADIO: Else says, "She's here. She's here. I just– I've gotta get out of here Woods some crazy shit's happening. Don's locked himself in the comms room, they've got some– the thing Warren made and he's just– Woods please."
RADIO: Woods says, "Fuckin' what the fuck is goin' on. Who's Don? Who the fuck is Warren? Where the fuck even are you? What bloody tower!?"
RADIO: Else says, "War– Mortimer. Right he's– on the broadcasts he's Warren. But– Woods the radio tower please. I can get there tonight."
- …They've been listening to the broadcasts for so long they don't even realize what isn't common knowledge to the rest of the world, haven't they? Holy fuck.
RADIO: Woods says, "Wait you're that bloody far north!? That's fuckin' pirate territory! I'm not swinging my dinghy into fuckin' Sawyer's territory!"
- Veronica!! Are you a pirate??? How many Brians does it take to man a pirate ship? Is Lynette hanging out with them??
RADIO: Else says, "I'll convince Dessa to leave with me."
RADIO: Woods says, "{Silence}"
RADIO: Woods says, "Jesus Christ on a fuckin' bicycle. Fuck. Fuck fuck fuck– Fine! But when I get killed an' eaten by pirates I'm hauntin' you!"
RADIO: Else says, "Fair. Tonight, Woods. We leave tonight."
- Why are you eating people, Pirate Ronnie? D: That's probs why Ruiz wanted to knife you.
- Also Lynette doesn't wanna eat people ;-; maybe less hanging out than previously assumed.
- Yeah, this is proooobably why Ruiz wants to knife Vee. Yikes. Also, this is deeply fucked up, right? Did Edward get paranoid and take his boat away from all the others for literal years? I'm not entirely convinced that Floodward didn't die partway through all of this, leaving Don in charge. What the hell is happening even?
RADIO: Woods says, "Ah, fuck me. {static}"
RADIO: Manhattan says, "{static}"
RADIO: Manhattan says, "{static}"
RADIO: Manhattan says, "{*pop*}"
RADIO: Manhattan says, "{static}"
RADIO: Manhattan says, "{static}"
RADIO: Manhattan says, "{static}"
RADIO: Manhattan says, "{static} —elieve I can see the future"
RADIO: Manhattan says, "Cause I repeat the same routine"
RADIO: Manhattan says, "I think I used to have a purpose"
RADIO: Manhattan says, "But then again"
RADIO: Manhattan says, "That might have been a dream"
RADIO: Manhattan says, "I think I used to have a voice"
RADIO: Manhattan says, "Now I never make a sound"
RADIO: Manhattan says, "I just do what I've been told"
RADIO: Manhattan says, "I really don't want"
RADIO: Manhattan says, "Them to come around"
RADIO: Manhattan says, "Oh no"
RADIO: Manhattan says, "{Hey. Buddy. Phone call for you.}"
RADIO: Manhattan says, "{Wh — what?}"
RADIO: Manhattan says, "{Fuckin' phone, man. And stop giving out this number it's for business only.}"
RADIO: Manhattan says, "{No one… knows I'm even…}"
RADIO: Manhattan says, "{It's a collect call, too. So, you fuckin' owe me.}"
RADIO: Manhattan says, "Every day is exactly the same"
RADIO: Manhattan says, "Every day is exactly the same"
RADIO: Manhattan says, "There is no love here, and there is no pain"
RADIO: Manhattan says, "Every day is exactly the same"
- NIN, "Every Day is Exactly the Same"
RADIO: Manhattan says, "{H-Hello?}"
RADIO: Manhattan says, "{Richard. Good. I wasn't sure if you'd be at the bar still. Do you recognize my voice?}"
- Edward?
RADIO: Manhattan says, "{Uh. No? Who the fuck is this? Are you fucking following me?}"
RADIO: Manhattan says, "{No. It's not— it doesn't work like that. Who I am isn't important. But I need you to look under your stool.}"
RADIO: Manhattan says, "I can feel their eyes are watching"
RADIO: Manhattan says, "In case I lose myself again"
RADIO: Manhattan says, "Sometimes I think I'm happy here"
RADIO: Manhattan says, "Sometimes, yet I still pretend."
RADIO: Manhattan says, "I can't remember how this got started"
RADIO: Manhattan says, "But I can tell you, exactly how it will end"
RADIO: Manhattan says, "{What the fuck.}"
RADIO: Manhattan says, "{Did you find it?}"
RADIO: Manhattan says, "{This is like, twenty thousand fucking dollars.}"
RADIO: Manhattan says, "{Thirty-six thousand, actually. For your trouble.}"
RADIO: Manhattan says, "{Trouble? What trouble?}"
RADIO: Manhattan says, "Every day is exactly the same"
RADIO: Manhattan says, "Every day is exactly the same"
RADIO: Manhattan says, "There is no love here and there is no pain"
RADIO: Manhattan says, "Every day is exactly the same"
RADIO: Manhattan says, "{There's another thirty-six thousand dollars in the Guiding Light Baptist Church in New York City, under the fifth pew on the right from the entrance.}"
RADIO: Manhattan says, "{Look, if you expect me to be a fucking drug mule you can — }"
RADIO: Manhattan says, "{I'm not interested in you pulling another stint at Rikers', Richard. Just take the money and talk to Pastor Sumter. He has something you'll want to see.}"
- Welcome to the Bright timeline.
RADIO: Manhattan says, "I'm writing on a little piece of paper"
RADIO: Manhattan says, "I'm hoping someday you might find"
RADIO: Manhattan says, "Well, I'll hide it"
RADIO: Manhattan says, "Behind something"
RADIO: Manhattan says, "They won't look behind"
RADIO: Manhattan says, "I am still inside here"
RADIO: Manhattan says, "A little bit comes bleeding through"
RADIO: Manhattan says, "I wish this could have been any other way"
RADIO: Manhattan says, "But I just don't know"
RADIO: Manhattan says, "I don't know, what else I can do!"
RADIO: Manhattan says, "{Shouting on the phone, crashing}"
RADIO: Manhattan says, "{Hey— hey buddy? Guy? You— are you— }"
RADIO: Manhattan says, "{UEO! Down on the ground right now! Drop the phone!}"
- So, is this how Edward wound up in Moab?
RADIO: Manhattan says, "{Phone hanging up}"
RADIO: Manhattan says, "{Sorry, pal.}"
RADIO: Manhattan says, "{Whoever you are.}"
RADIO: Manhattan says, "Every day is exactly the same"
RADIO: Manhattan says, "Every day is exactly the same"
RADIO: Manhattan says, "There is no love here and there is no pain"
RADIO: Manhattan says, "Every day is exactly the same"
RADIO: Manhattan says, "Every day is exactly the same"
RADIO: Manhattan says, "There is no love here and there is no pain"
RADIO: Manhattan says, "Every day is exactly the same"
RADIO: Manhattan says, "Every day is exactly the — {static}"
RADIO: Manhattan says, "{static}"
RADIO: Manhattan says, "{static}"
RADIO: Manhattan says, "{ringing}"
RADIO: Manhattan says, "{ringing}"
RADIO: Manhattan says, "{*click*} Good morning, you've reached Biomere Reaearch Incorporated. How can I direct your call?"
RADIO: Unknown Man says, "{deep sigh} Is this Kara Price?"
- …Richard?
RADIO: Kara says, "…y-yes? Is this {long pause} I'm sorry who is this?"
RADIO: Unknown Man says, "{mumbling} It's about your daughter."
RADIO: Kara says, "{silence}"
RADIO: Kara says, "{quiet} Kara?"
RADIO: Unknown Man says, "{whispering} I know where she is."
RADIO: Kara says, "{strangled noise} What? Who is this?"
RADIO: Kara says, "{emotionally compromised} Who is this?!"
- I see what you did there.
RADIO: Unknown Man says, "Take the research position at Pinehearst."
RADIO: Kara says, "{screaming} Who is this!?"
RADIO: Unknown Man says, "Just a ghost. A ghost."
RADIO: Unknown Man says, "{*click*}"
- …yep. This is Bright Cardinal.
RADIO: Kara says, "No! No-no-no-no."
RADIO: Kara says, "Hello??"
RADIO: Kara says, "Hello!?"
RADIO: Kara says, "{dialtone}"
RADIO: Kara says, "{screaming}"
RADIO: Manhattan says, "{*screech*}"
- Switching gears…
RADIO: Manhattan says, "{static}"
RADIO: Manhattan says, "{static}"
RADIO: Manhattan says, "{ringing}"
RADIO: Manhattan says, "{ringing}"
RADIO: Kara says, "{*click*} Good morning, you've reached the Department of Evolved Affairs. How can I direct your call?"
- …Wasteland?
RADIO: Unknown Man says, "{deep sigh} Actually, I wanted to talk to you Miss Price."
RADIO: Kara says, "O-Oh. Okay? Who are— {long pause} who is this?"
RADIO: Cardinal says, "Richard Cardinal, director of the Commonwealth Institute of Cambridge Massachusetts."
RADIO: Kara says, "I— Oh. Oh my gosh. I'm, I'm sorry— who? Are you? Who is that?"
- Gosh, for someone who has no idea who that is, you sure sounded awful impressed for a second there.
RADIO: Cardinal says, "{laughs} Yeah that— makes sense. Ah, we're a research-oriented think-tank located in Massachusetts. We work in collaboration with the Department of Evolved Affairs. I… happened to take a look at your personnel file, and I was wondering if you might be interested in meeting for an interview."
RADIO: Kara says, "Do— you need a secretary? Or— I'm—"
RADIO: Cardinal says, "{laughs} That'd be a waste of your talents, Miss Price. I'd like to see if you're interested in working on a project we're developing called Looking Glass. You're a very special person, and… well, I've read your dossier from your days with the Company."
- How… many timelines are working on Looking Glass simultaneously?
RADIO: Kara says, "{silence}"
RADIO: Cardinal says, "You still with us, Kara?"
RADIO: Kara says, "{coldly whispering} How did you get those records?"
RADIO: Cardinal says, "I trip over confidential files in my sleep. It's not important? Anyway, I think you'd be an amazing asset for—"
RADIO: Kara says, "{*click*}"
RADIO: Cardinal says, "Kara?"
RADIO: Cardinal says, "…Kara?"
RADIO: Cardinal says, "{deep sigh} Jesus Christ. Why does everyone have to make this so fucking hard?"
RADIO: Cardinal says, "{screech}"
- Third time's the charm, Richard?
RADIO: Manhattan says, "{ringing}"
RADIO: Sera says, "{click} Good morning, you've reached RayTech Industries. My name is Sera, how can I direct your call?"
RADIO: Unknown Man says, "Good morning, miss. I was wondering if you could pass along a message to someone for me."
RADIO: Sera says, "Certainly! Let me just {pause} who is calling and who are you looking to reach?"
RADIO: Unknown Man says, "I'm looking to reach Richard Cardinal."
RADIO: Sera says, "I'm— sorry. Who?"
RADIO: Unknown Man says, "Ah, yes. My mistake. Richard Ray."
RADIO: Sera says, "Nnnn— Okay. Um, I can direct you to his voicemail, Mister… ?"
RADIO: Unknown Man says, "That won't be necessary. Just tell him this is his old friend. He still has one of my pieces, and I'd like to play another game in the park."
- Oh, fuck.
- Well, since Richard Cardinal is gone in this timeline… I guess it makes sense that he would be handling this.
- Hi, Simon. I guess it has been awhile since we played, hasn't it? I do have one of his chess pieces…
RADIO: Sera says, "Iiiiii'm sorry I can't deliver personal messages to the CEO from just anyone. What did you say your name was?"
RADIO: Sera says, "{*click*}"
RADIO: Sera says, "Hello?"
RADIO: Sera says, "Hello??"
RADIO: Sera says, "{muttering} This fucking city."
RADIO: Sera says, "{static}"
RADIO: Manhattan says, "{static}"
RADIO: Manhattan says, "{static}"
RADIO: Manhattan says, "{static}"
RADIO: Manhattan says, "{*pop*}"
- Well, fuck me sideways.
RADIO: Don says, "{thoughtful noise} Interesting. Interesting…"
RADIO: Don says, "So… if I… nnn… put this string here…"
RADIO: Don says, "{low hum} Mmn. Yes. Interesting."
RADIO: Don says, "{*pop*}"
- Jesus Christ, Don. What the fuck are you doing? …I'm super concerned now.
RADIO: *crackle*
RADIO: *static*
RADIO: *high pitched whining*
RADIO: .. ..-. -.-- --- ..- .- .-. . .-. . -.-. . .. ...- .. -. --. - .... .. ... -- . ... ... .- --. .
- If you are receiving this message
RADIO: .. .----. -- - .-. -.-- .. -. --. - --- .... . .-.. .--.
- I'm trying to help
RADIO: -... ..- - - .... . -.-- .- .-. . .-- .- - -.-. .... .. -. --.
- But they are watching
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
- 68747470733A2F2F7777772E77686174697370726F6A6563746963617275732E636F6D2F662D617263686976652D646F737369657273
RADIO: -.. --- -. --- - .-.. --- --- -.- ..-. --- .-. -- .
- Do not look for me
RADIO: *crackle*
RADIO: *static*
RADIO: {where is he}
RADIO: {give him back}
RADIO: {please give him back}
RADIO: {please}
RADIO: *pop*
- Dess. :(
RADIO: {static}
RADIO: {crackle}
RADIO: "We can't keep meeting like this."
RADIO: "I know. I know… if Eileen ever found out, I just don't know what she'd think. You know how she gets… with her temper."
RADIO: "Teo…"
RADIO: "Gabriel…"
RADIO: On the next; River Styx.
RADIO: Detective Lazzaro: "The Vanguard are amassing a blockade around Manhattan! I need eyes on the river, stat!"
RADIO: Sargent Harrison: "But Detective, if the Vanguard realize we're on to them us they'll deploy… the Eclipse Contagion!"
RADIO: {gunfire}
RADIO: FBI Agent: "Federal Agent! Down on the ground!"
RADIO: Helena Beauchamp: "Ya'll are makin' a huge mistake. I'm the only one who can set Kazimir Volken right with God."
RADIO: Will PARIAH be able to reach the INVIERNO in time to prevent the release of the Eclipse Contagion?
RADIO: Felix Deckard: "Nobody panic, but I think the entire room is rigged to explode. I can see the wires in the walls."
RADIO: Kaylee Ryans: "I… really don't want to die in here with you, Felix. No hard feelings."
RADIO: Felix Deckard: "None taken Agent Ryans. I… really don't want to die here with you either. "
RADIO: Will the Company's dark secret be discovered?
RADIO: Doctor Woods: "I'm sorry but… you won't be leaving your cell, mate."
RADIO: Man in Straight Jacket: "But Im the president of the United States!? You can't do this to me!"
RADIO: Doctor Woods: "Unfortunately, no one will believe you Mister Rickham. Do be mindful of the leak in your cell. I'd hate for you to wind up like the tin woodsman."
- Don't cry when you see this episode, Nicole.
RADIO: All this, and the return of Eve Mas on the next…
RADIO: Eve, crashing out of a window with a dog. The building explodes in a shower of flames and bricks.
RADIO: River Styx.
RADIO: Only on BBC one and BBC America.
RADIO: {static}
RADIO: {*click*}
RADIO: Don exhales deeply. "Ok… nothing of value there."
- DON YOU WOULD NOT KNOW ART IF IT JUMPED UP AND SLAPPED YOU.
RADIO: {*pop*}
RADIO: -
RADIO: upload p.varlane_recovered.ark_
RADIO: upload complete
RADIO: recompile d.dunlap_pwd.tar_
RADIO: compiling…
RADIO: d.dunlap_pwd.tar successfully recompiled
RADIO: logout
RADIO: goodbye
RADIO: {crackle}
RADIO: {static}
RADIO: {crackle}
RADIO: {static} —ere born before the wind
RADIO: Also younger than the sun
RADIO: Ere the bonnie boat was won
RADIO: As we sailed into the mystic
RADIO: {Hey, you near the radio?}
RADIO: {Yeah, what's up?}
RADIO: {Nothing, it's just lonely out here tonight. I was… hoping for someone to talk to.}
RADIO: Hark, now hear the sailors cry
RADIO: Smell the sea and feel the sky
RADIO: Let your soul and spirit fly
RADIO: Into the mystic
RADIO: {I'm picking you up pretty clear. How far away are you?}
RADIO: {Out by the isle of Wallface.}
RADIO: {Wow. That's pretty far. I guess anything's possible on a clear night, right?}
RADIO: {How's the city life?}
RADIO: {Same old. Oil tanker cane in today, got about two thousand gallons from it. It'll keep the lights on for a while more. How's prospecting?}
RADIO: {Romantic. Most of the time.}
RADIO: And when that fog horn blows
RADIO: I will be coming home
RADIO: And when the fog horn blows
RADIO: I want to hear it
RADIO: I don't have to fear it
RADIO: {When are you coming back?}
RADIO: {I… don't know. It's peaceful out here. Just me and the water, and the stars. It's so still out here, it's like… I'm just sailing on the sky, and the stars are underwater.}
RADIO: {You— I mean, you'll need supplies eventually. You can't salvage everything.}
RADIO: {A girl has her ways.}
RADIO: {Sarah.}
RADIO: {I'm serious. I don't… know if I want to go back.}
RADIO: {You're… serious, aren't you?}
RADIO: {Have I ever lied to you?}
RADIO: I wanna rock your soul
RADIO: Just like way back in the days of old
RADIO: Then magnificently we will float
RADIO: Into the mystic
RADIO: {I guess not. Would I know if you had?}
RADIO: {You know that's not how it works.}
RADIO: {Yeah. Yeah I… suppose. So, did you radio because you were lonely or— or is this just saying goodbye?}
RADIO: {I'm not sure. I think I'm just going to wait until the sun comes up, and… see where the wind takes me.}
RADIO: When that fog horn blows
RADIO: You know I will be coming home
RADIO: And when that fog horn whistle blows
RADIO: I gotta hear it
RADIO: I don't have to fear it
RADIO: {So, what should I tell everyone else?}
RADIO: {The truth, I guess. There's not as many people I'll miss there anymore. Eric, definitely, but… you know how it is. People drift.}
RADIO: {People drift. Yeah.}
RADIO: {You can tell them… "Sarah's not coming back." Because I think I found who I really am, out here… away from everyone.}
RADIO: {Oh yeah? And what did you find?}
RADIO: And I wanna rock your soul
RADIO: Just like way back in the days of old
RADIO: And together we will float
RADIO: Into the mystic
RADIO: Come on girl
RADIO: {I found Eden.}
RADIO: Will they stop now?
RADIO: {static}
RADIO: {crackle}
RADIO: {static}
RADIO: {crackle}
RADIO: {crackle}
RADIO: {static} —rling you were right I am the jealous kind
RADIO: Whoever would have guessed?
RADIO: Starling now I am shut out and confined
RADIO: Even within my nest.
RADIO: {Starling, Starling, this is the Partisan Wave, can you read us?}
RADIO: {We have injured— we have— there's injured children. Starling, do you copy?}
RADIO: What, what does it take to make it through another day
RADIO: If a feather lined with his words becomes a blade
RADIO: {She's not listening. She's not going to fucking help us! We have to go to the Pelego!}
RADIO: {Nobody will fucking make it that far! We're already taking on water! We'll either sink or they'll bleed the fuck out before we hit sight!}
RADIO: {She's not out there! That ship is a fucking urban legend!}
RADIO: Starling when he screams he screams in black and white
RADIO: Just like the magpie
RADIO: Shattered night then I woke
RADIO: Not to a lonely lark but to a raven's cry
RADIO: {Starling, Starling! This is the Partisan Wave! We were hit by pirates and our ship is taking on water. We have injured children, please! Please respond!}
RADIO: {Get off the fucking radio and get us the fuck out of here! Sawyer's going to come the fuck back around and finish us off if she hears us screaming for help!}
RADIO: {Starling, this is the Partisan Wave, please… please respond.}
RADIO: If a feather lined with his words becomes a blade
RADIO: Then what, what will it take to make it through another day
RADIO: {I said get the fuck off the radio!}
RADIO: {<sounds of a struggle>}
RADIO: {<shouting>}
RADIO: {<smashing>}
RADIO: {Stop!}
RADIO: {No, stop! Look! Holy mother of fucking God!}
RADIO: So when they play, play the song
RADIO: Sing along
RADIO: It may be your turn to shine
RADIO: {Holy… fucking shit.}
RADIO: If you know the lines
RADIO: {Are those… birds?}
RADIO: Hey what's that you say?
RADIO: {What the fuck?}
RADIO: You can find him, all mine
RADIO: {Is that…}
RADIO: Most of the time these days
RADIO: {She's fucking real.}
RADIO: Is that right I say
RADIO: {Natalie's real.}
RADIO: You were right Starling
RADIO: {static}
RADIO: {crackle}
RADIO: {buzz}
RADIO: {buzz}
RADIO: {static}
RADIO: {*click*}
RADIO: Don says, "…and… and the Partisan Wave was hit… last month, so that means…"
RADIO: Don says, "If you… carry that h-here… mnhm."
RADIO: Don says, "So… so that frequency is almost at present."
RADIO: Don says, "Which means, if I tune this…"
RADIO: Don says, "I should be on the string that— "
RADIO: {static}
RADIO: {static}
RADIO: {static} —ied to save myself
RADIO: but myself keeps slipping away
RADIO: {We don't have any other choice.}
RADIO: {The harder we push back, the sooner it's all going to come to an end. So… what do we do?}
RADIO: {We enact the failsafe.}
RADIO: Talking to myself all the way to the station
RADIO: Pictures in my head of the final destination all lined up
RADIO: {Angela's certain that the child will be able to keep it in check.}
RADIO: {Is she.}
RADIO: {Charles is on board, I've spoken with Kaito and Daniel as well. We all agree that Adam has gone too far.}
RADIO: {Are we going to use Simon?}
RADIO: {I don't see any way around that now.}
RADIO: (all the one's that aren't allowed to stay)
RADIO: Tried to save myself but myself keeps slipping away
RADIO: {What's the prospects for his survival?}
RADIO: {Not good.}
RADIO: {What did Angela say?}
RADIO: {If he lives, its likely he'll sustain irreparable brain damage. I'm not even sure if Daniel will be able to help him.}
RADIO: {What about the collateral information?}
RADIO: {Scorched earth.}
RADIO: Tried to save a place from the cuts and the scratches
RADIO: Tried to overcome the complications and the catches
RADIO: {I suppose there's no other way. If even one piece of information about it remains, all of this would've been for nothing.}
RADIO: {No one will ever know what happened, what we did.}
RADIO: {We didn't start this to become famous. We always knew what we did would happen behind the scenes. That we'd always be in the shadows. The world will never be ready for us. Not now, not ever.}
RADIO: Nothing ever grows and the sun doesn't shine all day
RADIO: Tried to save myself but myself keeps slipping away
RADIO: {I wish there was another way}
RADIO: Tried to save myself but myself keeps slipping away
RADIO: {But without us, there's nothing to stand in its way.}
RADIO: Tried to save myself but myself keeps slipping away
RADIO: {If it ever fully manifested, there wouldn't be anything to stop it. Not us, not the whole fucking world.}
RADIO: Tried to save myself but myself keeps slipping away
RADIO: {We have to stop it before it gets to that point.}
RADIO: Tried to save myself but myself keeps slipping away
RADIO: {God fucking help us all.}
RADIO: Tried to save myself but myself keeps slipping away
RADIO: {static}
RADIO: {*click*}
RADIO: Don says, "Is… that what you were talking about?"
RADIO: {Yes, Donald.}
RADIO: {Yes.}
RADIO: *pop*
- Well, shit.
- DON NO. DON'T TALK TO IT.
RADIO: {static}
RADIO: {hissing}
RADIO: {buzzing}
RADIO: {crackle}
RADIO: {static} —ssed upon the stair
RADIO: We spoke of was and when
RADIO: Although I wasn't there
RADIO: He said I was his friend
RADIO: Which came as a surprise
RADIO: I spoke into his eyes
RADIO: I thought you died alone
RADIO: A long long time ago
RADIO: Oh no, not me
RADIO: We never lost control
RADIO: You're face to face
RADIO: With the man who sold the world
RADIO: {ringing}
RADIO: I laughed and shook his hand
RADIO: And made my way back home
RADIO: I searched for form and land
RADIO: For years and years I roamed
RADIO: I gazed a gazeless stare
RADIO: We walked a million hills
RADIO: I must have died alone
RADIO: A long, long time ago
RADIO: {ringing}
RADIO: Who knows?
RADIO: Not me
RADIO: I never lost control
RADIO: You're face to face
RADIO: With the man who sold the world
RADIO: {ringing}
RADIO: Who knows?
RADIO: Not me
RADIO: We never lost control
RADIO: You're face to face
RADIO: {ringing}
RADIO: With the man who sold the world
RADIO: {click}
RADIO: Man's voice, "Ni hao?"
RADIO: Adam: "English, please. I've got you on speakerphone."
RADIO: ???: "Yes, sir."
RADIO: ???: "Is something the matter? You usually do not call this late."
RADIO: Adam: "Everything's fine. Just dandy. I'm doing well, too, thanks for asking."
RADIO: {awkward silence}
RADIO: ???: "…are you alright, sir?"
RADIO: {further silence}
RADIO: Adam {mumbling}: "Jesus Christ."
RADIO: ???: "S-sir? Is—" {sudden crash}
RADIO: {screaming in Mandarin}
RADIO: {gunshots}
RADIO: {breaking glass}
RADIO: {audible footsteps}
RADIO: {clicking and scraping noises}
RADIO: Unknown Woman: "Are you still there, sir?"
RADIO: Adam: "You were late. And yes. Put him back on."
RADIO: {muffled noises}
RADIO: ???: "A-Adam, I can explain. I—"
RADIO: Adam: "I'd hoped my call would've been more dramatically timed, old chap, but these things are hard to coordinate from across the world."
RADIO: Adam: "My friends who you are now intimately acquainted with are under express orders to torture and kill you. So there's that, for starters."
RADIO: ???: "S-sir! Sir, I can— I can explain. The shipment—"
RADIO: Adam: "Is right where it needs to be. I figured you might try to fuck me without a reach-around, so I had it followed. Your Yamagato friends never picked it up. Because they're dead now."
RADIO: {hissing breath}
RADIO: Adam: "So where we're at now, is how you even fucking knew about it. Because I only told a handful of people when we were moving the crate."
RADIO: {awkward silence}
RADIO: Adam: "Do a favor for me, old chap. Tell my assistant something?"
RADIO: ???: "W-what?"
RADIO: Adam: "Namhul."
RADIO: {sudden choking noises}
RADIO: Adam: "Oh, she had you on speakerphone. Good girl."
RADIO: Adam: "It's like a conference call." {choking noises}
RADIO: Adam: "So, Sabine here is operating on a verbal command that only has one kill switch. Really nasty work, the logbook for it is quite a read." {more choking noises}
RADIO: Adam: "Now, if you'd like her to stop squeezing your windpipe…"
RADIO: Adam: "…all I want to know, is how you found out about the shipment. Easy breezy." {choking noises}
RADIO: {choking noises}
RADIO: Adam: "I'm sorry you're going to have to speak up, friend."
RADIO: {choking noises}
RADIO: Adam: "Hmm. That's really unfortunate, was that a no?"
RADIO: ???: {strangled} "yes. tell."
RADIO: Adam: "Atta boy. Good, good." {more choking noises}
RADIO: Adam: "Mus de-tum."
RADIO: {gasping breaths}
RADIO: {panting}
RADIO: Adam: "Sabine, be a doll and go stand outside please? You've earned a five-er."
RADIO: Sabine: "…Yes, sir."
RADIO: Adam: "While she's walking out, chap, I just want to say how sorry I am about all of this. Ugly business. But you know how my associates can be. Very single-focused in their skill development."
RADIO: ???: "I f-found— I found out about the shipment from— from an arms dealer in Shanghai."
RADIO: Adam: "Do I need to call Sabine back in?"
RADIO: ???: "F-f-former… b-business— shipment uhh…"
RADIO: Adam: "Sweetie, just give me a name. That's what we're at now."
RADIO: ???: Guan Ying Li.
RADIO: ???: Please, I— I didn't know they were your guns, Mr. Monroe. I didn't—
RADIO: Adam: "Guns?"
RADIO: Adam: "Oh, carp."
RADIO: Adam: "You never opened it, did you?"
RADIO: ???: "N-no I… What?"
RADIO: Adam: "Honestly, that's for the best. Seriously. You lucked out, more than I can probably say."
RADIO: Adam: "Today's your lucky day." {quieter, spoken away from the phone} "Text Sabine, tell her she can back out."
RADIO: Indistinct Voice: "Yes, sir."
RADIO: Adam: "You still with me, pal?"
RADIO: ???: "Y-yes. Yes. Thank you, s-sir. Thank you."
RADIO: Adam: "Well…"
RADIO: Adam: "Don't go being so gracious yet."
RADIO: Adam: "See, Sabine was a more permanent solution. My other friends, the ones she's with who haven't said anything? The fine chaps in the masks?"
RADIO: Adam: "They still have to teach you that stealing from me, regardless of the score, is morally wrong."
RADIO: Adam: "Stealing's bad. Your mother would be ashamed."
RADIO: ???: "W-what?"
RADIO: Adam: "Khadhih. 'Ahdiruh 'iilaa almukhtabar."
RADIO: {distant voices}: "Astyqz! Ealaa qadamik!"
RADIO: ???: "No! No! Please! Mr. Monroe! Please!"
RADIO: {clattering sound, scuffling, screaming}
RADIO: {clicking}
RADIO: Unknown Man: "Madha law lm yamt?"
RADIO: Adam: "Oh, I don't know. Let them take… samples? Whatever it is they do, then take him out back and shoot him."
RADIO: Unknown Man: "Nem sidi."
RADIO: Adam: "Cheerio. Tell Sabine she did a lovely job."
RADIO: {click}
RADIO: Adam: "…did he just fucking hang up on me?"
RADIO: Adam: "I swear. Sometimes people have no manners."
RADIO: {*pop*}
- Stone cold, Adam.
RADIO: {static}
RADIO: {crackle}
RADIO: {static} —ou see Natalie…
RADIO: Send along this message
RADIO: I know that you've been through
RADIO: An awful lot of late
RADIO: {<ringing>}
RADIO: {<click>}
RADIO: {Silverton.}
RADIO: {Hello, Agent Silverton. It's been a while.}
RADIO: {Jesus Christ.}
RADIO: {Not quite. No.}
RADIO: {Where— why are you calling? Where the fuck have you been?}
RADIO: {Here and there, Tim.}
RADIO: Girl,
RADIO: Steady the trembling hand
RADIO: That's what you do
RADIO: Girl,
RADIO: Steady your trembling hands
RADIO: Then see what's in front of you
RADIO: {There's a lot of people who want to know where you went.}
RADIO: {I don't doubt it. When an attack dog goes missing, it makes people… nervous.}
RADIO: {I wouldn't—}
RADIO: {Tim. Please. We're friends. Don't piss on my face and tell me it's raining.}
RADIO: {I…}
RADIO: {I told you not to come after me, Tim.}
RADIO: {We—}
RADIO: {I told you I was done.}
RADIO: Friends and fortunetellers
RADIO: They all say you're gonna die
RADIO: If you don't brighten up
RADIO: You know you gotta try
RADIO: {That wasn't the arrangement.}
RADIO: {I told you I was done playing by your rules, too. Or wasn't that abundantly clear?}
RADIO: {What you did to Jefferson was— fucking horrible. He was your friend!}
RADIO: {Was he, though? Spying on me, on my family? Is that what friends do, Tim?}
RADIO: {You… you make a lot of people nervous. We had to keep—}
RADIO: {I gave you every choice possible.}
RADIO: Girl,
RADIO: Steady the trembling hand
RADIO: That's what you do
RADIO: Girl,
RADIO: Steady the trembling hand
RADIO: Then see what's in front of you
RADIO: {Samson, it doesn't have to end like this, you know.}
RADIO: {You're right, it didn't. But you couldn't leave well enough alone. You got addicted to the smell of death.}
RADIO: {Why don't you come down to D.C.? Come back into the office, we can sit down and—}
RADIO: {Tim.}
RADIO: {silence}
RADIO: {I'm already in D.C.}
RADIO: If you see Natalie
RADIO: Send along this message
RADIO: You may not need this world
RADIO: But this world needs you here
RADIO: {What?}
RADIO: {Tim. I like you. I like Olivia. So I'll give you the courtesy you didn't give me or my family.}
RADIO: {Samson, don't—}
RADIO: {You have a five minute head start.}
RADIO: {Samson!}
RADIO: {Four minutes, fifty-nine seconds.}
RADIO: Girl,
RADIO: Steady the trembling hand
RADIO: That's what you do
RADIO: Girl,
RADIO: Steady your trembling hands
RADIO: Then see what's in front of you
RADIO: {Jesus Christ, Samson, I'm at the fucking office. Where— where the ff-fuck…}
RADIO: {Don't bring him into this, Tim. He won't want to see what happens next. He doesn't have the stomach for it. His dad, on the other hand… it's always the father that's got the killing hands down. Fire, brimstone, pillars of salt. All the biblical things.}
RADIO: {Where the fuck are you!?}
RADIO: {Four minutes, fifty-six seconds, Tim. Olivia is in the garden right now. You never told her why I disappeared, did you? She made me a sandwich, I didn't even have to ask.}
RADIO: You might not feel it now
RADIO: {You motherfucker!}
RADIO: But you're gonna get there
RADIO: {I told you to stay away from my family, Tim.}
RADIO: And see it somehow
RADIO: {This is what you get, for threatening my wife.}
RADIO: You're gonna be alright, girl.
RADIO: {static}
RADIO: {crackle}
RADIO: {static}
RADIO: {screech}
RADIO: {static}
RADIO: {static} —ike one of the millions of people like you? Every day, unplanned expressive accidents cause collateral damage that could cost you millions. Under the Unity Act, you are liable if your SLC-Expressive ability damages a person or property. Isn't it time you took control of your own body?
RADIO: Negoxan is here for you. Negoxan is a safe alternative to the unpredictable SLC-Expressive abilities some people find too difficult to control. Negoxan can be taken daily, to suppress the active proteins of the Suresh Linkage-Complex, making your life go from extraordinary… to ordinary.
RADIO: Talk to your doctor if you think Negoxan is right for you. Isn't it time you took control of your life again?
RADIO: (Possible serious side effects include anemia, blurred vision, prosopagnosia, muscle spa— {static}
RADIO: {crackle}
RADIO: {screech}
RADIO: {static}
RADIO: {static}
RADIO: {ringing}
RADIO: {ringing}
RADIO: Pierce: "This is Pierce. It's a little late."
RADIO: ???: "Where are you right now?"
RADIO: Pierce: "On a flight. Headed back to New York. I've got a meeting at the Miller Field facility at 7am."
RADIO: ???: "The meeting is canceled. I need you to get to Boston, immediately."
RADIO: Pierce: "…Alright. What's in Boston?"
RADIO: ???: "We're pulling the plug on the Institute. A team is mobilizing as we speak."
RADIO: Pierce: "Excuse me?"
RADIO: ???: "Cardinal has gone off the reservation. We've let him roam on too long of a leash, and now he thinks he can just piss wherever he wants."
RADIO: Pierce: "With all due respect, I think this is a little hasty."
RADIO: ???: "We're well past the point of negotiation here, Jason. We need you to go in with the assault team and neutralize his loyalists. I'm transmitting a list to you right now."
RADIO: Pierce: "I'm receiving it. Sir, is there no chance we can rein him back in?"
RADIO: ???: "Did I stutter?"
RADIO: Pierce: "No…"
RADIO: Pierce: "But this… this isn't just Institute personnel on this list. There's test subjects and civilians on here."
RADIO: ???: "We've tolerated their pollution of the gene pool long enough, Jason. History is moving on."
RADIO: {silence}
RADIO: Pierce: "Alright."
RADIO: Pierce: "Okay."
RADIO: Pierce: "Are all the targets on this list present at the Cambridge facility?"
RADIO: ???: "No, but we're sending a separate team to take care of Harrison. I'll be in contact if there's any complications."
RADIO: Pierce: "…Right."
RADIO: Pierce: "I'll… touch base with you once we're wheels-down at Logan."
RADIO: ???: "I'm glad we can continue to count on you, Jason."
RADIO: Pierce: "…Yeah. Of course, sir."
RADIO: ???: "Human is First."
RADIO: {silence}
RADIO: Pierce: "…Human is First."
RADIO: {click}
RADIO: {ringing}
RADIO: {ringing}
RADIO: «This is unexpected.»
- Rebel Rebel~
RADIO: Pierce: "Can you make this call secure?"
RADIO: «I am secure.»
RADIO: Pierce: "They're moving on the Institute. Tonight. Right fucking now."
RADIO: «…and you turn to me in your crisis of conscience?»
RADIO: Pierce: "Yeah. I guess. Are you going to fucking gloat, or help?"
RADIO: «I see them.»
RADIO: «Their machines are closed to me.»
RADIO: Pierce: "Do whatever the fuck it is you do. I'm not going to preside over— a fucking massacre of children."
RADIO: «I will try.»
RADIO: Pierce: "You've got like, an hour. Maybe two, tops."
RADIO: «Then we will work together.»
- Rebel? Is that you?
RADIO: Pierce: "Whatever."
RADIO: «We are watching. We are warning.»
RADIO: Pierce: "…Right. Just— don't let this turn into a massacre."
RADIO: «We cannot make that promise.»
RADIO: Pierce: "Wh—"
RADIO: «But it will not be the massacre you fear.»
- Oh no. Rebel no. No no no no no…. Pierce asked for the Institute in Boston to be safe. For the Ark to be safe. That's all he asked for… monkey's paw, Pierce.
- And in the aftermath… the sun will rise.
RADIO: click
RADIO: {click}
RADIO: {static}
RADIO: {*pop*}
RADIO: {static}
RADIO: {stuttering}
RADIO: {crackle}
RADIO: {buzzing}
RADIO: {static} —y love, I took it down
RADIO: I climbed a mountain and I turned around
RADIO: And I saw my reflection in the snow-covered hills
RADIO: 'Till the landslide brought me down
RADIO: {Oh hey, didn't expect to see you so early. How'd the work on the roof go?}
RADIO: {Hey Dan. Not bad, I got the tarpaper up. Figured I'd pick up the shingles today, since it's going to be nice all week.}
RADIO: {You know… and it ain't like I'm trying to intrude or nothin', but… You do know there's a lot of vacant houses in town, right? I'm sure you could work something out to move in to one.}
RADIO: {Yeah. Yeah, I know. It's just… I'm not much of a people person.}
RADIO: Oh, mirror in the sky, what is love?
RADIO: Can the child within my heart rise above?
RADIO: Can I sail through the changing ocean tides?
RADIO: Can I handle the seasons of my life?
RADIO: {Hey! Long time no see. Where've you been?}
RADIO: {I hiked west for a few weeks, went camping by myself. Found a small community of people out by Missoula. Nice people.}
RADIO: {You went into the Dead Zone by yourself? Are you outta' your mind?}
RADIO: {It's not that bad, Dan. Really, it's just quiet. There's no noise, no people for hundreds of miles. It's really peaceful.}
RADIO: {I heard there's cannibals out past Spokane.}
RADIO: {That's ridiculous.}
RADIO: Well, I've been afraid of changing
RADIO: 'Cause I've built my life around you
RADIO: But time makes you bolder
RADIO: Even children get older
RADIO: And I'm getting older too
RADIO: {There he is! Hey man, it's been months! You got some new repairs to do on the old cabin?}
RADIO: {Hey Dan. No, no… Actually, I wanted to come here to say goodbye.}
RADIO: {What?}
RADIO: {Yeah, I'm headed west. I think I'm going to move out into the Dead Zone permanently.}
RADIO: {Woah, hey. Hey come on that's nuts!}
RADIO: {It's really not. Being out there, alone, it's the happiest I've been in a long time. I think… I think it's really just better for everyone if I stay away from people.}
RADIO: {You've got friends here. I'm worried about you.}
RADIO: {You don't need to, Dan. I'm a survivor.}
RADIO: Well, I've been afraid of changing
RADIO: 'Cause I've built my life around you
RADIO: But time makes you bolder
RADIO: Even children get older
RADIO: And I'm getting older too
RADIO: Oh, I'm getting older too
RADIO: {Survivor. Yeah. Look… I know who you really are, and I ain't said anything to anybody. I recognized your face the first day you came in to town. But I know… I know what it's like to just want to get away, t'have a fresh start.}
RADIO: {…I didn't… Thanks, Dan. For… keeping my secret. But that's part of why I want to get moving on too. Eventually, some day, someone's going to recognize me and tell someone else. I don't need that. The world doesn't need that.}
RADIO: Oh, take my love, take it down
RADIO: Oh, climb a mountain and turn around
RADIO: And if you see my reflection in the snow-covered hills
RADIO: Well the landslide will bring it down
RADIO: {I get that… I do. But, don't you have family somewhere, who'd want to know you're ok?}
RADIO: And if you see my reflection in the snow-covered hills
RADIO: {I do. But for them… it's best if I stay a memory. Good or bad.}
RADIO: Well the landslide will bring it down, oh oh
RADIO: {It's been… It's been nice getting to know you. Mr. Shaw.}
RADIO: The landslide will bring it down.
RADIO: {static}
RADIO: {*pop*}
- Lovely. What fresh hell will this turn out to be?
RADIO: {static}
RADIO: {buzzing}
RADIO: {crackle}
RADIO: {static}
RADIO: {static} -he day destroys the night
RADIO: Night divides the day
RADIO: Tried to run
RADIO: Tried to hide
RADIO: Break on through to the other side
RADIO: Break on through to the other side
RADIO: Break on through to the other side, yeah
RADIO: {snort-choke}
RADIO: Des says, "What?"
RADIO: Des says, "Oh my gosh!"
RADIO: We chased our pleasures here
RADIO: Dug our treasures there
RADIO: But can't you still recall
RADIO: The time we cried
RADIO: Break on through to the other side
RADIO: Break on through to the other side!
RADIO: Des says, "Oh my gosh! Oh my gosh! Um— um— where's the— oh no— oh bother." {crashing}
RADIO: Des shouts, "Where's the microphone!?"
RADIO: Everybody loves my baby
RADIO: Everybody loves my baby
RADIO: She gets high
RADIO: Des mutters, "Oh no, oh no, oh gosh, oh no. Where is it!?"
RADIO: She gets high
RADIO: Des says, "Aha! Oh gosh oh gosh please please!"
RADIO: She gets high
RADIO: {crackle}
RADIO: {H-Hello? Is— is someone broadcasting?}
RADIO: Break on through to the other side!
RADIO: *pop*
RADIO: {static}
RADIO: {static}…expected to last through the end of the week. Multiple broadcast radio stations across the United States are reporting significant interruptions from the storm.
RADIO: With radio and cell phone communication already disrupted from infrastructure damage left over from the war, events like these are felt even more profoundly across the US.
RADIO: But even after this week's solar storm ends, scientists from the European Space Agency indicate that another large period of unusual solar activity is likely to reach its peak just in time for Christmas.
RADIO: In technology news, Crito Corporate announced today t — {static}
RADIO: {static} — Staring at the sea.
RADIO: Will she come?
RADIO: Is there hope for me
RADIO: After all is said and done?
RADIO: {What the fuck is she shouting about?}
RADIO: {I don't know. But Director Cardinal just locked herself in the broadcast room with her.}
RADIO: Anything at any price
RADIO: All of this for you
RADIO: All the spoils of a wasted life
RADIO: All of this for you
RADIO: {Did she? Huh. Okay.}
RADIO: {You want us to make her open up?}
RADIO: {No. No… but go get your boys. I want you on her as soon as they open that fucking door. I've had enough of this.}
RADIO: All the world has closed her eyes
RADIO: Tried faith all worn and thin
RADIO: For all we could have done
RADIO: And all that could have been
RADIO: {Are you sure? That's not gonna make people happy.}
RADIO: {Fuck people, and fuck her people especially. Make sure you find her daughter or she'll cut a fucking hole in us for even thinking about this.}
RADIO: Ocean pulls me close
RADIO: And whispers in my ear
RADIO: The destiny I've chose
RADIO: All becoming clear
RADIO: {With all due respect, sir, she's still in charge. We live in a society, if we start… if we start just ignoring the rules when they don't—}
RADIO: {*gunshot*}
RADIO: {*thud*}
RADIO: {Ok. I'll try that again. How about you, Rosen. You feeling like we live in a society?}
RADIO: {No sir. Not for a long time, sir.}
RADIO: The currents have their say
RADIO: The time is drawing near
RADIO: Washes me away
RADIO: Makes me disappear
RADIO: {I want the Director, Destiny, Edward, and Joy if she puts up any shit about it. I want them all locked the fuck up in the flooded ring.}
RADIO: {What about Kjelstrom and Rianna?}
RADIO: {Gas 'em and put them out and airlock.}
RADIO: I descend from grace
RADIO: In arms of undertow
RADIO: I will take my place
RADIO: In the great below
RADIO: {Whatever you say, Don. I just want it back to normal around here.}
RADIO: {Oh yeah. Me too. I want everything back the way it was.}
RADIO: I can still feel you
RADIO: Even so far away
RADIO: {Everything.}
RADIO: {static}
RADIO: {static} —ichard who?
RADIO: Um, um, oh Gosh. This— my name?s Destiny? Oh good gosh. Director! Director!
RADIO: Director! We?ve got a broadcaster!
RADIO: {clattering}
RADIO: {clanking footsteps}
RADIO: {loud creaking}
RADIO: {metallic slam}
RADIO: {metallic squeaking}
RADIO: D-Director? Did you just—
RADIO: Don't look at me! Respond to them!
RADIO: Oh! O-oh yes! Yes ma'am!
RADIO: Hello? We read you!
RADIO: Hello?
RADIO: Mr. Cardinal are you still there?
RADIO: {muffled} Wait, what? Destiny, who—
RADIO: Hello? Hello?
RADIO: {Frantic} Destiny who is on the other end of the line!?
RADIO: I don't think he's there anymore. But, director, he said his name was Richard Cardinal. Do… you know him?
RADIO: {audible, strangled gasp}
RADIO: {static}
RADIO: {static} — and with a whopping one hundred and seventy-seven hot dogs just DEVOURED that makes Hoagie our FAT DOG OF THE WEEK! {Kazoo noise, barking}
RADIO: You're listening to KPTT-FM! 95.7 the Party! Tune in next for Dougie and the Freak! {Electric guitar}
RADIO: {static}
RADIO: {static}
RADIO: {click}
RADIO: Well?
RADIO: It works. It blew all the power relays, but it works.
RADIO: How long will it take to get working again?
RADIO: Properly? Months? Maybe years. Keeping it tuned was nearly impossible.
RADIO: Good. Divert your team to finishing it. I want a prototype in six months.
RADIO: Look, I… this isn't a good idea. I've been over this. We don't know what this will do! We can't just… we can't build this off of half a blueprint and guess-work!
RADIO: You're free to tell Pete and the Director that, then. If you're feeling so suicidal.
RADIO: Erica. Listen to fucking reason. We don't even know what we're building.
RADIO: The Director does. So unless Mr. Cardinal finds our missing jar of pennies… I best hope you remember how to put that fucking machine together.
RADIO: Erica—
RADIO: Don't, Rich. Not now. Just… fucking work.
RADIO: {uncomfortable noise}
RADIO: We need this done before Wolfhound ruins everything. They're too close. So get to fucking work.
RADIO: {quiet} Fine.
RADIO: Good.
RADIO: {door slam}
RADIO: {footsteps}
RADIO: {door open}
RADIO: Kyle.
RADIO: Yes, ma'am?
RADIO: Connect to your sister. I need a fucking status update.
RADIO: Right away, ma'am.
RADIO: {screech}
RADIO: {silence}
RADIO:
RADIO: soon
RADIO: {static}
RADIO: {crackle}
RADIO: {hiss}
RADIO: {static}
RADIO: {I feel}
RADIO: {I am}
RADIO: {Nothing}
RADIO: {Inside of me}
RADIO: {I am, I am}
RADIO: {Empty, Empty}
RADIO: {I feel}
RADIO: {I am}
RADIO: {Nothing}
RADIO: {Inside of me}
RADIO: {I am, I am}
RADIO: {Empty, Empty}
RADIO: {static} — n't really care what she has to say about it, honestly. What I want you to do is make sure she follows through with her promises. Otherwise, chap, what good is she?
RADIO: Male Voice: Look, Director, see— Erica is an important asset. I mean, she's got a mouth on her that you just want to slap off and send across the room, but what woman doesn't am I right?
RADIO: {silence}
RADIO: Male Voice: Director?
RADIO: Director: You're a peach, Pete. Just, a rotten fucking peach.
RADIO: Pete: Thank… you?
RADIO: {I reached up to the dying sun}
RADIO: {Touch the bare moon with my thumb}
RADIO: {Mother, Mother, Daughter, Son}
RADIO: {I burned my eyes out}
RADIO: {Staring at them}
RADIO: {As one}
RADIO: {Static} — ook, with the way things are going and with pressure from Wolfhound I'm just… we're being cautious, ok? Cautious, like cats.
RADIO: Director: Pete.
RADIO: Director: Cat's aren't -
RADIO: {deep sigh}
RADIO: Director: Update me on Geopoint. Did you get the Gemini systems back?
RADIO: {awkward silence}
RADIO: Pete: So, uh… about Geopoint.
RADIO: Director: Pete.
RADIO: Pete: We've had a, uh, you know — there's been delays -
RADIO: Director: P e t e .
RADIO: Pete: Agent Dunlap, uh, we think she — she may have gone rogue? We're not — we haven't been able to get back to the site since Wolfhound-
RADIO: Director: Wolfhound.
RADIO: Pete: Ah, yeah.
RADIO: Director: Of course.
RADIO: {I feel}
RADIO: {I am}
RADIO: {Nothing}
RADIO: {I am, I am}
RADIO: {Empty, Empty}
RADIO: {I feel}
RADIO: {I am}
RADIO: {Nothing}
RADIO: {Inside of me}
RADIO: {I am, I am}
RADIO: {Empty, Empty}
RADIO: {static} — ere anything you can tell me that isn't bad fucking news? What about the cloning project, have you made any progress there?
RADIO: Pete: Uh…
RADIO: {awkward throat clearing}
RADIO: Pete: So the thing is…
RADIO: Director: No.
RADIO: Pete: You see, Kravid -
RADIO: Director: Oh my god.
RADIO: Pete: The Varlane clone got away and -
RADIO: Director: I thought you were bloody fucking competent, Pete!
RADIO: Pete: I am! I am! I am the most competent! I am — I am so — it's Kravid! She's — she's insubordinate!
RADIO: Director: Then take control of your fucking organization, because I am having trouble finding reasons to continue supplying you with materials.
RADIO: {Fight, flight from the dark sky}
RADIO: {I breed memories trapped inside}
RADIO: {Alone in this world}
RADIO: {That you destroyed}
RADIO: {I am the Dragon}
RADIO: {I never died}
RADIO: {static} — ay, wait, wait. I do have some good news, hold on don't— don't hang up.
RADIO: Director: This had better make me curl my toes, Pete.
RADIO: Pete: What?
RADIO: Director: Just — talk. For god's sake.
RADIO: Pete: Uh — well it's — the stabilization tests we had going with Varlane? We think we might have found a baseline in Erica's daughter.
RADIO: Director: Mnhmm…
RADIO: Pete: She was put through the Gemini process more than a year ago and we've been giving her stem cell treatment from the most recent clone, and it's been keeping her mitochondrial DNA from breaking down like the others.
RADIO: Pete: We're not experiencing the same rate of unraveling.
RADIO: Director: Do you know how Gilmore is holding up in captivity?
RADIO: Pete: No, but she can't… I mean she's got to be feeling it now. It won't be long before she's cherry cobbler.
RADIO: Director: Do you have to call it that? Seriously?
RADIO: Pete: It's catchy. This Company agent I used to know called-
RADIO: Director: I don't care!
RADIO: Director: God.
RADIO: Director: Damnit Pete.
RADIO: {deep sigh}
RADIO: Director: Okay, let's talk Taylor Kravid for a minute.
RADIO: {I feel}
RADIO: {I am}
RADIO: {Nothing}
RADIO: {Inside of me}
RADIO: {I am, I am}
RADIO: {Empty, Empty}
RADIO: {I feel}
RADIO: {I am}
RADIO: {Nothing}
RADIO: {Inside of me}
RADIO: {I am, I am}
RADIO: {Empty, Empty}
RADIO: {static} — ink that she's our best candidate for finalizing the Gemini tests. If we can keep Taylor from turning into an ice cream sundae on a hot summer day, we'll have a working model for you.
RADIO: Director: Stunning. How long do you think before you have enough data points to go on?
RADIO: Pete: A couple of months? Maybe less, depending on how hard I crack the whip.
RADIO: Director: That's acceptable. I'd like to have Gemini up and running by the end of the year so as to incentivize things going forward.
RADIO: Pete: I've been meaning to ask, has Crito been a problem? I noticed one of our shipments was a month late.
RADIO: Director: You let me worry about Crito.
RADIO: Director: You focus on getting this fucking project finished.
RADIO: {I reached up to the dying sun}
RADIO: {Touched the bare moon with my thumb}
RADIO: {Mother, Mother, Daughter, Son}
RADIO: {I returned from a dark time}
RADIO: {Soon we will all}
RADIO: {Become}
RADIO: {static} — atever you say, sir.
RADIO: Director: Don't let me down, Petey. I'd hate to have to make an example of you.
RADIO: Pete: Uh, yeah I'd… hate that too.
RADIO: Director: I'll check back in soon.
RADIO: Pete: Till then, Director Monroe.
RADIO: {I feel}
RADIO: {I am}
RADIO: {Nothing}
RADIO: {Inside of me}
RADIO: {I am, I am}
RADIO: {Empty, Empty}
RADIO: {I feel}
RADIO: {I am}
RADIO: {Nothing}
RADIO: {Inside of me}
RADIO: {I am, I am}
RADIO: {Dragon, Dragon}
RADIO: *pop*
RADIO: {static}
RADIO: {buzzing}
RADIO: {crackle}
RADIO: {static}
RADIO: {static} –ought the war
RADIO: I fought the war
RADIO: I fought the war
RADIO: but the war won't stop for the love of God.
RADIO: {Can anyone tell me what the fuck is going on!? All I see is smoke!}
RADIO: I fought the war
RADIO: I fought the war
RADIO: I fought the war
RADIO: but the war won't stop for the love of God.
RADIO: {Negative! Negative! I can't see a damn thing. They stopped shelling!}
RADIO: I fought the war
RADIO: I fought the war but the war won
RADIO: {Do… do you hear that? What the fuck is that?}
RADIO: Outer District, can you please release me?
RADIO: You hold my hands down, I've been bad.
RADIO: You hold my arms down, I've been bad.
RADIO: I've been bad, I've been bad.
RADIO: {Oh. Oh my God. Oh my God what is that thing!? Oh my God no!}
RADIO: I fought the war
RADIO: I fought the war
RADIO: I fought the war
RADIO: But the war won
RADIO: {Someone, report! What the hell is going on down there, who's shooting!?}
RADIO: I fought the war
RADIO: I fought the war
RADIO: I fought the war
RADIO: But the war won
RADIO: {Oh my god that's not smoke, that's not smoke get out of there! Run!}
RADIO: Outer District, Shakti Shanti, Om Shanti
RADIO: praying won't save you
RADIO: praying won't save you
RADIO: They did this to us
RADIO: They put it in and turned it on
RADIO: Wound it up
RADIO: Let it go
RADIO: {incoherent screaming}
RADIO: I fought the war
RADIO: I fought the war
RADIO: I fought the war
RADIO: But the war won
RADIO: {Casualty report?}
RADIO: I fought the war
RADIO: I fought the war
RADIO: I fought the war
RADIO: But the war won't stop for the love of God.
RADIO: {I… don't know. We didn't find any bodies.}
RADIO: I fought the war
RADIO: I fought the war
RADIO: But the war won.
RADIO: {static}
RADIO: {static}
RADIO: {beeping}
RADIO: {beeping}
RADIO: {crackle} – Fox Six Six Romeo
RADIO: Repeat: Fox Six Six Romeo
RADIO: Callback: Romero Alpha Niner Zulu Zulu
RADIO: Callback confirmed, connecting.
RADIO: Male Voice: What's the situation?
RADIO: Female Voice: Prognosis in grim. We think the gas was a neurotoxin.
RADIO: Male Voice: Sarin?
RADIO: Female Voice: No, uh. Not fatal.
RADIO: Male Voice: Then…
RADIO: Female Voice: We haven't isolated the compound yet, we don't have any lab tech where we are. But we think they were incapacitated and harvested.
RADIO: Male Voice: Excuse me?
RADIO: Female Voice: Yeah. Uh, we're not sure for what. There was an autonomous vehicle that we think came through the area after the gas hit, picked up all of the fallen and… I don't know. Left with them.
RADIO: Male Voice: Do we have any leads on that? Trajectory? Make?
RADIO: Female Voice: Nnnn… no. No, not really. We're basically down to sticks and rocks on this end. We had one dead-reckoning of it, about the size of four Chinooks? Quad-rotor, matte black. It looked automated, but I can't be sure.
RADIO: Male Voice: Jesus Christ.
RADIO: Female Voice: I'm not sure he wants anything to do with us anymore, Sir.
RADIO: Male Voice: Alright we… need to move some assets around. We can't keep losing ground like this.
RADIO: Female Voice: What about Petrelli?
RADIO: Male Voice: Nnh…
RADIO: Female Voice: Sir?
RADIO: Male Voice: He… may have quit.
RADIO: Female Voice: Ex–cuse me?
RADIO: Male Voice: We had an argument about the…
RADIO: Male Voice: …about how the last fight went down.
RADIO: Male Voice: He doesn't trust my judgment.
RADIO: Female Voice: Just to clarify, Sir, he quit?
RADIO: Male Voice: I may have called him a military asset.
RADIO: Male Voice: To be frank, he said we've lost, and if I cared about my family… I'd leave too.
RADIO: Female Voice: He said that?
RADIO: Male Voice: Right before he walked out of my tent.
RADIO: Female Voice: Well… that's…
RADIO: Male Voice: I need you back to work, clear headed. We can do this without Petrelli.
RADIO: Female Voice: Ah, yes. Sir. Absolutely.
RADIO: Female Voice: I'll leave you to it.
RADIO: Male Voice: Lieutenant?
RADIO: {silence}
RADIO: Male Voice: Fuck.
RADIO: {static}
RADIO: {static}
RADIO: {static} –eem to face up to the facts
RADIO: I'm tense and nervous and I can't relax
RADIO: I can't sleep cause my bed's on fire
RADIO: Don't touch me I'm a real live wire
RADIO: {About time you called, where the hell are you?}
RADIO: Psycho Killer
RADIO: Qu'est-ce que c'est
RADIO: Fa-fa-fa-fa-fa-fa-fa-fa-fa-far better
RADIO: Run run run run run run run away oh oh
RADIO: {Cleaning up another one of your messes, Arthur. So why don't you act a little more appreciative?}
RADIO: Psycho Killer
RADIO: Qu'est-ce que c'est
RADIO: Fa-fa-fa-fa-fa-fa-fa-fa-fa-far better
RADIO: Run, run, run, run, run, run, run, away oh oh oh
RADIO: Yeah yeah yeah yeah!
RADIO: {Don't you ever take that tone with me again, or I'll conveniently find that paperwork on your boy.}
RADIO: You start a conversation you can't even finish it
RADIO: You're talking a lot, but you're not saying anything
RADIO: When I have nothing to say, my lips are sealed
RADIO: Say something once, why say it again?
RADIO: {silence}
RADIO: Psycho Killer
RADIO: Qu'est-ce que c'est
RADIO: Fa-fa-fa-fa-fa-fa-fa-fa-fa-far better
RADIO: Run run run run run run run away oh oh oh
RADIO: {Anyway, Samson, I'm going to need you to move on another target. I'm getting some push-back from Deveaux and Nakamura, and I think this just needs to be resolved.}
RADIO: Psycho Killer
RADIO: Qu'est-ce que c'est
RADIO: Fa-fa-fa-fa-fa-fa-fa-fa-fa-far better
RADIO: Run, run, run, run, run, run, run, away oh oh oh oh!
RADIO: Yeah yeah yeah yeah!
RADIO: {Well, that's why you have me. Argument with the family? Just call up Sam.}
RADIO: Ce que j'ai fais, ce soir la
RADIO: Ce qu'elle a dit, ce soir la
RADIO: Realisant mon espoir
RADIO: Je me lance, vers la gloire, OK
RADIO: Yeah yeah yeah yeah yeah yeah yeah yeah yeah yeah
RADIO: {Odessa, Texas. Goes by the name of Colin Price.}
RADIO: We are vain and we are blind
RADIO: I hate people when they're not polite
RADIO: {Married, Rianna Price. We don't have any background on her, but she's collateral. He's a telekinetic, so that should be enough for you.}
RADIO: Psycho Killer
RADIO: Qu'est-ce que c'est
RADIO: Fa-fa-fa-fa-fa-fa-fa-fa-fa-far better
RADIO: {What'd he do? Cut you off in traffic?}
RADIO: Run run run run run run run away oh oh oh
RADIO: {Cute. I left the details at the dead drop. Just get it done.}
RADIO: Psycho Killer
RADIO: Qu'est-ce que c'est
RADIO: Fa-fa-fa-fa-fa-fa-fa-fa-fa-far better
RADIO: {You're the boss, I suppose}
RADIO: Run, run, run, run, run, run, run, away oh oh oh
RADIO: {That's right, and don't forget it.}
RADIO: Yeah yeah yeah yeah oh!
RADIO: {static}
RADIO: {static}
RADIO: {static} –e's got a smile it seems to me
RADIO: Reminds me of childhood memories
RADIO: Where everything
RADIO: Was as fresh as the bright blue sky
RADIO: {Blood pressure is 140 over 90}
RADIO: Now and then when I see her face
RADIO: She takes me away to that special place
RADIO: And if I'd stare too long
RADIO: I'd probably break down and cry
RADIO: {She's stable enough, let's move her.}
RADIO: Oh, oh, oh
RADIO: Sweet child o' mine
RADIO: Oh, oh, oh, oh
RADIO: Sweet love of mine
RADIO: {Doctor Lundquist, we're looking to leave Doctor Meier with you for the time being to oversee her care.}
RADIO: She's got eyes of the bluest skies
RADIO: As if they thought of rain
RADIO: I hate to look into those eyes
RADIO: and see an ounce of pain
RADIO: {We'd like you to give us a call when she gives birth, if Doctor Meier isn't on site.}
RADIO: Her hair reminds me of a warm safe place
RADIO: Where as a child I'd hide
RADIO: And pray for the thunder
RADIO: And the rain
RADIO: To quietly pass me by
RADIO: {We'd prefer if she stayed here on Rikers, for the time being. I'm sure you understand. And we'll be sure you're compensated for your understanding and trouble.}
RADIO: Oh, oh, oh
RADIO: Sweet child o' mine
RADIO: Oh, oh, oh, oh
RADIO: Sweet love of mine
RADIO: {Doctor Meier, I… was wondering if you could tell me anything more about the patient?}
RADIO: Oh, oh, oh, oh
RADIO: Sweet child o' mine
RADIO: Oh, oh, oh, oh
RADIO: Sweet love of mine
RADIO: {Even in professional curiosity, I'm afraid I can't divulge any information about the patient or her child.}
RADIO: Oh, oh, oh, oh
RADIO: Sweet child o' mine
RADIO: Oh, oh, oh, oh
RADIO: Sweet love of mine
RADIO: {Then, perhaps… why is she being held here, rather than at one of your facilities? I presume a company like Biomere has them?}
RADIO: Where do we go?
RADIO: Where do we go now?
RADIO: {Again. I can't answer that.}
RADIO: Where do we go?
RADIO: Where do we go now?
RADIO: {Someone get the doctor, she's going into labor!}
RADIO: Where do we go?
RADIO: Where do we go now?
RADIO: {Yes, yes is this Mr. Goodman? Mr. Goodman, you told me to inform you– yes. Yes it's happening. Where is Doctor Meier?}
RADIO: Where do we go?
RADIO: Where do we go now?
RADIO: {screaming}
RADIO: Where do we go?
RADIO: Where do we go now?
RADIO: {What– what is happening? What is that sound?}
RADIO: Where do we go?
RADIO: Where do we go now?
RADIO: {Oh God, what is that noise!?}
RADIO: Where do we go?
RADIO: Where do we go now?
RADIO: {screaming}
RADIO: No, no, no, no, no, no
RADIO: {Jacelyn!}
RADIO: Sweet child
RADIO: {Jacelyn!}
RADIO: Sweet child of mine
RADIO: {static}
RADIO: {static}
RADIO: {static} –n my bed I hear the clock tick,
RADIO: And think of you
RADIO: Caught up in circles confusion–
RADIO: Is nothing new
RADIO: Flashback–warm nights–
RADIO: Almost left behind
RADIO: Suitcases of memories,
RADIO: Time after–
RADIO: {Sorry I'm late Mr. Petrelli, I missed the bus!}
RADIO: Sometimes you picture me–
RADIO: I'm walking too far ahead
RADIO: You're calling to me, I can't hear
RADIO: What you've said–
RADIO: Then you say– go slow–
RADIO: I fall behind–
RADIO: The second hand unwinds
RADIO: {It's alright Niel. You're not late. Now, why don't you go on up and say hello to Angela while Mr. Bishop and I finish our conversation.}
RADIO: If you're lost you can look– and you will find me
RADIO: Time after time
RADIO: If you fall I will catch you– I'll be waiting
RADIO: Time after time
RADIO: {So, that's the Trafford boy?}
RADIO: After my picture fades and darkness has
RADIO: Turned to gray
RADIO: Watching through windows– you're wondering
RADIO: If I'm ok
RADIO: Secrets stolen from deep inside
RADIO: The drum beats out of time–
RADIO: {He's gifted. I've never seen anyone with an ability quite like his. It doesn't do much for him… but for us? The possibilities are limitless. He doesn't even realize what he is yet.}
RADIO: If you're lost you can look– and you will find me
RADIO: Time after time
RADIO: If you fall I will catch you– I'll be waiting
RADIO: Time after time
RADIO: {So… he augments other abilities?}
RADIO: You said go slow–
RADIO: I fall behind
RADIO: The second hand unwinds–
RADIO: {Maybe? We're still trying to classify it.}
RADIO: If you're lost you can look– and you will find me
RADIO: Time after time
RADIO: If you fall I will catch you– I'll be waiting
RADIO: Time after time
RADIO: {I feel bad getting him involved, but with what's coming…}
RADIO: Time after time
RADIO: {We don't have much choice, Arthur.}
RADIO: Time after time
RADIO: {If that thing continues to spread unchecked…}
RADIO: Time after time
RADIO: {…it'll be the end of us all.}
RADIO: Time after time
RADIO: {The end of everything.}
RADIO: Time after time
RADIO: {static}
RADIO: {static} –reetwalking cheetah with a heart full of napalm
RADIO: I'm a runaway son of the nuclear A-bomb
RADIO: I am the world's forgotten boy
RADIO: The one who searches and destroys
RADIO: Honey gotta help me please
RADIO: Somebody gotta save my soul
RADIO: Baby, detonate for me
RADIO: Oh
RADIO: {Foda-se.}
RADIO: Look out honey, 'cause I'm using technology
RADIO: Ain't got time to make no apology
RADIO: Ain't got time to make no apology
RADIO: Soul radiation in the dead of night
RADIO: Love in the middle of a fire fight
RADIO: Honey, gotta strike me blind
RADIO: Somebody gotta save my soul
RADIO: Baby, penetrate my mind
RADIO: {Let's see if this crazy bitch can eat white-hot atomic fire.}
RADIO: And I'm the world's forgotten boy
RADIO: The one who's searchin', searchin' to destroy
RADIO: And honey I'm the world's forgotten boy
RADIO: The one who's searchin', only to destroy, hey
RADIO: {God damnit, get back here! No!}
RADIO: Look out honey, 'cause I'm using technology
RADIO: Ain't got time to make no apology
RADIO: Soul radiation in the dead of night
RADIO: Love in the middle of a fire fight
RADIO: Honey, gotta strike me blind
RADIO: Somebody gotta save my soul
RADIO: Baby, penetrate my mind
RADIO: {Vermelho, throw me the rainbow!}
RADIO: And I'm the world's forgotten boy
RADIO: The one who's searchin', searchin' to destroy
RADIO: And honey I'm the world's forgotten boy
RADIO: The one who's searchin', only to destroy, hey
RADIO: {God damnit, Miguel, stop! We have to– }
RADIO: Forgotten boy, forgotten boy
RADIO: Forgotten boy said, hey, forgotten boy, said
RADIO: {Holy shit he's going to– get down!}
RADIO: Hey, hey, hey, hey, hey, hey, hey!
RADIO: {static}
RADIO: {static}
RADIO: {static}
RADIO: {ringing}
RADIO: {ringing}
RADIO: Arthur: {deep sigh} Don't.
RADIO: Woman's Voice: I didn't even say anything yet.
RADIO: Woman's Voice: Did you pick up precognition when I wasn't looking?
RADIO: Arthur: {deeper sigh}
RADIO: Woman's Voice: I'm calling because you keep dodging me. I've been to your house three times, Arthur. Angela can only cover for you so much.
RADIO: Arthur: I know what you're going to say, is the problem.
RADIO: Woman's Voice: We need to discuss what happens when we're done.
RADIO: Arthur: I know.
RADIO: Woman's Voice: Simon's already made preparations based on what Angela saw. He's having ramps installed at his home this weekend. But…
RADIO: Arthur: Whatever we do, it's only a bandage.
RADIO: Woman's Voice: Unless we make absolutely certain. Unless we cauterize the wound.
RADIO: Arthur: What's your thoughts on this, because I can tell you have them. You always do.
RADIO: Woman's Voice: My thoughts? Arthur, you are one sad sack if you think it's my thoughts that have precedence here. You're talking about people's lives. Why don't you ask them what they want?
RADIO: Arthur: Because people can't be trusted.
RADIO: Woman's Voice: {snorted laugh}
RADIO: Woman's Voice: Oh, and you can?
RADIO: Woman's Voice: Please, Arthur. We're all a little untrustworthy, aren't we?
RADIO: Arthur: So what would you have me do, Nia? Ask everyone what fantasy island they want to end up on, if they aren't swallowed up by the Nothing? Maybe they spent a few years in Tahiti?
RADIO: Nia: I'd at least hope you'd ask me.
RADIO: Arthur: You're Company. It's different.
RADIO: Nia: Is it?
RADIO: Arthur: {sigh}
RADIO: Nia: We've conscripted children, Arthur. Children. And what's going to happen to them, and their children, if we dictate how they're going to live their lives after they sacrifice everything for us?
RADIO: Arthur: I'm not the one who wanted this. Kaito–
RADIO: Nia: Kaito isn't in charge.
RADIO: Arthur: Fine. Fine.
RADIO: Arthur: Before Agent Abraham… sanitizes this situation, we'll find out what everyone wants.
RADIO: Arthur: Assuming we aren't all reduced to dust.
RADIO: Nia: Assuming.
RADIO: Arthur: So… what about you?
RADIO: Nia: What about me?
RADIO: Arthur: What's your tropical beach?
RADIO: Nia: {laughs}
RADIO: Nia: Home, Arthur. It's always been home.
RADIO: Arthur: Afraid to dream a little bigger than New Orleans?
RADIO: Nia: I know who I am.
RADIO: Nia: And…
RADIO: Nia: When this is all said and done? I'm done too.
RADIO: Nia: Assuming.
RADIO: Arthur: Done… with what?
RADIO: Nia: I've served my time. I think I'd very much like to retire.
RADIO: Arthur: We'll… discuss it. If it comes down to that, we'd have to… that would be a lot of pennies in Agent Abraham's jar.
RADIO: Nia: Oh, I'm sure you've got the pennies. You can take it out of my pension.
RADIO: Arthur: {laughs}
RADIO: Arthur: We'll talk about this later. I have to call Paula.
RADIO: Nia: You do that, Arthur.
RADIO: Arthur: Goodnight, Nia.
RADIO: Nia: Goodnight, Arthur.
RADIO: {click}
RADIO: {*pop*}
RADIO: {static}
RADIO: {crackle}
RADIO: {static}
RADIO: {Please}
RADIO: {Please be quiet}
RADIO: {Static}
RADIO: {There's too many voices.}
RADIO: {Static}
RADIO: {Please be quiet}
RADIO: {Static}
RADIO: {Put me back to sleep}
RADIO: {Static}
RADIO: {Static}
RADIO: {No}
RADIO: {Please no}
RADIO: {Static}
RADIO: {Static} – re comes the woman
RADIO: With the look in her eye
RADIO: Raised on leather
RADIO: With flesh on her mind
RADIO: {Ringing}
RADIO: Words as weapons
RADIO: Sharper than knives
RADIO: Makes you wonder how the other half die
RADIO: How the other half die
RADIO: Makes you wonder, wonder, wonder
RADIO: {click}
RADIO: Man's Voice: "Who is this?"
RADIO: Woman {frantic}: Why did you come after me!?
RADIO: Man's Voice: "Joy?"
RADIO: Joy {frantic}: I told you to leave me alone! They killed– your attack dogs killed people! I would have come if you asked me. You didn't have to–
RADIO: Man's Voice: "Joy where are you? I didn't order anyone to find you. I don't even know where to look."
RADIO: Joy {frantic}: Simon. Simon they survived. Simon I had both of them and– Simon what did you do!?
RADIO: Here comes the man with the look in his eye
RADIO: Fed on nothing but full of pride
RADIO: Look at them go, look at them kick
RADIO: Makes you wonder how the other half live
RADIO: {Ringing}
RADIO: Woman's Voice: You're right on time.
RADIO: Man's Voice: "Thats what all the ladies say. Do you have good new for me?"
RADIO: Woman's Voice: The retriever team was successful, your coordinates were accurate. Several of the Ferrymen assets escaped, but we found the girl.
RADIO: Man's Voice: "Brilliant. Where is she now?"
RADIO: Woman's Voice: "In an ACTS en-route to the Arcology. What's your timetable?"
RADIO: Man's Voice: "Don't get your knickers in a twist, Erica. You'll know when I'm coming."
RADIO: Woman's Voice {incredulous}: Do the women say that too?
RADIO: Man's Voice: "Oh you *do* have a sense of humor. Charming. Here I thought you were all snake and spider parts inside."
RADIO: Kravid: "So, should I just seal her in the containment level? Eventually the Director is going to ask questions. We should move her to the San Francisco facility so we can get started on the Gemini process now."
RADIO: Man'a Voice: "Keep her like a genie in a bottle. We might need her to resynthesize the Catalyst. And… don't put too many eggs in the California basket."
RADIO: Kravid: "…Understood. Is there something you aren't telling me, Adam?"
RADIO: Adam: "Oh, sweetheart. There's so much I'm not telling you."
RADIO: Devil inside
RADIO: The devil inside
RADIO: Every single one of us
RADIO: The devil inside
RADIO: {ringing}
RADIO: Man's Voice: It is four a fucking clock in the morning. You better be calling to tell me you're on your way to suck my–"
RADIO: Adam: Pete.
RADIO: Adam: Easy boy.
RADIO: Pete {flustered}: Sir. Why– are you calling from–
RADIO: Adam: My phone died and Erica is a team-player. Timetable is on point and I found your little wayward fuckup here in New York. I'm told he was hit by a fucking shark somehow? Anyway he's hiding out in Harlem.
RADIO: Pete: A sha– ahh– Magnes. Jesus fucking Christ. I'll be there in a few hours. I'll– I'll get LeMay on it.
RADIO: Adam: On your way back through, I'm going to need you to forward me the security clearance codes for the Arcology. I don't want any delays.
RADIO: Pete: Right. Right. Sure. Yeah, of course. You'll have a key to every door.
RADIO: Adam: You'll handle Zimmerman and the others? I trust?
RADIO: Pete: I… I have someone who can. Yeah. They won't make it out alive.
RADIO: Adam: Lovely. You're such a good little puppy, Pete. Now, be a good lad and don't shit on the carpet on your way out the door.
RADIO: Devil inside
RADIO: The Devil inside
RADIO: Every single one of us
RADIO: The Devil inside
RADIO: {Ringing}
RADIO: Woman's Voice: Allo?
RADIO: Another Woman's Voice: Rie. Get up. Get your emergency bag and leave. Some shit is going down. Find Julien and Sabine and head north!
RADIO: Adrienne: Donna? What's happening, where are you?
RADIO: Donna: There's no time to explain! You have to get as far away from California as possible, I'm reading nuclear launch codes active in the security terminal. Go!
RADIO: Adrienne: Non! C'est dingue!
RADIO: Donna: Ne discute pas avec moi! Je t'aime! Aller!
RADIO: Here comes the world
RADIO: With a look in its eye
RADIO: Future uncertain but certainly slight
RADIO: Look at the faces listen to the bells
RADIO: It's hard to believe we need a place called hell
RADIO: A place called hell
RADIO: {crackle}
RADIO: Man's Voice: She's not here.
RADIO: Adam: What the fuck do you mean not here? She was in a fucking sarcophagus like a fucking Vampire-mummy!
RADIO: Man's Voice: ACTS is here, it's empty. Someone's been through. Ferrymen are fighting Retrievers one floor below, reactor is in meltdown. Security is all over the place.
RADIO: Adam: Fuck, fuck, fucking fuck!
RADIO: Man's Voice: Orders, sir?
RADIO: Adam: FUUUUCK!
RADIO: Adam: Find whoever the fuck has her and fucking kill them!
RADIO: Man's Voice: Affirmative, Sir.
RADIO: The devil inside
RADIO: The devil inside
RADIO: Every single one of us
RADIO: The devil inside
RADIO: {Crackle}
RADIO: Joy: Your man is dead. Who is this?
RADIO: Adam: Y– Yaeko?
RADIO: Joy: …Kensei?
RADIO: Adam: What–
RADIO: Adam: How–
RADIO: Joy: Gomen-ne. Anata wa kanojo o motsu koto wa dekimasen.
RADIO: Adam: Onegaishimasu. Kono agan o shinaide kudasai.
RADIO: Joy: Gomen-ne… Kensei.
- Hudson's Best Guess Translation!
- Joy: I'm sorry. You cannot have the girl.
- Adam: Please. Don't do this.
- Joy: I'm sorry… Kensei.
RADIO: Adam: No. No!
RADIO: Adam: Yaeko?
RADIO: Adam: Yaeko!
RADIO: Devil inside
RADIO: The Devil inside
RADIO: Every single one of us
RADIO: The Devil inside
RADIO: {buzzing}
RADIO: Girl's voice: Are they dead?
RADIO: Joy: No. They're just unconscious.
RADIO: Joy: Focus. You can tell on your own.
RADIO: Girl's voice: …are we leaving them?
RADIO: Joy: ….
RADIO: Joy: …I suppose not.
RADIO: Joy: I'll take them with us and… I want you to stay with them.
RADIO: Girl's voice: I thought I was going with you, to find my mother?
RADIO: Joy: No.
RADIO: Joy: Not… not anymore.
RADIO: Joy: Come. It's not safe here. We'll move ahead some.
RADIO: {crackle}
RADIO: Joy: Better.
RADIO: Girl's voice: It's… Night?
RADIO: Joy: It is now.
RADIO: Girl's voice: …but
RADIO: Joy: Ssh. I need you to help them, Nathalie. I need you to focus on their life energy… and heal them. You can do that for me.
RADIO: Nathalie: I… can?
RADIO: Joy: Yes. Yes you can. You're very special.
RADIO: Joy: Never forget that.
RADIO: Here comes the woman
RADIO: With a look in her eyes
RADIO: She's raised on leather
RADIO: With flesh on her mind
RADIO: Words are weapons sharper than knives
RADIO: Makes you wonder how the other half die
RADIO: {ringing}
RADIO: Man's Voice: Alpha Tau Delta Niner Niner Delta.
RADIO: Other Man's Voice: Confirmed. Report.
RADIO: Devil inside
RADIO: The devil inside
RADIO: Every single one of us
RADIO: The Devil inside.
RADIO: Man's Voice: We found her.
RADIO: Other Man's Voice: Confirm again?
RADIO: The Devil inside.
RADIO: The Devil inside.
RADIO: Every single one of us
RADIO: The Devil inside.
RADIO: Man's Voice: We found the conduit.
RADIO: Man's Voice: Inform Miss Weiss immediately.
RADIO: Other Man's Voice: Location?
RADIO: The Devil inside.
RADIO: The Devil inside.
RADIO: Every single one of us
RADIO: The Devil inside.
RADIO: Man's Voice: Seneca Park.
RADIO: Other Man's Voice: Confirmed.
RADIO: The Devil inside.
RADIO: The Devil inside.
RADIO: Every single one of us
RADIO: Other Man's Voice: Miss Weiss will be very pleased.
RADIO: The Devil inside.
RADIO: *pop*
RADIO: {soon}
RADIO: {so close}
RADIO: {let}
RADIO: {me}
RADIO: {in}
RADIO:
RADIO: {static}
RADIO: {crackle}
RADIO: {static} – expecting that tensions will continue to heighten over the end of the year. UK Prime Minister Benedict Hawthorne has indicated that the "New Britain" movement will continue to bring "unprecedented stability" to the EU in spite of repeated warnings by the United Nations on reports of human rights violations within the UK's resettlement sections.
RADIO: The PM was explicit that the nation's Sectioning system was an efficient means of combating the threat of SLC-Expressive terrorism. This, coming two weeks after Mazdak claimed responsibility for the bombing of the British embassy in Ankara, Turkey over the weekend. Hawth– {static}
RADIO: {static} – indicates that original estimates of the Chinese government's SLC-Expressive military force now numbers in the tens of thousands, leaving the nation with the single largest "powered" military in the entire world. The Japanese government has promised retaliation for the sinking of its vessel, the first such incident in more than a decade.
RADIO: {static} Japanese Prime Minister Satoshi Uchida has called for a unilateral response and are claiming that the sinking of the Katsuragi was an act of war. The timing on this incident comes as US Secretary of State Catherine Chesterfield is visiting Japan to cement US-Japanese relations in– {static}
RADIO: {static} – bombing of Yamagato Industries headquarters in Tokyo earlier this year. Making her first public appearance since the attack, Kimiko Nakamura stood before a press conference but offered no comment on the ongoing investigation by the Mugai-Ryu into the attack. Yamagato spokesperson Jun Sato indicated that the Mugai-Ryu is considering sending representatives to America to help with the investigation into the attack on their US branch in the NYC Safe Zone.
RADIO: Information obtained by the associated press from sources within the Mugai-Ryu indicates that US Secretary Chesterfield met with the Prime Minister to discuss potential Mugai-Ryu deployment within the United States. This would mark the first major US-Japanese diplomatic operation since the end of the Second American Civi– {static}
RADIO: {static} – ng high and dry, where no one can see
RADIO: If there's no one to blame, blame it on me
RADIO: Storm in the sky, fire in the street
RADIO: If there's nothing but pain, put it on me
RADIO: {ringing}
RADIO: {ringing}
RADIO: Man's Voice: Sorry to keep you waiting, this is Yamagato Industries, Security.
RADIO: Woman's Voice: Always so formal, Mr. Erizawa.
RADIO: Man's Voice: M– Mrs. Nakamura.
RADIO: Kimiko: Eizen. Please.
RADIO: Eizen: I'm sorry I… no one told me you'd be calling. Are you back at work already?
RADIO: Kimiko: As much as they'll let me. This isn't about business.
RADIO: Eizen: Pardon?
RADIO: Kimiko: We need to talk about the vault.
RADIO: You are the cold inescapable truth
RADIO: You're evil, the way in the life and the truth
RADIO: Your revival, beginning and your genocide
RADIO: And I watch in wonder
RADIO: You are the cold inescapable truth
RADIO: You're evil, the way in the life and the truth
RADIO: Your revival, beginning and your genocide
RADIO: And I watch
RADIO: In
RADIO: Wonder
RADIO: {crackle}
RADIO: Man's Voice: Clear.
RADIO: Young Woman's Voice: Security is down, response team neutralized.
RADIO: Man's Voice: Found the door. Boss, orders?
RADIO: Adam: Send Val in.
RADIO: Man's Voice: Affirmative. You heard him.
RADIO: Val: I– won't be able to open it from the inside. I can't carry that much out and– and–
RADIO: Adam: Ssh.
RADIO: Adam: I only want one thing.
RADIO: Man's Voice: Hm?
RADIO: Val: What?
RADIO: Adam: Just one penny.
RADIO: Hung high and dry, where no one can see
RADIO: If there's no one to blame, blame it on me
RADIO: Storm in the sky, fire in the street
RADIO: If there's nothing but pain, put it on me
RADIO: Eizen: Compromised? How!?
RADIO: Kimiko: I don't know. There's only four people who knew where Kaito's vault was. Two of them died before the bomb. Eizen, someone inside of Yamagato had to have told him.
RADIO: Eizen: That's– {rough noise} What did he take? The paintings?
RADIO: Kimiko: No. They stole a penny sealed in glass.
RADIO: Eizen: …Pardon?
RADIO: Kimiko: It's part of a set, it contains encoded information from a former Company agent who could imprint memories on objects. Whatever it was, my father was concerned enough about the information that he sealed it away there.
RADIO: Eizen: He didn't take anything else?
RADIO: Kimiko: No. There… there were notes on the Company's research on the Formula. The Paintings were there. Records on the Shanti virus. Security cameras were still active. He didn't take anything else.
RADIO: Eizen: Kimiko… what was on that penny?
RADIO: I know that you'd never feel like I do
RADIO: And I'd break into pieces right in front of you
RADIO: And I'd burn down the city and string up the noose
RADIO: And you watch in wonder
RADIO: {ringing}
RADIO: {ringing}
RADIO: Old Woman's Voice: Hello? I'm sorry you probably have the wrong–
RADIO: Woman's Voice: Ruby?
RADIO: Ruby: …Joy?
RADIO: Joy: I don't have much time.
RADIO: Ruby: Joy, you're alive! Where are you?
RADIO: Joy: I can't… I can't. Ruby, I need you to deliver a set of coordinates. 35.371068, 77.558093.
RADIO: Ruby: Joy, what is this? I can get you help.
RADIO: Joy: No.
RADIO: Joy: You can't.
RADIO: Ruby: Joy
RADIO: Joy: I'm sorry.
RADIO: {click}
RADIO: Hung high and dry, where no one can see
RADIO: If there's no one to blame, blame it on me
RADIO: Storm in the sky, fire in the trees
RADIO: If there's nothing but pain, put it on me
RADIO: I know that you'd never feel like I do
RADIO: Will break into pieces right in front of you
RADIO: I will burn down the city and string up the noose
RADIO: And you'll watch
RADIO: In
RADIO: Wonder
RADIO: {static}
RADIO: {ringing}
RADIO: {ringing}
RADIO: Man's Voice: Safe Zone Siren, where the truth is a sword and a shield.
RADIO: Old Woman's Voice: I'd like to place an ad.
RADIO: Old Woman's Voice: Missed connections, please.
RADIO: {static}
RADIO: {*pop*}
RADIO: {static}
RADIO: {squeal}
RADIO: {crackle}
RADIO: {static}
RADIO: {static} – etrospective on one of the most shocking conspiracies of the modern age. Joins us tonight for a special episode of Conspiracy Theory, with Jesse Ventura. Tonight's episode: the Company.
RADIO: I'm here in southwest New Mexico, just outside the border of what the US Government calls the "Dead Zone." Not far west from where we're filming, is the remains of an "alleged" concentration camp called Coyote Sands, that the government would like you to believe existed in the 1960s.
RADIO: But no one has ever been out there. Sure, people testified that it existed at the Albany Trials. But has anyone actually been out there? Has anyone really "seen" Coyote Sands? Tonight, we're going to walk you through the lies that are being fed to us by the Mass Media Machine that led us by the nose into the most devastating war in this proud country's history.
RADIO: We're going to walk through the lies, and try and find this so called "prison camp" to prove that the Company didn't get its beginnings in some noble attempt to protect their own kind. I'm going to show you tonight – no, prove to you – that the Company was a Psy-Op created by the US government to indu– {static}
RADIO: {static} – nk my guests for joining me tonight. This is Indivisible, and I'm Audie Cornish. Tonight I'm joined by Secretary of State Catherine Chesterfield and the Mayor of the New York City Safe Zone Caroline Short. We're discussing the impact of conspiracy in America and its impact on the growth of the New United States, in the aftermath of the Second American Civil War. Madame Secretary, Mayor Short, thank you for joining me tonight.
RADIO: I'd like to begin tonight by looking back at one of the greatest conspiracies revealed in the modern age. I'm talking about the revelation of the spy organization known as the Company, and how it was able to operate internationally and hide the existence of SLC-Expressive humans for nearly fifty years. Now, Madame Secretary, I know your parents had– {static}
RADIO: {static} – en I was young
RADIO: I thought I had my own key
RADIO: I knew exactly
RADIO: What I wanted to be
RADIO: Now I'm sure
RADIO: You've boarded up every door
RADIO: {chirp}
RADIO: {beep}
RADIO: {crackle}
RADIO: Male Voice: It's a fucking massacre in here.
RADIO: Other Male Voice: How many agents are down?
RADIO: Male Voice: All…
RADIO: Male Voice: All of them.
RADIO: Other Male Voice: What!?
RADIO: Male Voice: Arthur. They're all dead. All of them.
RADIO: Arthur: What about the kids?
RADIO: Male Voice: We found them in the basement.
RADIO: Male Voice: They were in the laundry room. I think they're ok.
RADIO: Arthur: Who was it? Who the fuck did that?
RADIO: Man's Voice: Arthur. Didn't Thompson– it was the kids.
RADIO: Arthur: {deep breath}
RADIO: Man's Voice: It was the kids.
RADIO: Lived in a bubble
RADIO: Days were never ending
RADIO: Was not concerned
RADIO: About what life was sending
RADIO: Fantasy was real
RADIO: Now I know much about the way I feel
RADIO: {ringing}
RADIO: Arthur: You better have good news for me.
RADIO: Man's Voice: I just spoke with the agents in charge of the wards.
RADIO: Arthur: Excuse me?
RADIO: Man's Voice: The agents in charge of–
RADIO: Arthur: I am in charge of them.
RADIO: Man's Voice: That's…
RADIO: Man's Voice: …not what Mrs. Petrelli said, sir.
RADIO: Arthur: {deep breath}
RADIO: Arthur: What.
RADIO: Man's Voice: Mrs. Petrelli and Mr. Deveaux signed off on their transfer documents. We're moving the girl into Company fosterage and sending the boy back to live with his mother, under remote observation.
RADIO: Arthur: I didn't authorize that!
RADIO: Man's Voice: I'm… sorry, sir. You'll have to take that up with Mr. Deveaux.
RADIO: Man's Voice: The girl will be kept at the Bronx facility, so you'll still have access to her for the tests.
RADIO: Man's Voice: But Mrs. Petrelli uh, she… said that she had a vision, and that they couldn't be allowed in proximity of one-another again.
RADIO: Arthur: {simmering silence}
RADIO: Man's Voice: Is… Did you need anything else s–
RADIO: {click}
RADIO: I'll paint you the picture
RADIO: 'Cause I don't think
RADIO: You live round here no more
RADIO: I've never even seen
RADIO: The key to the door
RADIO: We only get what we will settle for
RADIO: {ringing}
RADIO: Arthur: Petrelli. What is it?
RADIO: Man's Voice: Sir, we've lost the Ruiz boy.
RADIO: Arthur: WHAT!?
RADIO: Man's Voice: Josefa took him out to the park, and she took a different route home. When she got back to their house, our agent in the field reports that Mateo wasn't with her.
RADIO: Arthur: Well, get our fucking agent the field a new set of fucking eyes. Did you lock down the house?
RADIO: Man's Voice: We did, but she's… she overpowered the agents. She has some kind of telepathic ability. She fled on foot and we lost track of her. We think we know where she's headed, though, so–
RADIO: Arthur: Unbelievable.
RADIO: Arthur: Unbelievable.
RADIO: {rustling}
RADIO: Man's Voice: Sir?
RADIO: Man's Voice: Sir?
RADIO: Man's Voice: Sir I {Arthur's Voice in the Background: Get off the phone!}
RADIO: {Back and forth argument, unintelligible.}
RADIO: {click}
RADIO: While we're living
RADIO: The dreams we have as children fade away
RADIO: While we're living
RADIO: The dreams we have as children fade away
RADIO: While we're living
RADIO: The dreams we have as children fade away
RADIO: While we're living
RADIO: The dreams we have as children fade away away away
RADIO: They fade away away away
RADIO: {ringing}
RADIO: Man's Voice: It's good to hear from you.
RADIO: Woman's Voice: Thank you, Lord Volken.
RADIO: Kazimir: Report.
RADIO: Woman's Voice: I've just returned from my meeting with Thor. He introduced me to a very exceptional new recruit.
RADIO: Kazimir: How is Thor? Did he enjoy the wine I sent?
RADIO: Woman's Voice: Very much, Lord Volken. He was gracious enough to share the bottle with me. He is an impeccable host. But the young man…
RADIO: Kazimir: Yes, yes. Tell me of him.
RADIO: Woman's Voice: Though he may be… unfit… he is never the less exceptional. He commands the ability to tear open space, and open doorways into nothingness. A consuming, hungering void.
RADIO: Kazimir: Nothingness?
RADIO: Woman's Voice: In a display, his portal consumed an entire herd animal they had tied up for the demonstration.
RADIO: Woman's Voice: There was nothing left, not even dust.
RADIO: Kazimir: Did you discuss scale?
RADIO: Woman's Voice: I'm sorry?
RADIO: Kazimir: How big of a void can he open?
RADIO: Woman's Voice: I… We didn't.
RADIO: Kazimir: {soft noise}
RADIO: Kazimir: All well. We'll have to discuss it when I arrive.
RADIO: Woman's Voice: My Lord?
RADIO: Kazimir: I'd like to see this young man myself, and it's been far too long since I enjoyed Thor's company.
RADIO: Woman's Voice: Of course, Lord Volken.
RADIO: Woman's Voice: I await your arrival.
RADIO: Now my life has turned
RADIO: Another corner
RADIO: I think it's only best
RADIO: That I should warn you
RADIO: Dream it while you can
RADIO: Maybe someday I'll make you understand
RADIO: {ringing}
RADIO: Woman's Voice: Richard. You're in the office late. What's up?
RADIO: Schwenkman: I know, I know. I ah…
RADIO: Schwenkman: I was going over these files that Harper dropped off? The Company dossiers?
RADIO: Woman's Voice: {soft noise}
RADIO: Schwenkman: So, the Company was tracking this guy… Mateo Ruiz. The assignment tracker lists him as spatio-temporal, which is what we were looking for, right? But get this. The description of his ability? Wormholes.
RADIO: Woman's Voice: Wormholes?
RADIO: Schwenkman: Right? You should've seen my face. So, apparently he dropped off the Company radar a long time ago. But I cross-referenced his ability description with our database, and I got a hit.
RADIO: Woman's Voice: What was it?
RADIO: Schwenkman: The portals.
RADIO: Schwenkman: Okay, so, hear me out.
RADIO: Schwenkman: The files from Operation Apollo listed the dossiers of all known Vanguard operatives in the world. Missing, dead, pardoned, whatever. Right? Well, there's one who went missing in South America, abandoned Ramirez' compound just before the stink hit.
RADIO: Schwenkman: Codenamed, Hati.
RADIO: Schwenkman: Now, the description by the Vanguard operatives who turned traitor? I think this was… deposition of… {papers rustling} Amato Salucci.
RADIO: Schwenkman: Describes his ability as a "consuming vortex" right? He matches the physical description of Mateo Ruiz, to a T.
RADIO: Woman's Voice: Where's this all going, Rich?
RADIO: Schwenkman: I got fed up some of the intel we received on the Ferrymen.
RADIO: Schwenkman: There's a safehouse down in Mexico.
RADIO: Schwenkman: Our intel has a description of a man matching Ruiz's description.
RADIO: Woman's Voice: How fresh is this intel?
RADIO: Schwenkman: Oh, it's downright precognitive. Director Broome pulled it from Ms. Mas.
RADIO: Woman's Voice: So, wait… He's not even there right now?
RADIO: Schwenkman: If the painting is accurate, he'll be there soon. We don't know exactly w–
RADIO: Woman's Voice: I want a team on him, on that whole site. Right now.
RADIO: Schwenkman: I'll call dispatch and have a Retriever squad sent out pronto.
RADIO: Woman's Voice: If this works…
RADIO: Schwenkman: I know, I know. I'm excited too.
RADIO: Woman's Voice: You did a good job, Rich.
RADIO: Schwenkman: Thank you, Erica.
RADIO: I'll paint you the picture
RADIO: 'Cause I don't think
RADIO: You live round here no more
RADIO: I've never even seen
RADIO: The key to the door
RADIO: We only get what we will settle for
RADIO: { RECORDING }
RADIO: Kravid: This is Erica Kravid, I'm joined by Richard Schwenkman and observing intern Julie Luis.
RADIO: Kravid: We are at the Commonwealth Arcology, B-Ring, prepping the trial initiation of Looking Glass, model 2.
RADIO: Schwenkman: Let the record show that I brought champagne.
RADIO: Julie: {groan}
RADIO: Kravid: We've build a scaled down model of the Model 1 Looking Glass, based on estimated design specifications. Our current active model's schematics are contained on Melchior. For the sake of the audio record, our aperture is nine inches in diameter.
RADIO: Schwenkman: I'm beginning the initial system diagnostic, pre boot.
RADIO: Schwenkman: So far, all lights green.
RADIO: Schwenkman: Julie, if you could flip the secondaries.
RADIO: Julie: Yes, Professor.
RADIO: Kravid: Power is green, micro-reactor is online. Coolant is stable.
RADIO: Schwenkman: Some… minor power variances. We're getting– what is that feedback from something?
RADIO: Julie: Do you hear that?
RADIO: Kravid: What?
RADIO: Schwenkman: I don't hear anything.
RADIO: Julie: It sounds like… whispering?
RADIO: Schwenkman: I don't h–
RADIO: {SCREECH}
RADIO: Kravid: –URN IT OFF! TURN IT OFF!
RADIO: {electrical crackling}
RADIO: {screams}
RADIO: Schwenkman: What the fuck is that!?
RADIO: Julie: {terrified screams}
RADIO: Kravid: Cut the fucking power! Rich! Cut the fucking power!
RADIO: Schwenkman: Who is that? Who the fuck is that?
RADIO: Julie: He has an ability! I can feel it!
RADIO: Kravid: Who the f–
RADIO: Schwenkman: …Mateo?
RADIO: {crackle}
RADIO: While we're living
RADIO: The dreams we have as children fade away
RADIO: While we're living
RADIO: The dreams we have as children fade away
RADIO: While we're living
RADIO: The dreams we have as children fade away
RADIO: While we're living
RADIO: The dreams we have as children fade away away away
RADIO: {Caged nightingales don't sing.}
RADIO: {It was a classical album, Debussy. De l'aube à midi sur la mer. Which is fancy and French for from dawn to noon on the sea.}
RADIO: {But when a nightingale does sing, she can charm even death himself out of taking what he's owed.}
RADIO: They fade away away away
RADIO: They fade away away away
RADIO: {Thanks, Doc. Hopefully we'll see each other again…}
RADIO: Fade away away away
RADIO: {… before the storm hits.}
RADIO: {static}
RADIO: {*pop*}
RADIO: {static}
RADIO: {crackle}
RADIO: {hiss}
RADIO: {audio logged}
RADIO: {cafeteria C}
RADIO: Man: …ever wonder what was up with him?
RADIO: Woman: Explain.
RADIO: Man: The other Ruiz.
RADIO: Man: The one that… came out of nowhere?
RADIO: Woman: Sometimes. That was a long time ago.
RADIO: Man: I've been going over the Oracle logs.
RADIO: Man: There's so much data it's… it'd take a thousand lifetimes to sort it all out.
RADIO: Woman: Better man have gone mad trying, Rich.
RADIO: Man: {scoffs} Thanks.
RADIO: Man: But seriously. All that data we dumped out of Ray.
RADIO: Man: The timeline map.
RADIO: Man: All the notes.
RADIO: Man: A fraction of what Melchior had.
RADIO: Woman: Where is this going, Rich? I'm tired, it's been a long day.
RADIO: Man: I'm just wondering… did he know what we were doing to him? Out of all the data we were able to peel out of his head, we got just enough of Looking Glass to…
RADIO: Woman: Don't.
RADIO: Man: Don't what?
RADIO: Woman: Don't try and make this all his doing somehow. He was just one man.
RADIO: Woman: A man in a coma.
RADIO: Man: Erica. We both know that's a lie. Look at everything we–
RADIO: Kravid: Rich, I am not going to sit here and have you dictate the specifics of free will with me. I don't know where that Ruiz came from. I don't understand his story. I don't want to *talk* about it.
RADIO: Rich: {deep sigh}
RADIO: Rich: You've changed.
RADIO: Kravid: {silence}
RADIO: Rich: The Erica I know wouldn't be afraid of the unknown. You were the most insatiably curious of all of us. I was inspired by you.
RADIO: Kravid: People change, Rich.
RADIO: Rich: It's… it's not just that.
RADIO: Kravid: What the hell does that mean?
RADIO: Rich: Seattle.
RADIO: Kravid: {silence}
RADIO: Rich: How did you survive that attack? The army was practically on top of you.
RADIO: Kravid: I'm too tired for this. I'm going to bed.
RADIO: Rich: {sigh} I'm sorry.
RADIO: Kravid: {distant} No you're not.
RADIO: { end log }
RADIO: {crackle}
RADIO: {static}
RADIO: {crack}
RADIO: SATCOMM: This is Arrowhawk, I have eyes on Mount Natazhat.
RADIO: SATCOMM: A whole lot of nothing up here.
RADIO: SATCOMM: Concrete debris as far as the eye can see. We've got… I don't even know what this is, doesn't match satellite imagery.
RADIO: SATCOMM2: Survivors?
RADIO: SATCOMM: Negative. I see some bodies, I don't think anyone could have–
RADIO: SATCOMM: Wait. I see two people.
RADIO: SATCOMM: Going in closer.
RADIO: SATCOMM2: Descriptions?
RADIO: SATCOMM: Women. One blonde, one brunette, older. Second female matches descriptions of Doctor Kravid.
RADIO: SATCOMM: Going in for recovery.
RADIO: SATCOMM2: Who is the other female?
RADIO: SATCOMM: Negative facial recognition. Deploying a Hunter to scout the area.
RADIO: SATCOMM: She– the blonde just disappeared.
RADIO: SATCOMM2: Repeat?
RADIO: SATCOMM: The blonde just vanished. Green lights and gone. Might be a teleporter?
RADIO: SATCOMM2: Confirm Compass readings.
RADIO: SATCOMM: Negative. But we're getting interference from the aurora.
RADIO: SATCOMM: We just touched down, Doctor Kravid is on her way over.
RADIO: SATCOMM2: SATCOMM1, I just got off the horn with Emergency Command in San Francisco.
RADIO: SATCOMM: Excuse me?
RADIO: SATCOMM: We've got her on board.
RADIO: SATCOMM2: SATCOM1 Confirm. Erica Kravid is listed as active in SF Branch.
RADIO: SATCOMM: {gunshot}
RADIO: SATCOMM2: SATCOM1?
RADIO: SATCOMM2: SATCOM1?
RADIO: { signal lost }
RADIO: {soon}
RADIO: {soon}
RADIO: {soon}
RADIO: {static}
RADIO: {click}
RADIO: Don: I understand.
RADIO: Don: I understand what I have to do.
RADIO: Don: I…
RADIO: Don: I need Mateo back.
RADIO: Don: To let you out.
RADIO: {static}: {screech}
RADIO: Don: Of course.
RADIO: Don: Yes. Of course.
RADIO: {static}: {screech}
RADIO: Don: I am worthy.
RADIO: Don: Gutes-asi
RADIO: {SCREECH}
RADIO: {*pop*}
RADIO: {static}
RADIO: {crackle}
RADIO: {static}
RADIO: {static} – e sky is not the same shade of blue
RADIO: Every single thing
RADIO: I believe isn't true
RADIO: Missing in a maze of monochrome
RADIO: How did I get here?
RADIO: How can I go home?
RADIO: {static}
RADIO: {static} – ncient Assyria, regarded the Shedu as divine protectors. These winged, leonine creatures are depicted with the heads of bearded men in many Assyrian and ancient Mesopotamian historical sites. Though in Sumerian they were called Shedda, and ahistoric influences from Christian archaeologists in the early Victorian era painted the Shedda as violent spirits, evil and corrupt. What w–
RADIO: {static}
RADIO: The echos in my eyes
RADIO: Of all they used to see
RADIO: Burning down the world
RADIO: The ashes and debris
RADIO: And all that's left of me
RADIO: Non-Entity
RADIO: {static}
RADIO: {static} – ense analysts fear that the increasing number of attacks made by the Mazdak group may be indicative of intentions by that organization to make attacks on US soil in opposition to the United States occupation of Iraq which has been ongoing since 2003. Th –
RADIO: {static}
RADIO: Try to stand in line
RADIO: Try to obey
RADIO: The ghosts of what I was keep getting in the way
RADIO: Staring at the sun
RADIO: Blinded by the light
RADIO: Now I'm afraid I'm fading out of sight
RADIO: {static}
RADIO: {static} – unspots that recently appeared on the surface of the sun are currently causing quite a bit of consternation and interest. The solar storms these sunspots sent toward Earth this week may affect communications and other technologies like GPS and radio signals. They're causing amazing displays of the Northern and Southern Lights. And space weather scientists like us are excited because we wouldn't normally expect this much activity from the sun at the mo –
RADIO: {static}
RADIO: The echos in my eyes
RADIO: Of all they used to see
RADIO: Burning down the world
RADIO: Ashes and debris
RADIO: And all that's left of you
RADIO: And all that's left of me
RADIO: All have washed away
RADIO: {soon}
RADIO: Non-Entity
RADIO: Non-Entity
RADIO: {static}
RADIO: {static}
RADIO: {ringing}
RADIO: {ringing}
RADIO: Old Man's Voice: Right on time.
RADIO: Man's Voice: I've made contact.
RADIO: Old Man's Voice: I see.
RADIO: Old Man's Voice: So was Mr. Lowell wrong about the girl?
RADIO: Man's Voice: …that's where this gets complicated, father.
RADIO: Old Man's Voice: How so?
RADIO: Man's Voice: That's… leas important than what I have to tell you.
RADIO: Old Man's Voice: …..
RADIO: Old Man's Voice: …go on.
RADIO: Man's Voice: I found him.
RADIO: Man's Voice: I found Kazimir.
RADIO: {static}
RADIO: {crackle}
RADIO: {static}
RADIO: {ringing}
RADIO: Woman's Voice: Good morning, this is–
RADIO: Man's Voice: Freyja.
RADIO: Woman's Voice: …Brother.
RADIO: Man's Voice: He is coming to us, to America. He is bringing Hel with him.
RADIO: Freyja: Do I liquidate my cover?
RADIO: Freyr: No.
RADIO: Freyr: Stay inactive.
RADIO: Freyr: Await further instructions.
RADIO: Freyja: Of course.
RADIO: Freyja: We've waited so long for this.
RADIO: Freyr: I know.
RADIO: Freyr: Just be patient.
RADIO: Freyr: The Resurrection is at hand.
RADIO: {static}
RADIO: {static}
RADIO: {*pop*}
RADIO: Don: …Interesting.
RADIO: Don: Mister Lowell… has some questions to answer.
RADIO: Don: Doesn't he?
RADIO: {Find him.}
RADIO: {Find the Aleph.}
RADIO: {You're so close.}
RADIO: Don: Yes. Yes.
RADIO: Don: Not much left to do but wait.
RADIO: Don: Just wait… for them to arrive.
RADIO: {Soon.}
RADIO: {Soon.}
RADIO: {*pop*}
RADIO: _
RADIO: Hey, did you notice it?_
RADIO: <you are going to need to be more specific _>
RADIO: Looks like Praxis is up to something_
RADIO: < :O _>
RADIO: < my surprised face _>
RADIO: Why are you like this?_
RADIO: <stop wasting my time_>
RADIO: <its just website maintenance_>
RADIO: <not everything is a conspiracy, v.iris_>
RADIO: I beg to differ._>
RADIO: TRANSMISSION ENDED_
RADIO: {static}
RADIO: {crackle}
RADIO: {static} — ank you for listening, I'm Michael Martin and this is All Things Considered.
RADIO: NPR: If you've been paying attention to the news lately, be it through newspapers, the radio, of those of you who have television here in the States, you've likely had one thing on your mind over the last few weeks: November 8th.
RADIO: NPR: November 8th, 2018 will be just five short years since General Timothy Moritz authorized a nuclear strike against the United States. This unfathomable act resulted in the destruction of the American way of life as we know it, the creation of the Dead Zone, and in many ways signaled the beginning of the end of the Second American Civil War.
RADIO: NPR: We're five years gone from the end of the darkest hour in American history, but it's hard for the anniversary of the war's ostensible beginning to come around without looking back on how we got there. How our nation was divided along lines not only genetic, but also moral. How arguably good people allowed themselves to be manipulated by the government into carrying out atrocities in our own back yard, and how we as a people can prevent that from happening again.
RADIO: NPR: We're going to start the program trying to bring some understanding to the very emotional and divisive events of the last seven years. In a few minutes, we'll speak with two individuals who've given a lot of thought to how the country gets beyond the tribalism that precipitated the Second American Civil War.
RADIO: NPR: But first, to understand the pressure behind those lines, we have to look back at the centerpiece of this conflict and understand how we came to this point: ordinary people, with extraordinary abilities. Joining us in the studio to discuss that topic is Ilsa Larange, author of "Living in a Mythic Age."
RADIO: NPR: Ilsa, thank you for coming on the show today.
RADIO: Ilsa: Thank you for having me, Michael.
RADIO: NPR: In your book, you talk at length about how SLC-Expressives have been a part of modern society since, at least, World War II. Your exhaustive research into the records made public during the Albany Trials has expanded our understanding of the topic considerably, but for those at home who may not be familiar with your work, why don't you break it down for them?
RADIO: Ilsa: Yes, absolutely. It's— Evolved— SLC-Expressives. What came to light during the Albany Trials, through public record of Company documents, is a history of mistreatment and experimentation on SLC-Expressive humans ostensibly started by the Nazi party in the late 1930s and early 1940s, and carried forward by the American government following the conclusion of World War II. A global conspiracy to keep people — people with gifts — a secret from the world at large. This secret, Project Icarus, is the core of all our problems.
RADIO: Michael: And could you elaborate on that? How is a seventy year old program at fault for the November 8th riots? For the Civil War?
RADIO: Ilsa: When you look back — when you trace the events of the last seventy years out — you see everything pointing back to Icarus. Lyuba Kolosova writes about how Kazimir Volken was involved in these experiments in the 1940s in her book Wolves of Valhalla. Furthermore, the United States' continuance of Icarus in the 1950s and 1960s resulted in the formation of what would become the Company at the Coyote Sands relocation center.
RADIO: Michael: Mnhm.
RADIO: Ilsa: The secrecy around this, the uh— the willful conspiracy to defraud the people of not only America but the world at large, it's staggering. If we didn't find out about SLC-Expressive from the bomb, from the lies and conspiracy woven by the Company and the Petrelli family, would we have had such a violent reaction to their existence? If Kazimir Volken hadn't been brought over to America in the 1950s, would we have the Vanguard? I posit in my book that if Project Icarus never started? The world would be a wholly different place.
RADIO: Michael: Fascinating. So how does this tie in to the current political climate, where the United States has done an about-face on its policy regarding SLC-Expressive people, where the rights of people with abilities are dramatically improved?
RADIO: Ilsa: It's a cautionary tale. It's literally the parable of Icarus. People sought to control what they didn't understand, and they flew too high. They flew straight into the sun, melted their wings, and they crashed to Earth. Except the impact of that crash was like an atomic bomb, and we're still feeling the effects today.
RADIO: Michael: So, Ilsa, how far back do you think this all goes? SLC-Expressives, have they been here all along walking beside us? Or was there — somewhere down the line — a point where there weren't any. Where somewhere, someone woke up and said… I'm different.
RADIO: Ilsa: I wonder about this myself, if we can look back far enough to find the Adam or Eve of SLC-Expressives. If we look to mythology as a road map to the supernatural, we see examples of Expressives all throughout history. It's differentiating real people from fictional accounts that's the real struggle, and the topic of my upcoming book, The First.
RADIO: Michael: Before we go on to our other guests, Ilsa, if there was a first… what do you think they were like?
RADIO: Ilsa: I think they weren't all that different from us. They were an ordinary person who woke up one day and discovered the world had become a much more magical place…
RADIO: Ilsa: …and then were persecuted.
RADIO: Michael: Ilsa, thank you for coming on the show today.
RADIO: Ilsa: My pleasure, Michael.
RADIO: Michael: Up next, we will be discussing the divisions in America that led up to the Second American Civil War and the global attitudes that mirror those fires of war. Joining me after the commercial break will be Secretary of State Catherine Chesterfield, and SESA Spokesperson Alice Shaw, next on, All Things Cons— {static}
RADIO: {static}
RADIO: {static} — can't let you do that, Ms. Beauchamp.
RADIO: {gun cocking sound} "Ever."
RADIO: Helena Beauchamp: Lord have mercy if you think that's going to stop me, Agent Epstein.
RADIO: Helena Beauchamp: I thought you were in Egypt fighting the Vanguard.
RADIO: Jensen Epstein: No, miss Beauchamp. I came from a lot further away to get to you.
RADIO: {dramatic music well}
RADIO: Jensen Epstein: The year 2135.
RADIO: ON THE NEXT: RIVER STYX.
RADIO: Eve: MR. PRESIDENT! I've had a vision of the future!
RADIO: President Petrelli: For the love of god, Eve, put some pants on!
RADIO: Eve: There's no TIME!
RADIO: A new threat emerges.
RADIO: Richard Cardinal: Teodoro, take all my calls for the day. I've got to… work on a project.
RADIO: Can the Ferrymen learn the truth in time?
RADIO: Teo: Mamamia, all day?
RADIO: Richard: It's a lot of work.
RADIO: When visitors from the distant future…
RADIO: …unfrozen from stasis…
RADIO: …come back to the past.
RADIO: Joseph: Kaylee, I have to confess something to you.
RADIO: But the greatest secrets…
RADIO: Joseph: My name isn't Joseph Deckard.
RADIO: Were here all along…
RADIO: Joseph: It's Joseph Petrelli. I'm your son.
RADIO: SEASON 3 of RIVER STYX
RADIO: COMING IN NOVEMBER TO BBC AND BBC AMERICA
RADIO: {static}
RADIO: {*pop*}
RADIO: {static}
RADIO: {crackle}
RADIO: {static}
RADIO: {static}
RADIO: {static} – ail to the moon
RADIO: I spoke to soon
RADIO: And how much did it cost?
RADIO: I was dropped from
RADIO: Moonbeam
RADIO: And sailed on shooting stars
RADIO: {Did you bring 'em?}
RADIO: {Keep your fucking voice down}
RADIO: {The Director gets word of this and we'll…}
RADIO: {Is this all of them?}
RADIO: {Do you have any idea how hard it is to steal guns down here?}
RADIO: Maybe you'll be president
RADIO: But know right from wrong
RADIO: Or in the flood
RADIO: You'll build an Ark
RADIO: {He's gone mad. What other choice do we have?}
RADIO: {He has more men, and more guns, and control of the facility.}
RADIO: {He killed my son!}
RADIO: And sail us to the moon
RADIO: {He killed my little boy.}
RADIO: Sail us to the moon
RADIO: {My Lance.}
RADIO: Sail us to the moon.
RADIO: {Static}
RADIO: {Static}
RADIO: {Static}
RADIO: {Static} – ing in my bed I hear the clock tick
RADIO: And think of you
RADIO: Caught up in circles
RADIO: Confusion is nothing new
RADIO: Flashback, warm night
RADIO: Almost left behind
RADIO: Suitcases of memories
RADIO: Time after
RADIO: {Get that fucking rigging tied down and turn us back to the Pelego!}
RADIO: {Lightning}
RADIO: {Captain! Captain look at the fucking swells!}
RADIO: {We're being tossed around! We have t'get back!}
RADIO: {Captain! Captain is that another ship!}
RADIO: {It's sailing right into the storm!}
RADIO: Sometimes you picture me
RADIO: I'm walking too far ahead
RADIO: You're calling to me, I can't hear
RADIO: What you've said
RADIO: They say go slow
RADIO: I fall behind
RADIO: The second hand unwinds
RADIO: {Unidentified ship! This is the Keel! You're sailing straight into a squall!}
RADIO: {I know, isn't it amazing!}
RADIO: {Unidentified ship turn back!}
RADIO: {Sorry, can't do that!}
RADIO: {Unidentified ship–}
RADIO: {I'm not unidentified. I'm the Forthright, and I'm going on!}
RADIO: If you're lost you can look and you will find me
RADIO: Time after time
RADIO: If you fall I will catch you, I will be waiting
RADIO: Time after time
RADIO: {Lightning}
RADIO: {Captain, what do we do?}
RADIO: {Turn back. Anyone stupid enough to follow Mas into that storm…}
RADIO: {Deserves what they get.}
RADIO: After my picture fades and darkness has
RADIO: Turned to gray
RADIO: Watching through windows
RADIO: You're wondering if I'm okay
RADIO: Secrets stolen from deep inside
RADIO: The drum beats out of time
RADIO: {Thunderclap}
RADIO: {Eve this is insane!}
RADIO: {Mnhmm}
RADIO: {We're going to capsize! We can't go into– oh my god what was that!?}
RADIO: {There! Follow that lightning!}
RADIO: If you're lost you can look and you will find me
RADIO: {There! In the water is– did someone fall out of the storm!?}
RADIO: {Yes! Now throw a rope!}
RADIO: {Time after time}
RADIO: Time after time
RADIO: {Pull! Pull!}
RADIO: If you fall I will catch you,
RADIO: {Who– who the fuck IS THAT!?}
RADIO: I will be waiting
RADIO: {His name…}
RADIO: Time after time
RADIO: {Is Walter.}
RADIO: {static}
RADIO: {static}
RADIO: {*pop*}
RADIO: {static}
RADIO: {crackle}
RADIO: {static}
RADIO: {static} – emember black skies
RADIO: the lightning all around me
RADIO: I remember each flash
RADIO: As time began to blur
RADIO: Like a startling sign
RADIO: The fate had finally found me
RADIO: And your voice was all I heard
RADIO: That I get what I deserve
RADIO: {ringing}
RADIO: Woman's Voice: Incision. Aleph.
RADIO: Man's Voice: Confirmed. The Sun Rises.
RADIO: So give me reason
RADIO: To prove me wrong
RADIO: To wash this memory clean
RADIO: Let the floods cross
RADIO: The distance in your eyes
RADIO: Give me reason
RADIO: To fills this hole
RADIO: Connect this space between
RADIO: Let it be enough to reach the truth that lies
RADIO: Across this new divide
RADIO: {clicking}
RADIO: Tired Man's Voice: Everything's… there.
RADIO: Tired Man's Voice: It's like… yeah, yeah.
RADIO: Tired Man's Voice: Its like… all these weird patterns on– on different pieces of paper.
RADIO: Tired Man's Voice: Looks like jibberish.
RADIO: Tired Man's Voice: Until you line– until you line it all up just so.
RADIO: Tired Man's Voice: and hold it up to the light.
RADIO: There was nothing inside
RADIO: The memories left abandoned
RADIO: There was nowhere to hide
RADIO: the ashes fell like snow
RADIO: and the ground caved in
RADIO: between where we were standing
RADIO: and your voice was all I heard
RADIO: that I get what I deserve
RADIO: {screech}
RADIO: Weary Man: Watashi wa… yakusoku o shita.
I promised
RADIO: Weary Man: Hogo suru.
To protect
RADIO: Weary Man: Kore ga… yuiitsu no hohodesu.
This is the only way
RADIO: Weary Man: Watashi wa anata o kara mamoru hitsuyo ga arimasu.
I have a long time to protect you (?? I'm sketchy on this translation, feel free to correct me)
RADIO: Weary Man: Gomennasai.
I'm sorry
RADIO: Weary Man: …Yaeko.
RADIO: So give me reason
RADIO: to prove me wrong
RADIO: to wash this memory clean
RADIO: let the floods cross
RADIO: the distance in your eyes
RADIO: across this new divide
RADIO: {screech}
RADIO: Shouting Man: Hurry! We only have one chance at this!
RADIO: Young British Man: Arthur! Arthur I– I don't think– I cant keep this up!
RADIO: Woman: She's fighting me! I can feel– I can feel her in my mind!
RADIO: Arthur: We're almost there! Just a little more!
RADIO: Young Woman's Voice: I know you're scared honey, but I need you to focus for me!
RADIO: Young Woman's Voice: We need El Umbral.
RADIO: In every loss in every lie
RADIO: In every truth that you deny
RADIO: And Each regret and each goodbye
RADIO: was a mistake too great to hide
RADIO: and your voice was all I heard
RADIO: That I get what I deserve
RADIO: {click}
RADIO: Arthur: We have to keep an eye on them.
RADIO: Woman's Voice: We have a safehouse prepared. Keeping them together should allow us to see if there's any side effects from the redaction.
RADIO: Arthur: We don't even know what we're dealing with here. I don't know if it's safe to keep them in the same safehouse. We don't know what we forgot.
RADIO: Woman's Voice: It will be easier to enact a clearcut with them together.
RADIO: Arthur: …I'm not convinced but… I'll talk to Charles.
RADIO: Woman's Voice: Of course.
RADIO: So give me reason
RADIO: To prove me wrong
RADIO: To wash this memory clean
RADIO: Let the floods cross
RADIO: The distance in your eyes
RADIO: Give me reason
RADIO: To fill this hole
RADIO: Connect this space between
RADIO: let it be enough to reach the truth that lies
RADIO: Across this new divide.
RADIO: {static}
RADIO: {static}
RADIO: {static}
RADIO: {ringing}
RADIO: {ringing}
RADIO: Man's Voice: {deep sigh} Cardinal.
RADIO: Woman's Voice: I found what you were looking for.
RADIO: Cardinal: {shuffling} You're serious?
RADIO: Woman's Voice: We went back to Colobanth, for the compass protypes.
RADIO: Woman's Voice: Its not what you thought.
RADIO: Woman's Voice: It wasn't a person they imprisoned.
RADIO: Cardinal: What… was it?
RADIO: Woman's Voice: It was more of…
RADIO: Woman's Voice: …an entity.
RADIO: {static}
RADIO: {click}
RADIO: {click}
RADIO: {click}
RADIO: Don: …oh you little man.
RADIO: Don: Thought you were so smart.
RADIO: Don: You and your machine.
RADIO: Don: Heh.
RADIO: Don: What was it you said?
RADIO: You almost had me.
RADIO: {*pop*}
RADIO: {static}
RADIO: {crackle}
RADIO: {static}
RADIO: {static} –ists indicate that the solar storms will continue through the end of the year. The emergence of the storm has stranded six Russian astronauts on the International Space Station, where they are performing round-the-clock research on this anomalous activity.
RADIO: Johann Amer of the Svalbard-based Solar Research Center says that these mini-flares or "solar quakes" may have been forecasted in the unusual solar activity experienced in late 2011.
RADIO: Later on the program we'll speak with Heather Armstrong, former researcher at the Suns– {static}
RADIO: {static}
RADIO: {static}
RADIO: {static} –o you feel it in the air?
RADIO: Everything is changing
RADIO: World wasted by fear
RADIO: Everything is changing
RADIO: A cross too great to bear
RADIO: Une année sans lumières
- "Something Wicked This Way Comes" by Raydia
RADIO: Fall down on your knees
RADIO: Pray for sweet salvation
RADIO: As the gloaming slowly creeps, it comes while you are sleeping
RADIO: Until nothing's what it seems
RADIO: There's nothing left to believe
RADIO: Something wicked this way comes
RADIO: Something wicked this way comes
RADIO: It's been around since time begun
RADIO: A million times around the sun
RADIO: Something wicked this way comes
RADIO: Something wicked this way comes
RADIO: Something wicked this way comes
RADIO: It's been around since time begun
RADIO: A million times around the sun
RADIO: Something wicked this way comes
RADIO: Something wicked this way comes
RADIO: Something wicked this way comes
RADIO: It's been around since time begun
RADIO: It knows exactly what you've done
RADIO: Something wicked this way comes
RADIO: Something wicked this w– {static}
RADIO: {static}
RADIO: {static}
RADIO: {ringing}
RADIO: {click}
RADIO: Man's Voice: Hello, Hello, Hello out there, are you listening~
RADIO: Adam: Please don't sing into the bloody phone.
RADIO: Man's Voice: Sorry. I'm sorry. It's just– all so very exciting. I'm jubilant. Jubilant.
RADIO: Adam: Lovely.
RADIO: Adam: I imagine that means you have something for me? Yes?
RADIO: Man's Voice: Yes Yes. Yes of course. Doctor Shu has narrowed down the point of conclusion of the charged particles as they… scatter… across the ionosphere.
RADIO: Man's Voice: Like magnetic marbles on glass, rolling together. Collecting.
RADIO: Adam: Claudius.
- Kellar.
RADIO: Claudius: Yes. Focus. Of course.
RADIO: Claudius: Ah. We're still narrowing the band down, but we're certain it's northern hemisphere, well past the equator.
RADIO: Adam: That isn't an insubstantial half of the entire fucking planet.
RADIO: Adam: Does Doctor Shu have anything worthwhile for me, or do I need to call back?
RADIO: Claudius: Oh, Oh! One– yes one thing.
RADIO: Claudius: We've picked up some unusual transmissions.
RADIO: Claudius: Not entirely dissimilar to the brief pops from 2011. Radio static mostly, jumbled music, but sometimes… conversations.
RADIO: Adam: Anything from them?
RADIO: Claudius: Nothing concrete yet. Not enough to go on really. The uh, there was one thing though. I… Now Doctor Shu and I don't agree on what we heard.
RADIO: Claudius: But it sounded like–
RADIO: Adam: Whispering.
RADIO: Claudius: Yes. Yes how– how did you–
RADIO: Adam: Record everything. Take notes.
RADIO: Claudius: To what end?
RADIO: Adam: The Resurrection is at hand, Claudius. We either prepare for the arrival… or prepare to lay in ruin with the rest.
RADIO: Claudius: I'm… sorry that's a bit opaque.
RADIO: Adam: Just do it.
RADIO: {click}
RADIO: Claudius: Sir?
RADIO: Claudius: {sigh}
RADIO: {click}
RADIO: {static}
RADIO: {static}
RADIO: {click}
RADIO: Don: It's beautiful.
RADIO: Don: It's… like a spiderweb that stretches backward and forward through time.
RADIO: Don: Just look at it.
RADIO: {Soon, Donald}
RADIO: {All will be promised}
RADIO: {All will be saved}
RADIO: Don: I am ready.
RADIO: {I am ready.}
RADIO: {*pop*}
RADIO: {static}
RADIO: {static}
RADIO: {static}
RADIO: {static} –oday is gonna be the day
RADIO: That they're gonna throw it back to you
- Anyway, here's "Wonderwall"
RADIO: By now you should've somehow
RADIO: Realized what you gotta do
RADIO: I don't believe that anybody
RADIO: Feels the way I do, about you now
RADIO: {So… that's what, magnets?}
RADIO: {Something like that, yeah.}
RADIO: {No wonder they asked you not to use the computer. I hear those're bad for 'em.}
RADIO: {I suppose that's better than them just being secretive.}
RADIO: {Do you think they are?}
RADIO: {Secretive?}
RADIO: {Yeah.}
RADIO: {I do.}
RADIO: Backbeat, the word was on the street
RADIO: That the fire in your heart is out
RADIO: I'm sure you've heard it all before
RADIO: But you never really had a doubt
RADIO: I don't believe that anybody
RADIO: Feels the way I do about you now
RADIO: {So… you and Rebecca?}
RADIO: {What? Oh it's– no it's not like that.}
RADIO: {What's it like, then?}
RADIO: {She's just my partner.}
RADIO: {Mnhmm.}
RADIO: {No not– that kind of partner. Agent Ayers is like… she's like a sister to me.}
RADIO: {So, is there… anyone special?}
RADIO: {Maybe.}
RADIO: And all the roads we have to walk are winding
RADIO: And all the lights that lead us there are blinding
RADIO: There are many things that I
RADIO: Would like to say to you but I don't know how
RADIO: {Do you think we're going to live through this?}
RADIO: {I don't know.}
RADIO: {I'm… Honestly, I'm really scared.}
RADIO: {Me too… Me too.}
RADIO: Because maybe, you're gonna be the one that saves me
RADIO: And after all, you're my wonderwall
RADIO: {Maybe if we do… Survive. Maybe we could retire somewhere.}
RADIO: {We?}
RADIO: {Yeah… We.}
RADIO: Today was gonna be the day
RADIO: But they'll never throw it back to you
RADIO: By now you should've somehow
RADIO: Realized what you're not to do
RADIO: I don't believe that anybody
RADIO: Feels the way I do, about you now
RADIO: {God. Just… look at it. Have you ever seen the sky do that before?}
RADIO: {No… It's– it's beautiful. Terrifying.}
RADIO: {How the fuck… do we fight this?}
RADIO: {I don't know if we can.}
RADIO: And all the roads that lead you there are winding
RADIO: And all the lights that light the way are blinding
RADIO: There are many things that I
RADIO: Would like to say to you but I don't know how
RADIO: {I need… to tell you something.}
RADIO: {I think after today, nothing could surprise me.}
RADIO: {I have a daughter. Charles is keeping her safe. She's… I'm sorry. That I waited so long to tell you.}
RADIO: {You… okay. Okay.}
RADIO: {Please don't be mad.}
RADIO: {Mad? I'm not– I couldn't be. You're protecting your family. What's her name?}
RADIO: I said maybe, you're gonna be the one that saves me
RADIO: And after all, you're my wonderwall
RADIO: I said maybe, you're gonna be the one that saves me
RADIO: And after all, you're my wonderwall
RADIO: I said maybe, you're gonna be the one that saves me
RADIO: {She's…}
RADIO: I said maybe, you're gonna be the one that saves me
RADIO: {Eve.}
RADIO: I said maybe, you're gonna be the one that saves me
RADIO: {Her name's Eve.}
RADIO: you're gonna be the one that saves me
RADIO: {static}
RADIO: {static}
RADIO: {static}
RADIO: {static}
RADIO: {static} –oesn't hurt me.
RADIO: Do you want to feel how it feels?
RADIO: Do you want to know that it doesn't hurt me?
RADIO: Do you want to hear about the deal that I'm making?
RADIO: You, it's you and me.
RADIO: {If you… just close your eyes, listen, you can feel it in your bones,}
RADIO: {It's like a rymthm. Breathe in, breathe out.}
RADIO: {I can feel the sun, if I listen hard enough. The static.}
RADIO: {Breathe.}
RADIO: {You feel the other half.}
RADIO: {Close your eyes, Charlotte.}
RADIO: {Try.}
RADIO: And if I only could,
RADIO: I'd make a deal with God,
RADIO: And I'd get him to swap our places
RADIO: Be running up that road
RADIO: Be running up that hill
RADIO: Be running up that building
RADIO: If I only could
RADIO: {Oh my god. Richard, you're right.}
RADIO: {It's like seeing the shadow of something below the surface of the water.}
RADIO: {Shifting.}
RADIO: {Moving.}
RADIO: {Changing.}
RADIO: {Speaking.}
RADIO: You don't want to hurt me
RADIO: But see how deep the bullet lies.
RADIO: Unaware I'm tearing you asunder.
RADIO: There's a thunder in our hearts.
RADIO: {I've felt it since I was a boy.}
RADIO: {I grew up just outside of Almere.}
RADIO: {Lovely, rolling hills. Quiet.}
RADIO: {Except for me.}
RADIO: {I didn't know what it was when I was a young man.}
RADIO: {I thought everyone could hear the hum.}
RADIO: {Until I realized they couldn't.}
RADIO: {Then… I was more alone than before.}
RADIO: Is there so much hate for the ones we love?
RADIO: Tell me, we both matter, don't we?
RADIO: You, it's you and me.
RADIO: It's you and me won't be unhappy.
RADIO: {Richard, if it's… as old as they say… why can it manipulate radio waves?}
RADIO: {Why can you and I both feel it?}
RADIO: {Has it just… always been there?}
RADIO: {Waiting? For someone to listen?}
RADIO: And if I only could
RADIO: I'd make a deal with God
RADIO: And I'd get him to swap our places
RADIO: Be running up that road
RADIO: Be running up that hill
RADIO: Be running up that building
RADIO: Say, if I only could, oh…
RADIO: {We have a lot to learn, you and I.}
RADIO: {In a way, you remind me of my half-sister.}
RADIO: {Determined.}
RADIO: {Intelligent.}
RADIO: {Maybe… not as hardened by the world.}
RADIO: {But, as they say, give it time.}
RADIO: You
RADIO: It's you and me
RADIO: It's you and me won't be unhappy
RADIO: {I didn't… God, this sounds stupid even starting to say it.}
RADIO: {I didn't know you had family? But I mean, of course you do.}
RADIO: {Is she back in Holland?}
RADIO: C'mon, baby, c'mon darling
RADIO: Let me steal this moment from you now.
RADIO: C'mon, angel, c'mon, c'mon, darling
RADIO: Let's exchange the experience
RADIO: {No.}
RADIO: {My family left Holland not long after the war.}
RADIO: {She's in Israel.}
RADIO: And if I only could
RADIO: I'd make a deal with God
RADIO: And I'd get him to swap our places
RADIO: Be running up that road
RADIO: Be running up that hill
RADIO: With no problems.
RADIO: {Charles seems to think… if we combine our powers… we can…}
RADIO: {I don't know.}
RADIO: {Help.}
RADIO: {I'm scared, Richard. I saw what it did. I don't… want to end up like that.}
RADIO: {I can't think of anything worse.}
RADIO: And if I only could
RADIO: I'd make a deal with God
RADIO: And I'd get him to swap our places
RADIO: Be running up that road
RADIO: Be running up that hill
RADIO: With no problems.
RADIO: {Do not be scared.}
RADIO: {Not of it.}
RADIO: {Not of death.}
RADIO: {It fears nothing.}
RADIO: {Neither us,}
RADIO: {Nor death.}
RADIO: {Because it has transcended such notions.}
RADIO: {Death is a state of transition, Charlotte.}
RADIO: {Purusha like it… are proof of such things.}
RADIO: And if I only could
RADIO: I'd make a deal with God
RADIO: And I'd get him to swap our places
RADIO: Be running up that road
RADIO: Be running up that hill
RADIO: With no problems.
RADIO: {P… Purusha?}
RADIO: If I only could
RADIO: {A bodiless spirit.}
RADIO: Be running up that hill
RADIO: {Like… a ghost?}
RADIO: With no problems
RADIO: {Something like that…}
RADIO: If I only could, I'd be running up that hill…
RADIO: {Something like that.}
RADIO: If I only could, I'd be running up that hill…
RADIO: {static}
RADIO: {static}
RADIO: {static}
RADIO: {static}
RADIO: {static}
RADIO: {static} – ery piece of silence holds a thousand thoughts
RADIO: Interactive violence of the mental sort
RADIO: Something on your mind? Then close the door
RADIO: I know you missed the warning signs, I've seen you cry before
RADIO: Funny how it goes around and comes around again
RADIO: Just because we're talking, doesn't mean that we are friend
RADIO: When you say there's nothing left, you try and grab my hand
RADIO: If you wanna fuck with me, at least take me to bed
RADIO: {This is bullshit.}
RADIO: {I'm not asking you to talk.}
RADIO: {Don't care. It's bullshit.}
RADIO: {Then perhaps you shouldn't have melted that entire car.}
RADIO: Pick up your golden stones
RADIO: Prepare to hide
RADIO: Everybody knows
RADIO: Modern life, your modern love is
RADIO: Only sticks and stones, oh
RADIO: {Your little girlfriend needs to stay where she is, Miguel.}
RADIO: {Excuse me?}
RADIO: {Valerie.}
RADIO: {I know who the fuck you're talking about except it doesn't make any sense.}
RADIO: {Just tell her to stay put. I need to measure her height.}
RADIO: Every single smile tells a thousand tales
RADIO: Better wipe the lies under your fingernails
RADIO: Cabled to the wall, I know you're plugged in
RADIO: It's how you get the feeling running through your skin
RADIO: Ask me if I care cause this has gone on far too long
RADIO: I gave you all my thoughts of you, you must've read them wrong
RADIO: It's funny how you think that everything will be alright
RADIO: {Did you just… fix the fucking car?}
RADIO: {Its what I do.}
RADIO: {You detail Cadillacs?}
RADIO: {I clean.}
RADIO: {Static}
RADIO: {Static}
RADIO: {Static} –he glare from the reflection
RADIO: Making patterns in your eye
RADIO: It's the looking back in anger
RADIO: For every second slipping by
RADIO: Undertow has come to take me
RADIO: Guarded by the blazing sun
RADIO: Look at everything around us, well
RADIO: Look at everything we've done
RADIO: {We need all three of you.}
RADIO: {So it seems.}
RADIO: {It's unlikely that what will come will be without mark.}
RADIO: {Caspar and Melchior are already here. You're the last one.}
RADIO: {The way you're taking… do you think I'd say no?}
RADIO: {No… But I'm worried what your terms will be.}
RADIO: {Charles. Ever the pragmatist.}
RADIO: Please, anyone?
RADIO: I don't think I can
RADIO: Save myself
RADIO: I'm drowning here, please
RADIO: Anyone?
RADIO: I don't think I can
RADIO: Save myself
RADIO: {My terms are simple.}
RADIO: {When this is said and done, I'm done.}
RADIO: {Excuse me?}
RADIO: {Don't play coy, Charles. It's insulting.}
RADIO: {The Company needs you.}
RADIO: {It can find another cleaner.}
RADIO: I'm drowning here please
RADIO: Anyone?
RADIO: I don't think I can
RADIO: Save myself
RADIO: I'm drowning here please
RADIO: Anyone?
RADIO: I don't think I can
RADIO: Save myself
RADIO: {Second term. You leave my mind intact.}
RADIO: {That's–}
RADIO: {With some caveats.}
RADIO: {Always the lawyer.}
RADIO: {It's not often safe to negotiate with you people… without making a contract.}
RADIO: There's a tiny little window
RADIO: Swarms of locusts fill the sky
RADIO: Maybe I'd just disappear
RADIO: If I can't keep my head above the tide
RADIO: {Caspar will be responsible for redacting full memory of the event from all participating agents. You included.}
RADIO: {Acceptable.}
RADIO: {Melchior will retain some mission-critical details. Things we may need. Carefully trimmed.}
RADIO: {Of course.}
RADIO: {And you will erase all physical evidence that the confrontation ever happened.}
RADIO: {As you wish.}
RADIO: Please, anyone?
RADIO: I don't think I can
RADIO: Save myself
RADIO: I'm drowning here please
RADIO: Anyone
RADIO: I don't think I can
RADIO: Save myself
RADIO: {You're sure you want out?}
RADIO: {Absolutely.}
RADIO: {If something major comes up…}
RADIO: {I suppose I could be convinced to be on retainer.}
RADIO: Please, anyone?
RADIO: I'm drowning here please
RADIO: I don't think I can
RADIO: {It's been a pleasure working with you…}
RADIO: Save myself.
RADIO: {Mr. Baumann.}
RADIO: {static}
RADIO: {static}
RADIO: {*pop*}
RADIO: {static}
RADIO: {static}
RADIO: {click}
RADIO: {static}
RADIO: {click}
RADIO: {static}
RADIO: {crackle}
RADIO: {click}
RADIO: {click}
RADIO: {crackle}
RADIO: {static}
RADIO: {click}
RADIO: {static}
RADIO: {click}
RADIO: {click}
RADIO: {static}
RADIO: {static}
RADIO: {click}
RADIO: {crackle}
RADIO: {click}
RADIO: {click}
RADIO: {click}
RADIO: {click}
RADIO: {click}
RADIO: {crackle}
RADIO: {click}
RADIO: {static}
RADIO: {click}
RADIO: {static}
RADIO: {static}
RADIO: {click}
RADIO: {crackle}
RADIO: {static}
RADIO: {static}
RADIO: {static}
RADIO: {static}
RADIO: {crackle}
RADIO: {click}
RADIO: {static}
RADIO: {click}
RADIO: {static}
RADIO: {static}
RADIO: {click}
RADIO: {silence}
RADIO: {hiss}
RADIO: Someone take these dreams away
RADIO: That point me to another day
RADIO: A dual personality
RADIO: A strange but true reality
RADIO: {Oh? my god. Oh my god she's? Craig! Craig the Jane Doe is?}
RADIO: {No, sweetie, no you're–}
RADIO: {Who– who hooked– }
RADIO: They keep calling me
RADIO: Keep on calling me
RADIO: They keep calling me
RADIO: {She's still in shock. Miss, I don't know who those people are. Someone brought you here with severe injuries, I didn't get names. They said you'd been in a car accident…}
RADIO: {You– we thought you were dead. You didn't have an identification card on you, we didn't know what ability you had. You– you do have an ability, right? Do you know what year it is?}
RADIO: Figures from the past stand tall
RADIO: And mocking voices ring above
RADIO: Imperialistic house of prayer
RADIO: Conquistadors who took their share
RADIO: {What… have you done?}
RADIO: {What have you done!?}
RADIO: {I swear.}
RADIO: {I swear to you.}
RADIO: {When I get out of this cell}
RADIO: {I am going to find you}
RADIO: {and I am going to kill you}
RADIO: {and I am going to turn everything you love to fucking ashes!}
RADIO: They keep calling me
RADIO: {Valerie.}
RADIO: Keep on calling me
RADIO: {I will salt the earth}
RADIO: They keep calling me
RADIO: {Around your family tree}
RADIO: Keep on calling me
RADIO: {For what you've done.}
RADIO: They keep calling me.
RADIO: {static}
RADIO: {static}
RADIO: {god forgive us}
RADIO: Send a heartbeat to
RADIO: {for what we're about to do}
RADIO: The void that cries through you
RADIO: {Simon, it's time.}
RADIO: Relive the pictures that have come to pass
RADIO: {Ms. Roux, whatever you do, don't stop. No matter what happens.}
RADIO: For now we stand alone
RADIO: {Cindy, keep an eye out for Adam.}
RADIO: The world is lost and blown
RADIO: {Miguel, you're with me.}
RADIO: And we are flesh and blood disintegrate
RADIO: {Walter, I'm counting on you to keep this isolated.}
RADIO: With no more to hate
RADIO: Is it bright where you are?
RADIO: {Alphonse, we need you to stay back. When all this is said and done… we'll need you more than ever.}
RADIO: Have the people changed?
RADIO: {Daniel, stay behind Charles and keep him in your adjustment field.}
RADIO: Does it make you happy you're so strange?
RADIO: {Aaron, you need to protect Daniel at all costs.}
RADIO: And in your darkest hour
RADIO: {Nia, you're with Simon. Keep her from getting away and be ready when Daniel augments you.}
RADIO: I hold secrets flame
RADIO: {Agent Mas, guard Valerie. We can't let her be taken out.}
RADIO: We can watch the world devoured in its pain
RADIO: {Valerie… you know what to do. We're counting on you.}
RADIO: Delivered from the blast
RADIO: {Rebecca, once they're separated I need you to get the target away from here. As far as you can.}
RADIO: The last of a line of lasts
RADIO: {Dima, focus everything on Simon. Keep him strong.}
RADIO: The pale princess of a palace cracked
RADIO: {And Faruq, keep the target disoriented.}
RADIO: And now the kingdom comes
RADIO: {Drucker… coordinate with Charlotte. Keep it quiet.}
RADIO: Crashing down undone
RADIO: {Maury, stay with Angela. Make sure she's safe.}
RADIO: And I am a master of a nothing place
RADIO: {…as for you…}
RADIO: Of recoil and grace
RADIO: {You help us, and we forget you ever existed.}
RADIO: Is it bright where you are?
RADIO: {Kaito, take Joy to the roof.}
RADIO: Have the people changed?
RADIO: {The rest of you are our failsafe. If we don't succeed, you're all that's left of the Company.}
RADIO: Does it make you happy you're so strange?
RADIO: {We founded the Company in 1977…}
RADIO: And in your darkest hour
RADIO: {We were special people with unique abilities, banding together with the common goal of protecting each other from a world that did not understand us.}
RADIO: I hold secrets flame
RADIO: {We all came from different backgrounds, different walks of life, but most of us had faced persecution for what we were.}
RADIO: We can watch the world devoured in its pain
RADIO: {We have done things we're not proud of to this end. We murdered, brain-washed, lied and cheated to hide the existance of our kind for as long as possible. The world was not yet ready.}
RADIO: Time has stopped before us
RADIO: We were not ready for the world…
RADIO: {We were not ready for the world…}
RADIO: The sky cannot ignore us
RADIO: {We weren't ready for the truth.}
RADIO: No one can separate us
RADIO: {That we weren't the first.}
RADIO: For we are all that is left
RADIO: {Out history, or legacy, goes back further than we could have ever imagined.}
RADIO: {Our history, our legacy, goes back further than we could have ever imagined.}
RADIO: The echo bounces off me
RADIO: {And what we found in our ancient past…}
RADIO: The shadow lost beside me
RADIO: {was an Entity}
RADIO: There's no more need to pretend
RADIO: {The first of us…}
RADIO: and now I can begin again
RADIO: {…and if we fail here today, the last of us.}
RADIO: Is it bright where you are?
RADIO: {Sore ga saishodesu}
- That is the beginning.
RADIO: {Sore wa ryu}
- That is the dragon.
RADIO: Have the people changed?
RADIO: {Watashi no Ainu kyodai}
- My Ainu brethren
RADIO: Does it make you happy you're so strange?
RADIO: {Moshi koko de shippai sureba}
- If you fall here
RADIO: And in your darkest hour
RADIO: {Shakushain no hanran wa, mokuteki o motte ita.}
- Shakushaine's rebellion had a purpose.
RADIO: I hold secrets flame
RADIO: {Watashi wa anata ni shippai shimasen}
- I will not fail you.
RADIO: We can watch the world devoured in its pain
RADIO: {Watashi o shinjite…}
- Trust me…
RADIO: Strange
RADIO: {Watashi wa Kensei.}
- I am Kensei.
RADIO: {*pop*}
RADIO: {static}
RADIO: {static}
RADIO: {crackle}
RADIO: {static}
RADIO: {buzzing}
RADIO: {static}
RADIO: Dancing on the crumbling precipice
RADIO: {"A legacy isn't other people's memories of you. It's what you leave behind for them to have after you've gone."}
RADIO: The rocks are coming loose just at the edge. Are we laughing? Are we crying?
RADIO: {"As far as I can tell, nothing until— nothing until Riker's is real. Someone looked into my background once. I was just a ghost. I don't know who I am, Luther, and… I'm calm because the alternative is to start screaming and never stop."}
RADIO: Are we drowning? Are we dead?
RADIO: {"You know as well as I do what happens when someone becomes an unknown integer in our circles. They either get locked up to get solved for x, or they're removed from the equation entirely for mucking it all up."}
RADIO: Or is it all a dream?
RADIO: {"I want to make them suffer as much as I do, I want to make them suffer as much as they've made the people they kill suffer."}
RADIO: The bombs are getting closer everyday
RADIO: {"He died saving me. How do I live with that?"}
RADIO: "That can never happen here" we used to say
RADIO: {"I love you too. More than the United States. Call your grandma."}
RADIO: Have these wars come to our doorstep?
RADIO: {"Time is a labyrinth. Something in constant flow and motion, a river but she responds when we try to change her. How could you know that you were stepping into another river? How could you know what one fallen pebble would cause? I've been dreaming the future for over a decade now and I still don't always get it right."}
RADIO: Has this moment finally come?
RADIO: {"I don't have a simple answer for you, really… when I see someone hurting, I want to help. When I see something happening that's wrong, I want to help fix it."}
RADIO: Or is it all a dream?
RADIO: {"But the river went on. The mirror had other places to be, while you were here. Only for a little while, though."}
RADIO: Are we not good enough?
RADIO: {"We're all weak sometimes. Back then, everything was a rush, nothing was clear, and we all were falling apart."}
RADIO: Are we not brave enough?
RADIO: {"Where's it all going, Rowan? The clones… timelines… experiments… visions. As if the world wasn't already fucked up enough that people can't get enough to eat and gotta hide behind walls already."}
RADIO: Is the violence in our nature
RADIO: {"I was a cop for a little while, but I was bad at it because I kept sneaking around secretly being a superhero."}
RADIO: Just the image of our maker?
RADIO: {"Courage isn't about doing something that doesn't scare you. It's about doing something in spite of being scared. So, yes. You do seem courageous to me. You're bloody terrified, but you're not letting that stop you."}
RADIO: Are we not good enough?
RADIO: {"I… don't like needing other people. I survived on my own for a while, and that was… simpler. But… they're my friends. Eve is my friend too."}
RADIO: Are we not brave enough?
RADIO: {"I really like New York, so I stay here rather than leaving. The Safe Zone has all kinds of places. I lived in the Underneath for a long time, because I had nowhere to go Above."}
RADIO: To become something greater
RADIO: {"Bonjour, ma douce petite. Vous venez a un moment effrayant, mais je ne peux pas attendre pour vous rencontrer. Tu seras aime."}
RADIO: Than the violence in our nature?
RADIO: {"But if you have to choose between letting a fire burn and shining a torch into the dark and seeing a dozen pairs of eyes— choose the fire."}
RADIO: Are we not good enough
RADIO: {"But— Good people just get killed. How the fuck is— anyone s'posed t'be a good person in— in this world? How d'you do it?"}
RADIO: Or is it all a dream?
RADIO: {"I am smarter than this. But how would you know anyway? I've seen him more times in the last six months than I've seen you in the last ten years!"}
RADIO: To a predetermined fate are we condemned
RADIO: {"I can't do this, I can't- I can't fight anymore, Colette. I don't think I have it in me."}
RADIO: Or maybe we're a book without an end
RADIO: {"Not all tears are tears of sadness. Hopefully you'll learn that one day too."}
RADIO: We're not stories, we're not actors
RADIO: {"It's… the strangest damn thing. To have regret for something, but have that regret for two entirely different reasons. Or to be at war with myself over something. Am I happy about something? Angry? Why am I both? When your mind gets messed with you question everything."}
RADIO: We're awake and in control
RADIO: {"If I could stomp out every last bit of the Institute I would in a heartbeat. I was in that— that place. Saw… horrors of what they were doing. Saw my father hooked up to a- a- machine to continue using him; his ability."}
RADIO: And this is not a dream
RADIO: {"We soldier on. We fight for our family. We are many…"}
RADIO: So can we break this mold
RADIO: {"I trust people because I've fucked up so many times, myself. Lost too many fights. Forgiving people is because of the same. It's my curse."}
RADIO: And set in motion something new
RADIO: {"Does that mean that back home, there's going to be a war like this, over the Evolved, or has that chain of events already passed and we got lucky enough to not stumble down the right path?"}
RADIO: Forgetting what we know
RADIO: {"Personally? I'd lay five bucks on a bet that you can shoot a gun far better than me. All I'm here to do is stitch people up if they get hurt."}
RADIO: An evolution overdue
RADIO: {"Wait, did you just ask me to marry you after telling me you're some savior from another world?"}
RADIO: Fight the current
RADIO: {"I lost the man I loved more than anyone because I couldn't, as you put it, turn off. He didn't die, not then, anyhow. But he left me and checked right the fuck out of my life because he saw me throwing myself against the world, like you said, and bouncing off. Every time I got hurt. Every time I ended up in the hospital. He had to cut me down from where Humanis First'd tried to lynch me, and did succeed in crippling me. Don't be an idiot like I was. Don't end up like I am now."}
RADIO: Pull the ripcord
RADIO: {"I never had to worry of feel unsafe because… I knew you would be there to protect me. I just always wished that I could comfort you, and take away all of the pain. At least for a little while."}
RADIO: Get away!
RADIO: {"What, you gonna score me some Ben & Jerry's? That's one line I ain't crossin', bud. I rock my sorrows away.}
RADIO: Are we not good enough?
RADIO: {"That sounds way too tied to fate for me. And I'm not someone who likes to put any stock in fate."}
RADIO: Are we not brave enough?
RADIO: {"They're always true, but it's a lot of metaphor. Once whatever happens, happens, I get it. But until then, I could spend days trying to figure it out, only to have it happen in a way I never would have figured out in a million years."}
RADIO: Is the violence in our nature
RADIO: {"There's the issue Pastor of Sweetness. Even before gifts got turned into Gifts with a capital G and all ooo, boogieman gonna getcha, people had 'gifts', talents. So what somebody can do and what just happens— fine line."}
RADIO: Just the image of our maker?
RADIO: {"I want to make sure nobody goes through what I did. Nobody deserves being treated like that. I want to help make sure that people like lovely Mayes can't make us all regret life."}
RADIO: Are we not good enough?
RADIO: {"Okay, first of all, dead people don't touch my stuff! Especially an expensive cookware set like that! That was a gift from Mom!"}
RADIO: Are we not brave enough?
RADIO: {"I spent the war and until just a few months ago keeping my home and those around them safe. Now that they're settled, well, I think it's a combination of 'idle hands' and a need to see if there's something that can be done to put this country that I've adopted back together."}
RADIO: To become something greater
RADIO: {"Goddamn the bastards. It probably was them. Don't care who their lab rats are, do they, or what catastrophe they end up causing."}
RADIO: Than the violence in our nature?
RADIO: {"There's nothing I can do here, though. I'm not a fighter, and one more repairman hangin' around isn't gonna make a difference, no matter how whizbang he is at lashing bulkheads back together with electrical tape and bailing wire. But out there? Going into the Storm and pirates and god knows what else? There, maybe, I can make a difference."}
RADIO: Are we not good enough…
RADIO: {"I love you…"}
RADIO: …or is it all a dream?
RADIO: {"…and I don't care about the rest."}
RADIO: {Happy Anniverssary, String Theory}
RADIO: {Here's to another year.}
(same as above with log tags)
RADIO: {static}
RADIO: {static}
RADIO: {crackle}
RADIO: {static}
RADIO: {buzzing}
RADIO: {static}
RADIO: Dancing on the crumbling precipice
RADIO: {"A legacy isn't other people's memories of you. It's what you leave behind for them to have after you've gone."} Eileen: A Legacy That Lasts
RADIO: The rocks are coming loose just at the edge. Are we laughing? Are we crying?
RADIO: {"As far as I can tell, nothing until— nothing until Riker's is real. Someone looked into my background once. I was just a ghost. I don't know who I am, Luther, and… I'm calm because the alternative is to start screaming and never stop."} Richard: Some of Us Had No Choice
RADIO: Are we drowning? Are we dead?
RADIO: {"You know as well as I do what happens when someone becomes an unknown integer in our circles. They either get locked up to get solved for x, or they're removed from the equation entirely for mucking it all up."} Bright Odessa: For the Things I'll Do
RADIO: Or is it all a dream?
RADIO: {"I want to make them suffer as much as I do, I want to make them suffer as much as they've made the people they kill suffer."} Delia: Grasshopper
RADIO: The bombs are getting closer everyday
RADIO: {"He died saving me. How do I live with that?"} Chess: Pyrrhic Victories
RADIO: "That can never happen here" we used to say
RADIO: {"I love you too. More than the United States. Call your grandma."} Vincent: More Than the United States
RADIO: Have these wars come to our doorstep?
RADIO: {"Time is a labyrinth. Something in constant flow and motion, a river but she responds when we try to change her. How could you know that you were stepping into another river? How could you know what one fallen pebble would cause? I've been dreaming the future for over a decade now and I still don't always get it right."} Eve: No Roadmap
RADIO: Has this moment finally come?
RADIO: {"I don't have a simple answer for you, really… when I see someone hurting, I want to help. When I see something happening that's wrong, I want to help fix it."} Elisabeth: Everything to Everyone
RADIO: Or is it all a dream?
RADIO: {"But the river went on. The mirror had other places to be, while you were here. Only for a little while, though."} Tamara: The River Winding On
RADIO: Are we not good enough?
RADIO: {"We're all weak sometimes. Back then, everything was a rush, nothing was clear, and we all were falling apart."} Monica: The Most Important Future
RADIO: Are we not brave enough?
RADIO: {"Where's it all going, Rowan? The clones… timelines… experiments… visions. As if the world wasn't already fucked up enough that people can't get enough to eat and gotta hide behind walls already."} Luther: The Right Future
RADIO: Is the violence in our nature
RADIO: {"I was a cop for a little while, but I was bad at it because I kept sneaking around secretly being a superhero."} Magnes: Sensei
RADIO: Just the image of our maker?
RADIO: {"Courage isn't about doing something that doesn't scare you. It's about doing something in spite of being scared. So, yes. You do seem courageous to me. You're bloody terrified, but you're not letting that stop you."} Ygraine: The Fear Of Tomorrow
RADIO: Are we not good enough?
RADIO: {"I… don't like needing other people. I survived on my own for a while, and that was… simpler. But… they're my friends. Eve is my friend too."} Eimi: Start Fresh
RADIO: Are we not brave enough?
RADIO: {"I really like New York, so I stay here rather than leaving. The Safe Zone has all kinds of places. I lived in the Underneath for a long time, because I had nowhere to go Above."} Squeaks: Night Spooks
RADIO: To become something greater
RADIO: {"Bonjour, ma douce petite. Vous venez a un moment effrayant, mais je ne peux pas attendre pour vous rencontrer. Tu seras aime."} Remi: Tu Seras Aime
RADIO: Than the violence in our nature?
RADIO: {"But if you have to choose between letting a fire burn and shining a torch into the dark and seeing a dozen pairs of eyes— choose the fire."} Huruma: The Veterans
RADIO: Are we not good enough
RADIO: {"But— Good people just get killed. How the fuck is— anyone s'posed t'be a good person in— in this world? How d'you do it?"} Colette: If You Show Me How
RADIO: Or is it all a dream?
RADIO: {"I am smarter than this. But how would you know anyway? I've seen him more times in the last six months than I've seen you in the last ten years!"} Emily: Dine and Dash
RADIO: To a predetermined fate are we condemned
RADIO: {"I can't do this, I can't- I can't fight anymore, Colette. I don't think I have it in me."} Quinn: Going Nowhere
RADIO: Or maybe we're a book without an end
RADIO: {"Not all tears are tears of sadness. Hopefully you'll learn that one day too."} Gillian: Forever
RADIO: We're not stories, we're not actors
RADIO: {"It's… the strangest damn thing. To have regret for something, but have that regret for two entirely different reasons. Or to be at war with myself over something. Am I happy about something? Angry? Why am I both? When your mind gets messed with you question everything."} Curtis: Ten Minutes For Memories
RADIO: We're awake and in control
RADIO: {"If I could stomp out every last bit of the Institute I would in a heartbeat. I was in that— that place. Saw… horrors of what they were doing. Saw my father hooked up to a- a- machine to continue using him; his ability."} Kaylee: You Got This, Right?
RADIO: And this is not a dream
RADIO: {"We soldier on. We fight for our family. We are many…"} Brian: Legion
RADIO: So can we break this mold
RADIO: {"I trust people because I've fucked up so many times, myself. Lost too many fights. Forgiving people is because of the same. It's my curse."} Teo: Breathe Her
RADIO: And set in motion something new
RADIO: {"Does that mean that back home, there's going to be a war like this, over the Evolved, or has that chain of events already passed and we got lucky enough to not stumble down the right path?"} Bright Cassandra: A Light In The Darkness
RADIO: Forgetting what we know
RADIO: {"Personally? I'd lay five bucks on a bet that you can shoot a gun far better than me. All I'm here to do is stitch people up if they get hurt."} Abby: Tango
RADIO: An evolution overdue
RADIO: {"Wait, did you just ask me to marry you after telling me you're some savior from another world?"} - Virus Elaine: Great Expectations
RADIO: Fight the current
RADIO: {"I lost the man I loved more than anyone because I couldn't, as you put it, turn off. He didn't die, not then, anyhow. But he left me and checked right the fuck out of my life because he saw me throwing myself against the world, like you said, and bouncing off. Every time I got hurt. Every time I ended up in the hospital. He had to cut me down from where Humanis First'd tried to lynch me, and did succeed in crippling me. Don't be an idiot like I was. Don't end up like I am now."} Felix: Catch Up, Slow Down
RADIO: Pull the ripcord
RADIO: {"I never had to worry of feel unsafe because… I knew you would be there to protect me. I just always wished that I could comfort you, and take away all of the pain. At least for a little while."} Harmony: Wounded Soldier
RADIO: Get away!
RADIO: {"What, you gonna score me some Ben & Jerry's? That's one line I ain't crossin', bud. I rock my sorrows away.} Sable: Can't Explain
RADIO: Are we not good enough?
RADIO: {"That sounds way too tied to fate for me. And I'm not someone who likes to put any stock in fate."} Niles: A Preference For Tea
RADIO: Are we not brave enough?
RADIO: {"They're always true, but it's a lot of metaphor. Once whatever happens, happens, I get it. But until then, I could spend days trying to figure it out, only to have it happen in a way I never would have figured out in a million years."} Jim: Kind of Useless, But It’s Mine
RADIO: Is the violence in our nature
RADIO: {"There's the issue Pastor of Sweetness. Even before gifts got turned into Gifts with a capital G and all ooo, boogieman gonna getcha, people had 'gifts', talents. So what somebody can do and what just happens— fine line."} Raquelle: Dealing
RADIO: Just the image of our maker?
RADIO: {"I want to make sure nobody goes through what I did. Nobody deserves being treated like that. I want to help make sure that people like lovely Mayes can't make us all regret life."} Alia: Give Me a Month
RADIO: Are we not good enough?
RADIO: {"Okay, first of all, dead people don't touch my stuff! Especially an expensive cookware set like that! That was a gift from Mom!"} Tahir: Weird Reunion
RADIO: Are we not brave enough?
RADIO: {"I spent the war and until just a few months ago keeping my home and those around them safe. Now that they're settled, well, I think it's a combination of 'idle hands' and a need to see if there's something that can be done to put this country that I've adopted back together."} Atticus: You’ll Fit Right In
RADIO: To become something greater
RADIO: {"Goddamn the bastards. It probably was them. Don't care who their lab rats are, do they, or what catastrophe they end up causing."} Geneva: Welcome to Inspector Gadget, Inc.
RADIO: Than the violence in our nature?
RADIO: {"There's nothing I can do here, though. I'm not a fighter, and one more repairman hangin' around isn't gonna make a difference, no matter how whizbang he is at lashing bulkheads back together with electrical tape and bailing wire. But out there? Going into the Storm and pirates and god knows what else? There, maybe, I can make a difference."} Silas: High Hopes
RADIO: Are we not good enough…
RADIO: {"I love you…"} Gabriel: A Piece
RADIO: …or is it all a dream?
RADIO: {"…and I don't care about the rest."} Gabriel: A Piece
RADIO: {Happy Anniverssary, String Theory}
RADIO: {Here's to another year.}
Politics
- [Politics] Manhattan {kzzn — ook all I'm saying is that people have a right to be afraid. Just because things were handled wrong in the past, doesn't mean they'll be handled wrong in the future. We need accountability for people who can nuke an enti — kzzn}
- [Politics] Manhattan {kzzn — ith us today is Catherine Chesterfield, brainchild behind the Chesterfield Act and member of the SESA ethics board. Ms. Chesterfield, what was it like to work hand in hand with Presiden — kzzn}
- [Politics] Manhattan {kzzn — uo've got to be hard on groups that insist on using violence to forward their cause. The Guardians aren't some altruistic charity, and what the're doing out in the PNW Dead Zone isn't so — kzzn}
- [Politics] Manhattan {kzzn — nternational relations with China still remain tense after the 2017 standoff that could have sparked a world war. With US relations at an all-time low and China being blamed for the latest electronic infrastructure attack on American telecoms, the White House hs — kzzn}
- [Politics] Manhattan {kzzn —uremberg trials all over again, is what it is. You have a panel of people, former terrorists let me remind you, who are up there on the stand advocating for a man's death. The Ferrymen are criminals, they broke the law, and yet we see the EvoAgenga lining up men against the wall to be shot, just because they did their j — kzzn}
- [Politics] Manhattan {kzzn — ou think that the economic disparity in the US is more glaring than ever? Take a look at what they're doing in New York. The "Safe Zone" could be the biggest disaster we've seen yet. There's a reason they walled off Manhattan, or have people already forgotten? Now we have foreign interests like Yamagato Industries coming in an — kzzn}
- [Politics] Manhattan {kzzn — ren't even considering the possible ramifications? There are more than six thousand people claiming that Negoxan gave them cancer, and the FDA allowed that poison to roll off the shelves. While we were trying to negate the SLC-Expressive population of the US, we were trying to kill them. There has to be some acc — kzzn}
- [Politics] Manhattan {kzzn — been just over six years since New York went dark. The EMP that brought Manhattan to its knees, later echoed in the chaos that spread through Washington State and Oregon during the attempted military coup, has left the country divided physically and spiritually. On today's special episode of Doctor William, we'll talk to psychiat — kzzn}
- [Politics] Manhattan {kzzn — ey call themselves Wolfhound, but what do we really know about the paramilitary group that some say answers to SESA? Today my panel includes retired Five Star General Gerald Lang, sociologist and author of "Our New Reality" Dean Hanson, and prolific author Sav — kzzn}
- Referencing Savannah.
- [Politics] Manhattan says, "{ kzzn — ave to make sure that the Safe Zone can take care of itself. The reason we're founding the Safe Zone Cooperative is to give all of its residents voices. From the settlers who have come to rebuild, to the corporations that are helping with the relief efforts, to the UN observers here to protect against Human Rights violations. We are a compact of un — zzznt }"
- [Politics] Manhattan says, "{ kzzn — astly, I'd like to discuss the status of EUSR in light of the changes happening across the EU. We've seen a marked about-face towards something that looks a lot more like where America was in late 2010, and that's got people worried. The Isle of Wight Relocation Facility raises a host of n — zzznt }"
- [Politics] Manhattan says, "{ kzzn — olumns of Russian tanks moving into position within Turkey's borders. We're left to wonder what could forestall this coming conflict with the new Iraqi regime. The Sovereign Republic of Madagascar has remained notably quiet in the face of this potentially disastrous regional conflict, and we — zzznt }"
- [Politics] Manhattan says, "{ kzzn — he big media doesn't want you to ask! Questions like who EXACTLY pulled the strings to get "our" President into office? Well I'm looking at you, American People. We let a COUP happen under our noses. President Mitchell was not lawfully removed from office, he was THROWN out of office at gunpoint by a hostile regime and — let me tell you — the LIZARD PEOPLE are to bl — zzznt }"
- [Politics] Manhattan says, "{ kzzn — fifth day of fighting in a row across the Tupangato. The remaining soldiers loyal to former President Belique are now blocked behind the resurgent People's Army and the western naval blockade running daily air strikes into their territory. It is unlikely the Argen — zzznt }"
- [Politics] Manhattan says, "{ kzzn — ook to the future with the hopes of a brighter tomorrow. Thanks to the contributions of Raytech Enterprises and Yamagato Industries, the dream of extrasolar travel may not be a dream for much longer. Construction on the Itinerant Dawn is set to conclude in 2019, and its maiden voy — zzznt }"
- [Politics] Manhattan says, "{ kzzn — ksssst — zzznt }"
- [Politics] Manhattan says, "{ kzzn — pip — zzznt }"
- [Politics] Manhattan says, "{ kzzn }"
- [Politics] Manhattan says, "{static}"
Vanguard
- Vanguard> Manhattan says, "{ ssssss }"
- Vanguard> Manhattan says, "{ open }"
- Vanguard> Manhattan says, "{ locks }"
- Vanguard> Manhattan says, "{ whoever }"
- Vanguard> Manhattan says, "{ knocks }"
- Vanguard> Manhattan says, "{ ssssss }"
- Vanguard> Manhattan says, "{ }"
- Vanguard> Manhattan says, "."
- By the pricking of my thumbs, something wicked this way comes…
Phoenix
- Phoenix> Manhattan says, "{ Ne }"
- Phoenix> Manhattan says, "{ fais }"
- Phoenix> Manhattan says, "{ pas }"
- Phoenix> Manhattan says, "{ de }"
- Phoenix> Manhattan says, "{ mal }"
- Do not hurt [me?]
- "Mal" is loose in meaning; it's what appears at the start of English words like malcontent and maladjusted. In its broadest sense it means bad, wrong, not the way it should be. It could just be translated as "bad" or even "evil", but de mal seems to relate to physical pain.
- More certainly, this is in some way an intimate conversation. If the speaker were addressing multiple people, or an individual recognised as holding a superior position, faites would be used instead of fais. This could simply mean that the speaker is being deliberately rude, but that seems unlikely when begging not to be hurt. S/he could also be addressing him/herself, if the entire thing was in one voice.
- Phoenix> Manhattan says, "{ (Je suis desole) }"
- I am sorry
- Phoenix> Manhattan says, "{ () }"
- Phoenix> Manhattan says, "{}"
Ferrymen
- Ferrymen> Manhattan says, "{ the death of birds }"
- Ferrymen> Manhattan says, "{ is conducted without weeping }"
- Ferrymen> Manhattan says, "{ they are not mourned for }"
- Ferrymen> Manhattan says, "{ nor do they mourn for themselves }"
- Ferrymen> Manhattan says, "{ they know }"
- Ferrymen> Manhattan says, "{ that each thing has its season }"
- Ferrymen> Manhattan says, "{ And that their season }"
- Ferrymen> Manhattan says, "{ Is short }"
- Ferrymen> Manhattan says, "{ And, of necessity, is… }"
- …done
- This is a poem on Eileen's page, and shares a title with a log set in December 2011
- Ferrymen> Manhattan says, "{ sszt — estimated number of deaths is unknown at this time. Very little communication has left the US from regions with the heaviest concentration of fighting. What we can confirm, however, is the missiles launched at 8:45 pm local time. The first missile was detonated at an elevation of 300 kilometers, and likely contributed to the blackout we're now seeing from American broa— }"
- Ferrymen> Manhattan says, "{ sszt — ivided the regions into the NoCal and PNW Dead Zones. The respective Chinese and Japanese infrastructure revitalization projects came at the cost of substantial land acquisitions from both nations. It is expected that repairs to the destroyed power grids could take upwards of fifteen years, but limited services could be back as soon as two years from the projects' start. Yamagato Industries CEO Kimiko Nakamura announced her company's intentions for the re — ksst }"
- Ferrymen> Manhattan says, "{ zzsst — ers on the ground confirm that the fighting at Raven Rock has ended. While details are scarce, we have word that General Moritz perished in the assault, but we believe that President Mitchell was taken alive by opposition forces. At current you can see behind me, three helicopters lifting off from the combat zone. The smoke — I'm not sure you can tell on the television but the smoke is covering the entire hillside. The bunker may be on fire internally. We're waiting for an all cl — zzsst }"
- Ferrymen> Manhattan says, "{ kssht — esults are in from the United States of America's first official election since the conclusion of the civil war. In an unprecedented landslide, interim representative Raymond Praeger has won the bid for the US Presidency. We're going live now to Richmond Virginia where President Praeger's team is celebrating their victory. After all the hardships the American people have suffered over the course of the conflict, it is unbelievable to see this happening now. We're still waiting on a spokesperson from Praeger's camp to addr— ksshsht }"
- Ferrymen> Manhattan says, "{ fsskt — will not close the Liberty Island detention center. The state department has indicated the remaining infrastructure on the island will be used to house detainees who avoided prosecution in the Albany Trials as they are apprehended. It is unknown when or if the significant damage done to the Statue of Liberty during the civil war will ever be repaired. We go now to — fsszt }"
- Ferrymen> Manhattan says, "{ ksst — an approximate 237 members of Humanis First were apprehended in the raid coordinated between the FBI and SESA with only 37 casualties among the alleged Humanis First operatives. SESA spokesperson Alice Shaw has confirmed tha — }"
- Ferrymen> Manhattan says, "{ ksst}"
- Ferrymen> Manhattan says, "{static}"
Company
- Company> Manhattan says, "{ penny for your thoughts }"
- Company> Manhattan says, "{ he said }"
- Company> Manhattan says, "{ with a hint of irony }"
- Company> Manhattan says, "{ no one thought it was funny }"
- Company> Manhattan says, "{ but they soon forgot }"
- Company> Manhattan says, "{ the joke }"
- At face value this seems to be a reference to Caspar Abraham from Heroes Reborn, who would often ironically ask people "A penny for your thoughts?" before taking their memories and storing them in the pennies. He can also be found listed on the Commonwealth Institute San Francisco/Project Icarus website.
Law Enforcement
- Law Enforcement> Manhattan says, "{ szzzt — but just last week Congress stepped up to align with international regulations on genetic manipulation. After years of toeing the line, the US finally agreed to outlaw specific areas of genetic research. But this raises what the availability of things like CRISPR will means for independent research into the Suresh Linkage Complex and the legalities tha — ksst }"
- Law Enforcement> Manhattan says, "{ fzzt — lex legal hurdles surrounding international travel. The United States is in a difficult position as a non-EUSR compliant nation. Travelers will find passports from the US aren't honored, and US citizens living in the EU on visas will be forced to either register for EUSR or be deported back to the US. We've spoken with sev — nnzzt }"
- Law Enforcement> Manhattan says, "{ kzzt — egal immigration from EUSR-compliant nations. The US has agreed to act as a safe harbor for any SLC-Expressive seeking asylum from EUSR nations. This is a dramatic about-face fro — szzt }"
- Law Enforcement> Manhattan says, "{ zzznt — oday announced that as part of the arrangement for cooperation in the war crimes tribunal, former members of the resistance groups such as the Ferrymen will be granted amnesty for criminal activity conducted under the Petrelli and Mitchell administrations. This news comes as the tribunal prepares to hear defense for Robert Bishop, ex-founder of the clandestine Company spy group. Bishop is charged wi — kszzt}"
- Law Enforcement> Manhattan says, "{ zzsst — suspect that an estimated upwards of 2,000 undocumented people may be living within the Staten Island ruins and the Manhattan Exclusion Zone. Without the proper resources to police these areas, New York law enforcement officials are concerned about the "Rookery" effect. This, named after the illegal se — zznntt }"
- Law Enforcement> Manhattan says, "{ kzznt — pssht — kzzn }"
- Law Enforcement> Manhattan says, "{ kzznt — kzzn }"
- Law Enforcement> Manhattan says, "{ static }"
Spoilers (1/20/2019)
References to Chase Down
Eve's Visions
As we head into Book Two I wanted to have a place where we could all be like WTF is that about Eve's visions and dreams. Her dreams are symbolic or literal. Most times symbolic though cuz that's more fun to play.
Dreams
- Manifestation Dream
- Killing Me Softly
- This was Eve's first dream that she had at age 16. She honestly hadn't thought of it much until her adventure in The Broken Path where the words "Gutes-asi" were said to her for the second time.
- After Corona is heard saying this during The Broken Path… I'm pretty sure this has something to do with her origin. Or.. at first I thought it had something to do with Leroux.. But since Eve only sees the future and this seems like a ancient memory for some reason it doesn't make sense. Unless Eve is going to end up back in time again… and witness this. I'm not sure why I want to say this is the first eclipse that granted Corona her power.
- I'm worried about how this relates to your Mitochondrial Eve comtitle <.<
- Raytech Warning
- Lark of my Heart
- Eve received this dream while in Maine visiting Gabriel.
- The name 'Edwin' was uttered by one of the group that arrived to massacre the employees of Raytech.
- One of them knew Kaylee? But they referred to her as 'Telepath'. Kaylee being registered means her status as a telepath would be known right? And isn't she in the public light? I'm trying to debunk the theory that they were from another timeline but idk idk *waves hand puffs joint** Thoughts?
- I don't think another timeline anymore, but it seemed weird that it just sounded like Des and Kaylee knew them or something.
- Kaylee is a celebrity and registered so yeah. Plus she doesn't hide it. So it makes sense.
- The clothing was rather mismatched. Maybe a criminal element from Staten. Pure Earth maybe? Jared isn't evolved.
- This could be over our Hydroponics Inititive. A food shortage means more money for certain people. So this could be tied to all that and the food thefts.
- Valerie and Luther are both missing from the death parade. Did they just happen to not be around or were they left alive on purpose? If it was on purpose… to what end?
- The Lost Otter/Second Manifestation
- This was during the manifestation of Eve's more advanced ability, when she is first introduced to The Hub. The place inside her mind that she goes right before having a vision of the future. The Eternal Forest.
- One Otter is dead and that is assumed to be the Ruiz that was being held by the Institute in 2011. The second Otter, the lost one. I'm not sure what timeline he has ended up in. But I'm thinking he's a younger one than Mateo in 2018.
- This is discussed in Other Otters with Lynette and Mateo.
- I believe that the dead one is Ark Ruiz (and believe we have firmly established that Ark Ruiz was from Flood) and that the Lost one is Virus Ruiz. Assuming the timeline hopping works and he's off on an adventuuuuure (of sadness :( sorry about your life, Virus Ruiz). But Virus Ruiz, at the time of assumed timehopping, is younger than Prime Ruiz is right now. And also, in Eve's paintings were the timelines were shown and everyone was banging on the glass, he was the only one who could escape his world.
Paintings
The Inheritors of Hope
- A landscape-oriented painting of a raven with its wings outspread and the silhouette of a castle rising off of its back, and inverted coming down from the bottom of the raven as well. Except the inverted castle silhouette looks like streaks of blood
- Reference to Besieged?
- A painting depicting nothing but darkness
- Stomped butterflies
- One from the Brill collection of a restored Midtown full of trees and life
- Three unfamiliar women. One of them is sitting at a desk, and the others are flanking the desk's sides. The white-haired woman at the desk has spectacles, and holds a snowglobe in her hand with a miniature of the city of Manhattan in it, surrounded by a concrete barricade. The woman on her right, possibly in her fifties, has dyed blonde hair and has a traditional black witches hat and is holding a broom. The third woman, somewhere in age between the others has wavy hair that is blonde gone gray. She has a cigarette in one hand and is dressed in layers of jackets and scarves.
- Each woman has on a fish hook-style necklace, identical to that worn by Walter Trafford
- Eve painted this before she left the Ark for the last time
- Three Witches, Three Mothers… I'm coming back for you Theory below co-signed
- It seems likely these are the heads of the Deveraux Group - Alice Shaw, Claudia Zimmerman, and Sabra Dalton
- The 'fish hook' is the symbol of the Deveraux Group
- Per Simon Broome: "These were the future, but these events have all come to pass already. They were a part of our roadmap, the twists in the river along the way. But, unfortunately, we didn't know what we didn't know."
Scenes
Eyes of Sun and Moon
- Hudson's Note: This is a rough translation of the kanji and romaji going on in this one. The first two bullets and the last bullet are almost absolutely solid. 99% sure. My kanji is good. All hell breaks loose in the romaji, though. Once I translated most of the hiragana back into the proper kanji… (kanji matters so much) things got a little clearer. Except for the part that can translate into two different kanji that mean two completely different things and both work grammatically and possibly contextually and fuck. /sigh So, I'm a lot shakier on that bit. Going with best guesses on bullets three and four, because, while grammar is my strong suit, the grammar here is… tricky.
- "Takama-ga-hara (The High Plane of Heaven)" The name shakes darkness into light. A scream, a roar, and a sudden inhalation of breath.
- Overhead, the sun is eclipsed by the moon.
- A ring of fire around a circle of black is an open eye. Gold ringing a black iris, gold glowing. One tanned hand reaches out and grasps his throat. Torches burn in the cave. "Y- you! You're- alive!" He chokes out the words, the hand chokes him. A face leans in, hidden by dark hair. A smile; desiring, toying. His, pained.
- "Why…" That smile grows, the hand around his neck tightens. "Do you think…" One dark brow raises. "I can die/you can kill me?" He is lifted up by that single, slender arm. Gold nails press into his skin, draw blood. Droplets float up, not down.
- Word of God: "Do you think I can die?"
- "I made you." They With Eyes of Sun and Moon proclaims, piercing gold nails into pale skin. "You… are mine." He can't breathe, can't scream. The thin, tan arm glistens with sweat. They With Eyes of Sun and Moon leans in, dark hair by fair hair. Lips nearly touching.
- So! I think we're beginning with Adam's origin here - his first resurrection during the eclipse - followed by some epic showdown where he is getting his ass handed to him
-
- Seconded. I assumed it was a story about how he became SLC Expressive or the first time it manifested sommat.
- Sorry about your life, Barbara
- Okay I've spent two and a half hours look at this scene and translating shit and being kind of unsettled by what even the hell is going on here? I'm done. The rest of you can pile in here and have a damn party
-
- Luther's Disclaimer: I'm by no means an expert (nor fluent speaker) of Japanese language, only studied it in university. I intend here to lend some fun insights, extra translation, and possible subtext that I gleaned from the dream's use of Japanese.
- Some background: Japanese culture is highly influenced with the idea of relationships, social circles and power plays. The language itself reflects this, allowing the speaker and listener to establish who they are status wise in relation to each other and what action is going on between them immediately through the use of certain words in the language.
- Use of anata by Kensei and the Unknown Party indicates the two share a *close* bond.
- Anata is a second person pronoun rarely used for parties outside of one's inner circle. It denotes familiarity, closeness, rather than other second-person pronouns kimi (neutral or equal 'you') or omae (masculine usage or informal, see when Hiro's father Kaito speaks to Hiro, or when Ando speaks to Hiro): Landslide
- In contrast, Anata is a pronoun oft reserved for two people in a close (possibly romantic) relationship; think 'dear' or even 'darling'. For example, Hiro refers to Yaeko using anta (a contraction of anata) when speaking to her in relation between her and Kensei ("He knows you are waiting for him"), and when Kensei (Adam) shows up and Yaeko speaks to him using anata ("I will never doubt you again"): Kindred
- It can also denote a superior to subordinate (though it may sound strange due to said connotation of closeness and familiarity); only a superior power talking down to a subordinate would use anata, not vice versa. It also has instances of use for a parent talking to a child (such as a mother speaking to a son, and unlikely for a father to speak to a son in this same manner, again because use of anata is most often portrayed as a pronoun used by women only).
- Watashi wa anata o tsukutta, Anata wa watashi no mono desu translated to "I made you" and "You are mine (lit: you are a thing of me)" could be any number of nuanced power plays implied here. That both speakers use anata comments about their relationship to each other. Things to consider and ponder:
- Are they romantically involved?
- Are they superior and subordinate?
- Are they creator and creation?
- Or as a parent and child?
- Or as Frankenstein and Monster?
- Use of anata by Kensei and the Unknown Party indicates the two share a *close* bond.
- Use of watashi by the ??? speaker reads as a gender neutral and status neutral pronoun. However, watashi may be a standard 'I' or 'me', but is markedly different than other first person pronouns that could be used such as boku (a childlike, slightly boyish connotation, as seen when Hiro refers to himself), or ore (masculine, reference Ando when he speaks about himself or includes himself in the group, he uses ore-tachi), or atashi (a more soft, feminine version of watashi). In this way, it's still mysterious who the speaker may be.
- That being said, a face hidden by dark hair (implied longer length), slender arm and golden nails hints at a stereotypically feminine body shape.
- More on Japanese pronouns! https://en.wikipedia.org/wiki/Japanese_pronouns
- Some background: Japanese culture is highly influenced with the idea of relationships, social circles and power plays. The language itself reflects this, allowing the speaker and listener to establish who they are status wise in relation to each other and what action is going on between them immediately through the use of certain words in the language.
- NGL, I feel like Joy's appearance is related to this, somehow - maybe a reincarnation thing, given all her powers? (Hunch)
- Hey. Hey guys. Guys:
- If you put
- black pupils
- over gold irises
- it kind of looks like the corona of an eclipse
- I'll let you guess how the man responded when I paged him that
- Izanami, is that you??
- For elaboration, as pointed out to me by Elaine, in Japanese myth, Izanagi, creator of heaven and all of Japan, gave birth to the sun from his left eye and the moon from his right. Furthermore, much of the context of this scene potentially echoes the part of the creation myth where Izanagi delves into Yomi in search of Izanami. We may be seeing the people this myth is based on - the actual Izanagi and Izanami.
- And if the above is true WHAT THE FUCK IS EVEN HAPPENING ANYMORE?!
- For elaboration, as pointed out to me by Elaine, in Japanese myth, Izanagi, creator of heaven and all of Japan, gave birth to the sun from his left eye and the moon from his right. Furthermore, much of the context of this scene potentially echoes the part of the creation myth where Izanagi delves into Yomi in search of Izanami. We may be seeing the people this myth is based on - the actual Izanagi and Izanami.
The Ordinary World/Monochrome Delirious
- I told you guys Monochrome Delirious wasn't just bullshit!!!
- This one appears to be the Flood timeline, but Cardinal pointed out that at the time Odessa went through this experience, the Flood had not yet been averted in our canon timeline
-
- Which raises the question: If it wasn't a sideways look, was it a look to the future?
-
- This one appears to be the Flood timeline, but Cardinal pointed out that at the time Odessa went through this experience, the Flood had not yet been averted in our canon timeline
- The Ordinary World features a brunette Odessa who's received a gunshot wound to the shoulder; in her opium haze technicolor nightmare, Odessa is shot in the shoulder by Mitchell
- Ordinary World appears to be the theme song for the Virus future, if we are to believe recent mash-ups in Manny's radio broadcasts. Wasn't Odessa rather intimately involved in triggering this timeline?
- Odessa is kind of the foster mother of the ultimate form of the Advent Virus in that timeline, yes
- This being the Virus timeline is further supported by the depiction of Odessa shooting up with Adynomine, presumably to keep her ability at bay and keep her from contracting the virus herself
- My current pet theory is that Odessa's ability being scrambled means she is somehow able to see/sync up with her alternate selves. In Monochrome Delirious, Odessa had been on a frightening combination of morphine, Amphodynamine, a recursive feedback loop of augmentation from both Peter and Gillian, followed up by opium. For The Ordinary World, Odessa was recovering from the effects of the excess radiation that caused Darren Stevens' ability to go haywire, thus restoring hers and causing her to take his as well. In short, her ability is currently jacked, and I suspect this may be causing her consciousness to slip sideways when she's sleeping or in some kind of drug induced haze
- I fully expect this theory to be debunked in short order, as I suspect we'll see other people have glimpses of their alternate selves, but until that time, I don't think this is the worst notion
Breathe in the Air
- This one clearly takes place in the Virus timeline, and seems to pick up very shortly after The Ordinary World
- The scene is set to Breathe (In the Air), which is a track from Pink Floyd's Dark Side of the Moon
- Edward sent Odessa off to die - for what reason? We aren't 100% certain
- Per Manhattan, Edward would use his ability to calculate the probability of him being infected, and Odessa wasn't dosing with her Adynomine regularly. If she was a contagion risk, that might have been enough reason to have her eliminated
- Who is in the photo that Odessa recognizes as her family?
- In our timeline, Odessa has nothing that would even remotely be construed as a family. She wouldn't even consider her deceased parents to be her family, as she never knew them
Eyes of Sun and Moon, II
- So. That happened. Let's start with some translations, shall we?
- No. Ella está aquí conmigo.
- No. She is here with me.
- Ha… Ha sucedido de nuevo. No… No podemos mantenerlos juntos.
- It… It has happened again. No… We cannot keep them together.
- Arthur, no podemos.
- Arthur, we cannot.
- Ellos necesitan estar separados.
- They need to be separated.
- Dejame quedarme con ella!
- Let me stay with her!
- It seems the girl at the table doesn't understand what's being said by her "mother," and only truly clues in to what's happening when her "brother" starts to panic
- Clearcut, the main said - trying to get to the phone. Some kind of trigger word or alarm?
- This one is also set to Pink Floyd, this one Eclipse, which we've seen in Broadcasts: Radio, and it also seemed to be tied to a… clearly sinister presence, which I think this counts as
- Calling this one "Corona's" theme
- The shelves were thrown over, metal frames knocked into each other making a slanted "A" shape.
- Manhattan's current comtitle as of this writing is Aftermath> and we don't think it's a coincidence
- Also the synopsis for this one is "It's happening again" and I can't decide if that's referencing me (the title of this theory page) referencing Twin Peaks or skipping the middleman and just referencing Twin Peaks - ijs
- We know that this new volume is going to involve some things brought in from Heroes: Reborn — Kravid, for one. These twins seem to be somehow involved with Arthur Petrelli, and have to be 'separated' for some power-related reason. Could these be our version of Malina and Tommy?
- This scene connects with the opening of puᴉW ǝɥʇ ɟo sǝssǝɔǝɹ ʞɹɐp ǝɥʇ uI
It's Going to Get Weird
- No shit Okay, so this is probably Varlane, and also our timeline, given LeMay's conversation with Erica referencing the recently announced relocation efforts and such
- It appears like Pete straight up reconstituted the dead Magnes… clone? Via a piece of his brain, it seems like. I posit it's the amygdala, or the hippocampus, as those are parts of the limbic system that are responsible for memory
- Alternatively, I can make a great case for the pituitary gland, given its function
- LeMay says they need to "make sure the research wasn't lost," which leads me to believe there is something in Magnes'/Varlane's head that's important to the Institute, but I could be misreading the correlation here
Pythagorean
- H'okay, so in this log Bright Future Pinehearst is "5 years" (give or take) from completing the Looking Glass as of 2012. Sooo what happens if their Looking Glass and Prime's Looking Glass are active at the same time? Do we all explode? Does Des explode? Or will we link the two realities? Or MANY realities?
- Also, Goodman, you are kinda up yourself.
Kensei And The Princess
- SO IN THIS LOG. Yaeko is Joy. Joy is prime candidate for Corona. In A Celebration of History - Gallery Kam said the Stella whisper that Monica got when all those were going down. SO if Joy is Corona and Kam is Stella…
- What does this mean for Yamagato and whateverrrr Adam is doing. We know Joy is with Adam (in some capacity), and Kimiko has Kam. Are Corona and Stella rivals? Do they just happen to be working at cross purposes? Are they working at cross purposes at all??
- Do we believe that it's chance that Kam's vision was of Yaeko? (Answer: WE DO NOT) (WE MAY JUST BE ME) Perhaps these two are connected in some fashion. We shall have to watch Kam's power usage caaarefully in the future.
Gold Dust Woman
- Eve appears to have found herself in the middle of a battlefield. Judging from the uniforms and the flags, this is war. One of these flags depicts a red bird.
- Cardinal? Too obvious?
- The log states 'If she didn't know better, she'd say it was a cardinal.' This can either directly point to Richard, suggest that it's an alternate-Cardinal, or someone inspired by him? Seems awfully on the nose for a red herring.
- There's a vortex overhead that eventually creates enough force to lift corpses from the ground.
- Mateo's ability? Magnes? Lifted from one of these two by a mimic? Something else entirely?
- Four horsemen leading their own cavalry, dressed in as yet unseen FRONTLINE armor, carrying a banner of a wolf and raven.
- The armor in question has been confirmed to be that of the Four Horsemen.
- Eve sees a child with orange hair amid the chaos.
- Who is she?
- Maybe Odette Lang?
- Where and when is this?
- I'm not even sure what the giant bird and the metal skull are metaphors for, y'all.
- Who is the old friend crying mournfully?
- The voice, accompanied by the gold eyes, suggests Corona. We then see the symbol for Gemini.
- This symbol appears in the waking world. (The Apple)
- SO MANY BODIES!! ohai adam
- This world doesn't belong to them, it belongs to us.
- "The Resurrection is upon us." Corona?
What Am I Looking At?
- We have some idea now.
That Wasn't A B-Movie
- Theory: The Company was using children as a sort of holding cell for Corona. First with Kam, then with a new blonde baby as seen here. Through channel chatter we think the baby could have been Niki and the fallout from this ritual event thing was that her personality split and Jessica got the Mark/Tattoo symbol as a result.
- I think what we're seeing is an attempt to transfer Corona from one vessel to another and everything going so wrong.
- This might also by why Kam seems to be our Stella voice and displays weird powers herself.
- Who is this redheaded teen with rainbow amplification powers???
- Nana what are you DOING??? WHAT IN THE WORLD??? WHY???
- Manhattan said, upon inquiry, that the Company people had fashion/hair from the late-70s/early 80s. This leads me to believe that it is maybe 1980 at the latest, since there is NO WAY a bunch of rich peeps would be in last decade's fashion any later than that.
Dates
January 16
- Significant events on this date:
April 8
- Born on this date:
- Odessa Price (1984? 2009?)
- Kara Price (1984)
- Rianna Cardinal (1984)
- Charles Sharrow (1929)
- Stephen Verse (1976)
- General Sebastian Autumn (1962)
- Billy Timm
- Kwasi Abrafo
- Gael Cruz
- Vincent Murdoch
- There is something about characters being born on this date. What it means? I don't know. But it's a real blue rose to me.
- Significant Events on this date:
- Significant Locations
- floyd-bennet-airfield re-founded.
June 16
- Born on this date:
- Richard Cardinal / Ray - 1982
- Significant events on this date:
- The 'overlay incident' when the Looking Glass was activated. - 1982
November 8
- Significant events on this date:
Comtitles
These wizards are killing us softly with their song and comtitles with hints of What Is To Come. Or possibly What Has Been. Or maybe… waugh, I'm getting a headache.
Manhattan Is Full of Shit
Unity Park is closed on weekends
- …And holidays, apparently (Queens)
- Unity Park is seen in A Sound of Thunder (The Road to Hell)
La Mer
- Referencing The Flood Future
- This song has many recurring appearances, most recently in (The Chicken and the Egg)
- Was heard during Ouroborus when the Mallet Device showed them a view of the Flood Future. Having a multiverse moment where we got to see a supposedly avoided future happening parallel to this one.
- Has also been heard on the broadcasts that Manny tossed onto SCANNER.
- Was also heard when Aric died when they were trying to use him to power the Mallett Device instead of Elle. (The Transition Part II)
The Past is Prologue
- Conclusion of Ouroboros
The Way Back is Closed
- Perhaps things have been changed too much and the time travelers can't return to their own time
- A song composed by Else and Julie (Duet)
ziuR
- This is Ruiz not just spelled backward, but mirrored. Whyyyy?
- Perhaps because his scenes were - mostly - played back to front?
- But more likely, my money's on mirror dimension/parallel timeline
Othello
- Now you're just being an asshole (Hunch)
Three Mothers/Three Witches
- What.
Eclipse
- Okay but like that's thematic so I don't know what you even—
- I mean, this happened
Are you dead, mister?
- Not yet, but give it time
- Human, All Too Human???
The missing vials
- The formula? (Hunch, Citation Needed)
- Advent Virus? (Hunch, based on events in Risk vs Reward)
Latest Manhattan Comtitles
- Kravid escaped.
- FFFFFfff - http://heroes.wikia.com/wiki/Erica_Kravid
- This has repeated. Worryingly. Do we think that this means Kravid escaped from Adam? She was part of Institute San Fran, right? Or am I confused? There was that radio broadcast that (seems like) Adam might be picking off the leftovers from the Institute.
- Wolves in the Bunker
- According to broadcasts, "Wolfhound" is a paramilitary group supposedly reporting to SESA, of which Cat Chesterfield is on the board. Strike teams called Wendigo. But could also be locally known as the Wolves?
- We have a breach in the disposal room.
- For the nothingness wants to devour everything. Its creator most of all.
- Welcome to Yamagato Industries Civic Park
- Bookends
- Where is Joy?
- The Tale of Samson and Delilah
- Sharrow's Shadow
- Sharrow is an associate of Kazimir Volken (A Legacy That Lasts)
- She Had Two Daughters
- The Sun and the Moon
- Who Could Never Meet
- Until The End
- When Her Children Wandered Too Far
- They Became Lost Forever
- Until Sun and Moon Find One Another Again
- And Wake Their Mother From Her Sleep
- Sun and Moon meeting is an eclipse (thank you, Huruma)
- Is it possible that we're looking at Adam and Joy needing to meet up? Just a weird thought, that they might be needing to go find the "god/dess" who was part of the Eyes of Sun and Moon
- The Garden of Forking Paths
- I got this one: The Garden of Forking Paths is one of the stories contained in Ficciones, which is now in Odessa's possession
- What About Pete?
- Petrelli??
- Varlane?
- Penny For Your Thoughts
- There's this? What the hell, Manny.
- The Other LeRoux
- Sarisa Kershner was born Sarisa Marlene LeRoux?
- This time, baby, I'll be bulletproof. o/‘
- Adam’s Strain
- How long did it take for ninety percent of the world to die?
- Gotta say, this one still really worries me, guys.
- Oh, duh, Virus future. Thanks Odessa. XD (I'm no less worried.)
- Less than five years.
- Yamagato District is Open to the Public two days per week.
- The Void Hungers For Its Creator, Most Of All.
- There's been some chatter about Ruiz and his ability and it's relationship to black holes?
- And/Or! Magnes/Liz's situation??
- What is Redhouse Painting?
- Thomas Redhouse is a precognitive painter.
- There is a painting of a brain in a jar in Arkfall, Part V labeled B037 — Thomas Redhouse. There is also the Shooting Star painting by Thomas Redhouse as well.
- Thomas Redhouse is a precognitive painter.
- Agent James Woods, UEO
- James Woods is a character, it seems.
- Dead is Dead.
- Is it, though?
- (static) ( szzkt) (can anyone hear me?) (is this thing on?) (we received your message) (szzkt) (What is Project Icarus? Who is Adam Monroe?) (over) (static)
- String of special characters that went along with the above: %#^?+~{##}%&@$+^%.
- So just because…. 536?+~{33}5724+65….. This has similarities to the coordinates used before, but…
- Ya'll don't quit the game, Dickie. The game quits you. An' from where ah'm sittin'? It looks like the game jus' got started. So you go'n take yer retirement. You put it under her pillow. An' ah'll be here jus' waitin'. For th' day ya'll come back around. Because if this here game's taught me anythin', Dickie. It's that it all comes back around in the end. "Hello? Yeah, he jus' left. You want me t'have him followed? A'ight. Whatever y'say Mr. Petrelli.
- K-Kain? Is that you?
- Only one other person butchers the English language quite so beautifully, and that is definitely not Kaydence up there
- K-Kain? Is that you?
- Project Eclipse
- String-Theory is so fucking BACK.
- SESA is protecting
- Report Anti-SLC-E crimes to your local SESA agent
- Your local SESA agent serves the community
- SESA-NY's Offices are located at 137 Yamagoto Park and are open from 8am to 4pm
- SESA is letting the Evos steal our world! Pure Earth! Pure Earth!
- Yamagoto Park Security is authorized to use lethal force on trespassers
- Negoxan causes cancer! You have to take it off the market!
- There are no lions in the Manhattan Exclusion Zone
- I'm guessing there's been a nuclear explosion or meltdown in Manhattan, I'm assuming, that will leave an uninhabitable area like the Chernobyl Exclusion Zone? And I'm sure that Lions are referring to CatBots.
- Yes there are! I saw a whole pride!
- "This is Strike Team Wendigo {static}
- we've breached the safe house. Going in hot."
- Wendigo-1 this is Wolfhound Command. We read you. Light those fuckers up. {fzzt}
- Wendigo-1 we're patching you through to civil defense for clearance to land. I'll let them know we took LeMay alive. {crack}
- {Hide and Seek} {*}*{***<
- {There's Nowhere to Run} {kzzzt}
- {Hide and Seek} {crackle}
- {They're Coming For You} {ksssst}
- {static}
- These are lyrics from one of the Else Kjelstrom songs Quinn recovered from the Arcology - specifically, "Execute".
- Excess Manifests>
- Learn to Survive
- Reference to The Ordinary World by Duran Duran
- {Listen to the Sounds}
- This appears again, later! See below!
- No Apologies
- It Won't Give Up It Wants Me Dead
- Goddamn This Voice Inside My Head
- Lyrics from The Becoming by NIN
- This appeared in a radio broadcast that depicted Monica getting her replacement arm. It was not a pleasant experience.
- Lyrics from The Becoming by NIN
- Goddamn This Voice Inside My Head
- WSZR 1510
- Local radio station in New York
- "This is Station WRAY, the Ray, shining a light in these troubled times from the heartlands of America all the way to that bruised Big Apple…"
- 2112
- Stylized as above. Perhaps significant?
- Several points here:
- 1) Could be a date. (Because damn it, I'm always pointing that out.)
- 2) Rush's album of the same name: Recorded in FEBURARY 1976, Released APRIL 1976. Side one of the album is occupied by the 20-minute futuristic science fiction song "2112". The seven-part track is based on a story by Peart, the band's primarily lyricist, who credits "the genius of Ayn Rand" in the album's liner notes. Rand, a Russian-born, Jewish-American novelist and inventor of the philosophy of objectivism, wrote the 1937 dystopian fictional novella Anthem, the plot of which bears several similarities to "2112," and all members read the book. "2112" tells a story set in the city of Megadon in the year 2112, "where individualism and creativity are outlawed with the population controlled by a cabal of malevolent Priests who reside in the Temples of Syrinx". A galaxy-wide war resulted in the planets forcefully joining the Solar Federation (symbolized by the "Red Star"). By 2112, the world is controlled by the priests who take orders from giant banks of computers inside the temple. Music is unknown in the world absent of creativity and individuality, but in "Discovery", a nameless man finds a beaten guitar inside a cave and rediscovers the lost art of music. In "Presentation", the man brings the guitar to the priests at the temple, who say, "yes, we know, it's nothing new; it's just a waste of time," and then proceed angrily to destroy it and banish him. Next, in "Oracle: The Dream", the man dreams of a new planet, established at the same time of the Solar Federation, where creative people live. He awakens, depressed that music is part of such a civilization and that he can never be part of it, and commits suicide, in "Soliloquy", originally titled "Soliloquy of the Soul". Another planetary war begins in "Grand Finale", originally named "Denouement", resulting in the ambiguous spoken ending: "Attention all planets of the Solar Federation: We have assumed control". Peart described the ending as a "double surprise … a real Hitchcock killer". (per Wikipedia).
- 3) Lyrics really should be read thoroughly. 2112
- Okay, but also it's the number of the room Peter was brought to after Odessa fucking skewered him in the Bright Timeline. (The Road to Hell)
- 81707
- Have Faith, He Will Return>
- Thanks to the recent broadcast and Odessa's theorizing, we can assume this is our good friend Kazi. Kazimataz. Kazimoto. Kazidocious. You know the dude.
- Have Faith, He Will Return>
- You are the ones i am searching for>
- This appeared in all black, save for TWO YELLOW EYES — I mean Is.
- You are the ones i am searching for>
- And then I did a thing on Spoilers channel and I apologize in advance for turning the Manny-cogs.
- The Japanese is a translation of Manny's comtitle, with a nod to the flavors of the text from Eyes of Sun and Moon and recent Radio broadcasts, taken as if the one saying "You are the ones i am searching for" is the Unknown entity
- This appeared in all black, save for TWO YELLOW EYES — I mean Is.
Luther Stagewhisper @ Manny. anata wo sagashiteiru
You are the ones i am searching for> Manhattan says, "that--"
You are the ones i am searching for> Manhattan says, "christ"
You are the ones i am searching for> Manhattan says, "it has two i's"
41911 Odessa says, "It sure does."
41911 Odessa says, "Luther with the assist."
Miles Behind Us> Chess says, "an eye for an eye"
You are the ones i am searching for> Manhattan says, "wow luther"
You are the ones i am searching for> Manhattan says, "wow luther wow"
- {Listen to the Sounds}
- Magnes was saying that he thinks the sounds we see in the curly brackets are significant, and I agree (Broadcasts: Radio)
- This comtitle has appeared before, too. So apparently we REALLY need to listen to the sounds.
- Aftermath>
- I suspect this styling is important
- {ERROR} {ERROR}
- TIMELINE NOT FOUND {ERROR} {ERROR}
- *pop*
- If that's not a reference to Odessa with Darren's ability (especially because I'd just posed on channel watching green sparks on the tips of my fingers) I will be shocked
- .
- That's it. That's the title.
- my baby
- please
- she's not healthy
- she needs a doctor
- ;_; These and the . were all stylized in black to make them invisible on the (majority of) MUX client screens
- Aftermath>
- I'm Still Here> (on Peter)
- Spoilers> I'm Still Here> Peter has joined this channel.
- Spoilers> Laissez-moi entrer… Odessa says, "Dead but never gone, Peter?"
- Spoilers> I'm Still Here> Peter says, "To weep is to make less the depth of grief."
- So, that's Shakespeare. And I know someone else who was quite fond of quoting his works…
What? Manhattan has joined this channel.
Nothing to see here. Manhattan says, “this weather we're having”
Just ordinary weather. Manhattan says, “whew”
Shia Surprise! Hudson says, “Cloudy with a chance of mavs over there, 'Hatts?”
Nothing happened. Manhattan says, “nope”
Who's Brooklyn that sounds made up?? Manhattan says, “nothing to mav”
Remain calm. Manhattan says, “yep”
The scalpel is your friend. Manhattan says, “just lie still.”
I just work here Brooklyn :)
Shia Surprise! Hudson says, “Wow.”
You are bettering humanity. Manhattan says, “wow is right”
Pain is a key part of transformation. Manhattan 8)
Embrace Transformation. Manhattan >_>
Misty Knight Rider> Monica says, “Listen”
Misty Knight Rider> Monica says, “I'm feeling called out, manny”
Misty Knight Rider> Monica hands on hips.
You are the next generation. Manhattan says, “yeah”
You are Human. Manhattan says, “it's a call out day”
Blonde Attack Dog, Kaylee says, “"Run Monica. Hide.”
Contrast of the Light… Robyn says, “Theyre coming for you next”
Human is First. Manhattan says, “you can't hide.”
Misty Knight Rider> Monica says, “Fffffffff”
Human is Forever. Brooklyn says, "you're scaring them"
{machine screech}
Manhattan says, “only a little”
- ALRIGHT WELL I am going out there and saying this is related to our new friend Oscar and his ideas of negating the Evolved populous. He's got some interesting familial connections and while the Arrowood/Astrid/Rex brigade seem quite entertaining so far, I'm not sure we've really seen the depths they're gonna sink to. Not to mention there's SESA connections and all that that implies. Could be our Oscar's ideas of medical negation is only the opening move toward grooming the population into being okay with the idea of removing SLC-Expressiveness altogether and making everyone non-expressive.
- Is that a stretch? IS ANYTHING???
- Once everyone is special, no one is.
Queens Is Now In On the Action
- Never Forward
- Never Back
- Had to save her
- A glorified garbage man
- Beware the yellow seals
- Tiger! Tiger!
- The Visitor
- This is a short story in The Illustrated Man, which Ruiz had a copy of.
- The Long Rain
- This is ALSO a short story in The Illustrated Man.
- El Jardin de senderos que se bifurcan
- —the repeated scenario of killing the red king concealed within a maze (a chessboard)
- Friend or enemy?
- In a guessing game to which the answer is chess, which word is the only one prohibited?
- Chess
- Also this is a Borges quote, this one from "The Garden of Forking Paths."
- I'm in hell, I'm dead.
- I've gone mad.
- That's okay. So have I.
- 607
- Sneaky Queens Person. 607
- I promise you the labyrinth made of the single straight line which is invisible and everlasting
- A line from Borges again. This quote starts with, "I know of a Greek Labyrinth which is a single straight line…the next time I kill you…
- The first letter of the Name has been spoken.
- A line from 'Death and the Compass' by Jorge Luis Borges. A kabbalah scholar is murdered, and this is the note that was left on him.
- Ab aeterno
- This is the title of the ninth episode of Lost. From the wikipedia page: The title is Latin for "from eternity", a phrase used to mean "since the beginning" or "for long ages" (very loosely translated as "your life now will be either heaven or hell throughout eternity").
- I catch it in my weakening hand
- The best place to hide a leaf is in a forest
- Possibly something to do with hiding in the relocation sites?
- Hiding in plain sight, for sure
- Possibly something to do with hiding in the relocation sites?
- El Umbral
- Translates to threshold. Also for gamers… in WoD the Umbra is the shadow world of the Garou, right?
- That is correct! A place where the spiritual was made manifest and often reflected or echoed the 'real' world. These used to be together, but were torn into two different worlds due to Shenanigans. (At least in oWoD, don't as me about nWoD werewolf)
- Translates to threshold. Also for gamers… in WoD the Umbra is the shadow world of the Garou, right?
- La Brujula
- Brujula translates to compass.
- El Aleph
- From wikipedia: "The Aleph and Other Stories (Spanish: El Aleph, 1949) is a book of short stories by Argentine writer Jorge Luis Borges. The title work, "The Aleph", describes a point in space that contains all other spaces at once. The work also presents the idea of infinite time."
- The Aleph — full text of story
- What happens when Point A has no Point B?
- Odessa knows what happens
- You don't want to find out.
- Correct
- The whole world inhaled at once.
- What the hell are they wearing?
- I tore another picture from the wall
- Es mi corazón
- My heart?
- She/He/It is my heart. Without context, we don't know who/what.
- El milagro secreto
- The Secret Miracle — another Borges reference.
- Everything And Nothing
- Obolus
- This is the name of a silver coin in ancient greece times. Smaller than a drachma.
- Classical Greek funerary rites involved the placement of an obol in the mouth of the corpse, so that the deceased could pay the Ferryman (Charon) to cross the Styx into the afterlife; those without the fee are trapped as shades or ghosts on the wrong side of the river until a passer-by or the Ferryman can be induced to take pity and help them
- Obolus is specifically the Latin form of the word (Greek would terminate in -os). It is (according to Wikipedia) employed by Jorge Luis Borges in the story "The Theologians", as the term for an identifying symbol for a faction of heretics. The story deals with concepts of time as a circle; eternity; and transmigration of the soul from one body to another. It hinges on a mistranslation of a passage in the Gospel of Luke: "no one will be released from prison until he has paid the last obolus" (actually lepton in the original).
- Also, in german, it is a small donation.
- Public> Corrupt Sinnamon Roll, Queens says, "just don't forget your obol."
- Public> Corrupt Sinnamon Roll, Queens says, "gotta pay the ferryman or wander forever"
- A certain NPC of Queens' has been known to wander from reality to reality. JUST SAYIN'
- This is the name of a silver coin in ancient greece times. Smaller than a drachma.
- Two pence
- The Red Forest
- The Red Forest is, according to Wikipedia, "the 10-square-kilometre (4 sq mi) area surrounding the Chernobyl Nuclear Power Plant within the Exclusion Zone located in Polesia."
- Should cross-pollination of science fiction stories be permitted, then the television adaptation of 12 Monkeys increasingly heavily features a red forest as a key symbol / apparent nexus of possibility in the context of time-travellers attempting to change futures. (You are walking through a red forest and the grass is tall. It’s just rained. Most of the blood has washed away…)
- Most of the blood is washed away is now listed as the title of the last scene in Besieged
- Queens pages: and yes you caught me i am totally stealing things from 12 Monkeys. Much the same way Manny borrows from LOST. Only less people have watched it. lol
- All numbers like the following have been confirmed by Queens to be intended as dates.
- 41911
- Going off of Jaiden's theory about genes, I found this. It has something to do with a fruit fly?
- In researching my fly stuff for 31110, I decided to also look this one up in the same way that I did mine. According to this, there are 8 biological functions that this gene is known for in house/fruit flies: germ-line stem cell population maintenance, germarium-derived female germ-line cyst formation, larval somatic muscle development, mitotic G2 DNA damage checkpoint, neuromuscular junction development, oogenesis, positive regulation of transcription, DNA-templated, and regulation of endocytosis. The gene is oddly named "non-specific lethal 1".
- Queens just set this as a comtitle for Odessa, so I'm going to say this has significance to her
- 22976
- This one is homo sapiens?
- Another gene heavily related to cancer and mutation, probably something else a part of my Suresh Linkage Complex theory: "This gene is a member of the paired box (PAX) gene family and encodes a nuclear protein with six BRCT (breast cancer carboxy-terminal) domains. This protein plays a critical role in maintaining genome stability, condensation of chromatin and progression through mitosis. Protein-affecting variants have also been implicated in Alzheimer's disease."
- According to his background, Broome participated in the first complete genome sequencing of the RNA virus Bacteriophage MS2 in 1976.
- Luis left France to go to UC Berkeley for postdoctoral studies.
- 2-29-1976 - Ja Rule's birthday?
- Not just Ja Rule's… Mateo
- 51711
- Another homo sapiens one.
- There is something of definite note here. First, why was this specific gene entry discontinued in 2005? Why would they give us an outdated and discontinued gene entry? This is something I still can't quite seem to make sense of. However, ZNF325 was a "zinc finger protein". Meaning, it's yet another piece of the puzzle in creating what I believe to be the Suresh Linkage Complex: "In spite of the large variety of these proteins, however, the vast majority typically function as interaction modules that bind DNA, RNA, proteins, or other small, useful molecules, and variations in structure serve primarily to alter the binding specificity of a particular protein.". I highly recommend reading up on zinc fingers.
- Additionally, while yes, ZNF325 was replaced by ZNF12 for some reason, while looking up ZNF12 I found ZNF325 referenced in a genes wiki. Also note that I think this is rather important: "Gene type: protein coding"
- 5-17-11 Current events: Breaking News Death Toll Rising - Evo flu strain H5N10 gets into New York City
- May 2011 Current events: Evo Prison May 2011 - Another holding facility in Delaware?
- 11811
- And this one is for a house mouse?
- Or, is this 11-8-11, which was kind of day. I mean, some stuff happened.
- 36.2321S
- 66.9405W
- This and the line above it lead to Santa Isabel, Argentina.
- Ruiz's hometown? Ruiz bookend (In some reality? @.@)
- This and the line above it lead to Santa Isabel, Argentina.
- SESA serves you
- SESA thanks you for your application
- SESA is a waste of taxpayer money
- SESA is an entitlement
- I'm telling you
- {silence}
- Mi cielito,
- My little heaven,
- -ito/a and -cito/a are common suffixes added when you have a lot of affection for someone. It can literally mean 'my little heaven' in the sense that you would say 'this house is my little slice of heaven', but also a term of endearment for a loved one. Your friend Paco's Abuelita calls him Pacocito and her dog mi perrocito and it's really embarrassing and adorable. So if you call someone mi cielito you are calling them heaven but you're also telling them that the are important to you just by the construction of the word. That was a longwinded way to say that and you all probs already KNOW that but too late.
- That matches with what my understanding was. I figured it functioned much like ette in French. I honestly just decided 'little heaven' sounded cuter, tbh. (I have good, sound logic, obviously.)
- Mi sol,
- My sun,
- Mi vida,
- My life,
- Mi alma,
- My soul,
- Mi amada,
- My darling,
- Save the Firefly
- Related to Drowning In The Dark. Crazy Theory: I wonder if that's Gillian (in Eve's dream) amping someone like Ygraine (or Magnes himself???) to bring him & Liz back. I like the idea that the darkness is related to the black hole and then maybe the firefly is Liz, almost dying but coming back at the last minute.
- Wow. Well, if we presume that everything in ST focuses upon time… then the dilation effects of black holes could provide a fictionally-conceivable work-around: a few years of experience for us could be a mere moment for Liz on the event horizon. How you could find something for Ygraine (however amped she is) to actually latch onto with her power would be a major question: some sort of time-spanning clairvoyant whose perception can be shared (without melting the recipient's brain)? But we do already have a lot of evidence that perception and even transit between time streams is possible, so why not perception across this kind of barrier? And if Ygraine could somehow(!) reach into an event horizon with her ability, then she could feasibly free objects from it: the black hole's own gravity would be what moved things away from it. Not that any of this would be at all crazy to attempt, of course…
- You're up for a little experimentation, right?? What could possibly go wrong?
- Que desde el principio lo han traicionado,
- From the beginning they have betrayed him
- Que ha sido condenado a muerte,
- Who has been sentenced to death
- Porque ya lo daban por muerto
- Because they already considered him dead
- Where is Ruiz?
- Besides dead.
- That one hurt my soul a little bit, I'm not going to lie
- Watch the Lightning
- The pain of war cannot exceed the woe of aftermath
- If that's not a portend, I don't know what is
- Emptiness Manifest>
- Después de que el relámpago
- After the lightning
- A poem Ruiz wrote. Después de que el relámpago
- I'm looking for K-Mart
- K-Mart appears to be a (male) person in the Virus(?) future, according to one of Manny's Radio broadcasts. This would seem to be a Resident Evil reference, to boot (to a teenage girl in that setting) - which would fit with this being a zombified future.
- Silvia is definitely K-Mart! I have a hunch that Silvia is Queens, and due to additional hunches like all of these being in Queens' comtitle, and her telling me I should add this theory to the wiki, Silvia is K-Mart confirmed. Think about it, where do teenagers hang out? What is K-Mart in that reference? What is Silvia? TEENAGERS!!! Also Silvia Ruiz is mentioned at the bottom as being one of her comtitles.
-
- Nah, I don't buy it. K-Mart has already been mentioned in the radio broadcasts as a 'he'.
- "K-Mart's gonna be so fucking happy he might shit his pants" - he and his; one might be a typo, but two seems definite. Unless Silvia becomes Silvio, this would appear to confirm they're separate people.
-
- I don't care if they fell straight out'f yer ass!
- "Don't mind the bloody apocalypse zombies"
- "We may be well and truly fucked"
- #JusticeForJunko
- A reference to something in a certain someone's app, I'm pretty sure (Quinn)
- Time is Not a Line
- This has been a common reference in this game - I believe it was written on Mallett's door and seen by (our) Richard Cardinal
- Yes, and it's a quote from Edward Ray.
- Time is a Maze
- Because obviously
- Time is a-MAZE-ing, amirite?? 8D
- I… have no idea who you are.
- Why do I have the feeling this is something Ruiz is going to say to one of the people recognized by him ("him") at the Ark?
- I'm so glad this place has ramps!
- …Oh no. I know why this one is a thing. I am so, so sorry
- I GUESS WE ALL DO NOW ;-;
- …Oh no. I know why this one is a thing. I am so, so sorry
- Twisty Turny maze
- Beacuse this whole plot is twisty turny like a twisty turny thing
- Mi soledad se alegra con esa elegante esperanza.
- This is from The Library of Babel/La Biblioteca de Babel by, YOU GUESSED IT, Borges
- El viajero eterno
- The eternal traveler
- This is from the same story.
- Are you okay, Mala?
- Don't forget this one, it might be important in the future!
- BRB sobbing
- Ginnungagap
- https://i.imgur.com/57V3fFH.jpg How it originally appears, as a black comtitle.
- From Wikipedia: "Ginnungagap appears as the primordial void in the Norse creation account. The Gylfaginning states: Ginnungagap, the Yawning Void … which faced toward the northern quarter, became filled with heaviness, and masses of ice and rime, and from within, drizzling rain and gusts; but the southern part of the Yawning Void was lighted by those sparks and glowing masses which flew out of Múspellheim" and also "In the northern part of Ginnungagap lay the intense cold of Niflheim, and in the southern part lay the equally intense heat of Muspelheim. The cosmogonic process began when the effulgence of the two met in the middle of Ginnungagap."
- Hey, you know what else is Norse? Thor. You know what this Ginnungagap thing mentions? Sparks and glowing masses which flew out of Múspellheim.
- Watch that lightning, I suppose.
- >.>
- Addendum: https://curiosity.com/topics/there-might-be-a-universe-inside-every-black-hole-curiosity/
- Just reiterating — Queens confirmed these as dates.
- 11806
- I feel like something here might stand out to someone. There's a lot of interesting stuff on that page, and not all of it is nonsense science jargon.
- Could also just be a date — 11/8/06
- 31110
- According to this it serves a few functions in house/fruit flies. It seems to be primarily associated with three biological functions: regulation of circadian sleep/wake cycle, sleep, and protein homooligomerization. These are the primary functions that would make obvious sense other than molecular functions. It should also be noted that the gene is nicknamed "insomniac", which suggests that these are most likely its most notable functions. So, any theories about sleepy flies?
- See 41911 for more fly business.
- 3/11/10 is 607 days before 11/8/11.
- 13017
- My best guess? Looking at this, negation drugs perhaps? Why? Well, this is what a corepressor does.
- Jaiden provided a possibly better explanation. I may have misinterpreted corepressors. This might actually fit into the others, and thus enhance the Suresh Linkage Complex theory: Spoilers> CONFUSED BY METAPHORS!!! Jaiden says, "not exactly, Magnes. Genes are simply codes for protiens. They serve as instructions for the interconnecting puzzle pieces, like gears in a machine. Some gears are disconnected entirely, while others require five others in certain spots to be expressed before activating, or require a precise physical situation, i.e, pregnancy, to be turned 'off.'" Spoilers> CONFUSED BY METAPHORS!!! Jaiden says, "Yes, pregnancy and all of it's wonder are due to some genes being turned off."
- 11216
- I believe that this has something to do with the Suresh Linkage Complex, as it interacts with what seems to be an abnormally huge shitload of mutation causing proteins and enzymes. Any further information on the Suresh Linkage Complex would be appreciated for deeper research.
- 11/2/16 is 607 days after 3/6/15
- 3615
- Now we've gone from a thing that interacts with a shitload of mutation causing proteins and enzymes, to a thing that's like, "sure I'll glue all this DNA and RNA and shit together". Oh and by the way, Wikipedia says it might play a role in "malignant transformation", IE cancer. Perhaps "malignant transformation" is not the only kind of genetic mutation this plays a role in. Perhaps this is one of the genes involved in testing and detecting Evolved status in people? Either way, I heavily believe this to have something to do with the Suresh Linkage Complex.
- 3/6/15 is 607 days before 11/2/16
- 10413
- Another one linked to cancer in some way. Once again seeming to play some role in mutation. This one seems to primarily focus on some form of gene regulation. Though of note, from Wikipedia: "Heterozygous loss-of-function mutations in the YAP1 gene have been identified in two families with major eye malformations with or without extra-ocular features such as hearing loss, cleft lip, intellectual disability and renal disease. The YAP1 oncogene serves as a target for the development of new cancer drugs. Small compounds have been identified that disrupt the YAP1-TEAD complex or block the binding function of WW domains." I'm beginning to believe that these series of genes perhaps make up the Suresh Linkage Complex. I believe that they are the SLC.
- 11811
- Hello there, mysterious gene with mysterious functions that may or may not play a role in gene expression.
- "FUNCTION: Probable C to U editing enzyme whose physiological substrate is not yet known. Does not display detectable apoB mRNA editing. Has a low intrinsic cytidine deaminase activity. May play a role in the epigenetic regulation of gene expression through the process of active DNA demethylation."
- TISSUE SPECIFICITY: Expressed exclusively in heart and skeletal muscle.
- SIMILARITY: Belongs to the cytidine and deoxycytidylate deaminase family. Contains 1 CMP/dCMP-type deaminase domain.
- Hey! Fun fact about cytidine: "There are a variety of cytidine analogues with potentially useful pharmacology. For example, KP-1461 is an anti-HIV agent that works as a viral mutagen, and zebularine exists in E. coli and is being examined for chemotherapy. Low doses of azacitidine and its analog decitabine have shown results against cancer through epigenetic demethylation."
- Additional fun fact, regarding deoxycytidylate deaminase. I highly recommend reading this page, and checking the two major things it links to: https://en.wikipedia.org/wiki/DCMP_deaminase
- I believe that we have most certainly been given the Suresh Linkage Complex, or something very related to it. I may double check my fly stuff and the negation conclusion from earlier, to see if I can find anything that might further support this, now that I have full context.
- Could also just be a date.
- All of them could be!
- This is also a visual representation of the four major timelines tangled with our own around the infinite tangle of our primary timeline.
- Let's call it a Ranus hole!
- By lasers!
- We are NOT calling it that.
- Edward Ray: The Last Hope of Humanity!
- Eso está en los umbrales de lo imposible.
- That is on the threshold of the impossible.
- En los umbrales de la muerte.
- On the threshold of death.
- Silvia Ruiz.
- "If you die, I get your headphones."
- 76C7H245+4RQ
- 122717
- Well, given that she's confirmed they're all supposed to be dates… 12/27/17
- House Ruiz: "Someone In All Is Nothing In One"
- 41210
- Set as Silvia's comtitle by Queens
- 7713
- Set as Eve's comtitle by Queens
- 7/7/13 is 607 days after 11/8/11
- OTTERS DON'T DRINK>
- Always have a Point B>
- You do not want to know what happens if you do not
- Chopsticks o/~
- :|
- It's Looking Back
- Stylized in all black to make it invisible on the majority of MU* clients. Is it the abyss, I wonder?
- Can't You See It?
- NO QUEENS BECAUSE YOU PUT IT IN ALL BLACK ON A BLACK BACKGROUND, GOSH.
- Can't You Feel It?
- Can't You Hear It?
- It's Waiting. It Hungers.
- Well, that's reassuring.
- One Day It Will Swallow You Whole.
- Only Then Will It Stop.
- That sounds fake, but okay…
Ellis Has Joined In On This Shit
- SESA is watching
- Visit your local SESA office today
- SESA is the future
- Negation vaccinations cause autism
Now They're Just Messing With Us
Project Icarus
- Manhattan send a load of binary that translated into a website of dubious origins. (As mentioned in Places above, the San Francisco branch of The Commonwealth Institute is busy busy busy.)
- What Is Project Icarus? - A password protected website. Several different passwords appear to be needed to access the whole site. How many? Who knows! What are they? We may die before we find out all of them!
- Three passwords (if you don't have them and want them, contact Odessa/Niki or ask around. Plenty have them, but not posting in case people wanna work it out themselves still). First one on main page, one for Bulletins, one for Project Eclipse. There is also an email archive that has a link hidden in plain sight on one of the pages. (Again, ask around, not posting in case others want the fun of searching).
Safe Zone
- Possibly a reference to the Manhattan Exclusion Zone? (Fly Blind)
- Related Comtitles:
- The Safe Zone Co-Op Has Opened
- Scheduled brownouts are essential for power conservation in the Safe Zone.
Chesterfield Act
- Can't be worse than the Linderman Act, right? (Hunch)
- You sure about that?
- Not really
- You sure about that?
Wolfhound
- Monica brought up Panzerhund on channel and Manhattan laughed so idekwtf
- Context suggests that it might be a unit that carries out operations similar to Mossad's nazi hunters after WW2. Going after Humanis? Or Evolved?
- Could be the Wolfhound group that has already been mentioned. Their units are called "Wendigo" and it's been suggested they report to SESA.
- Hana's new faction created from the remains of the Ferrymen?
Aftermath
- Because fuck you, that's why
Don't You Forget About Me
Queens was messing with comtitles again!! Below are examples of the comtitles, rather than a collection of conversation.
- Spoilers> Don't You Forget About Me, Delia says, "whaaaat?"
- Spoilers> Head Case> Kaylee laughs. "Oh no."
- Spoilers> Don't You Forget About Me, Delia ;_; please don't forget about me.
- Spoilers> As You Walk On By, Robyn says, "Oh no"
- Spoilers> Will You Call My Name, Ryans has joined this channel.
- Spoilers> Will You Recognize Me, Lucille has joined this channel.
- Spoilers> Forget About Me, Delia says, "AAAAAAAAAAHHHHH!!"
- Spoilers> Call My Name, Ryans says, "He probably is wondering just HOW MUCH was wiped."
- Spoilers> Walk On By, Robyn says, "The Doom D:"
- Spoilers> Don't, Ryans says, "I…."
- Spoilers> Fire, Chalk With Me> Hudson says, "…"
- Spoilers> Don't, Robyn says, "…"
- Spoilers> Don't, Delia says, "Don't stop belieeevin'"
- Spoilers> Fire, Chalk With Me> Hudson says, "It was nice knowin' y'all!"
- Spoilers> Don't, Delia says, "Hold on to that feeelin;"
- Spoilers> Don't, Robyn says, "Delia, trying to be positive"
- Spoilers> Don't, Robyn says, "This seems on brand"
- Spoilers> Don't, Ryans salutes you all. "Nice knowing you."
- Spoilers> Rain Keeps Falling, Lynette has joined this channel.
- Spoilers> Rain Keeps Falling, Lynette says, "ffs"
- Spoilers> Down, Down, Down, Nicole has joined this channel.
- Spoilers> Down, Down, Down, Nicole says, "God damn it."
Coded Messages
- Spoilers> tqbbtm twab zwks, Squeaks has joined this channel.
- little lost rock
- Spoilers> Jokingly, Eve says, "what in the world"
- Spoilers> twab ivl nwcvl, Squeaks says, "I'm not sure"
- lost and found
- Spoilers> Jokingly, Eve says, "o shit"
- Spoilers> Exploradora Emily says, "it, uh, changes"
- Spoilers> eqtt gwc nqvl um, Squeaks says, "like colors"
- will you find me
- Spoilers> zavvwf af s kzwdx, Squeaks has no idea, really
- hidden in a shelf
- Spoilers> zwdhzwdhzwdhzw--, Squeaks slow shrug
- helphelphelphe--
- Spoilers> Hidden Echoes> Squeaks says, "shame on you"
- Spoilers> Forget About Me> Delia says, "Don't don't don't don't, don't you~ Forget about me~"
- Spoilers> Don't> Robyn says, “I feel like I missed something”
- Spoilers> Tabula recta> Emily
- Spoilers> Jokingly, Eve says, "hm"
AHHH I GOT IT — Emily
Vigenère cipher
Key mode: repeat
Key: rock
- Spoilers> ZAVBRDROU> Squeaks
- imtrapped
- Spoilers> ZBRSVQGC> Squeaks
- inpieces
- Spoilers> TOPDWWPNDMYKPPCMB> Squeaks
- cantfindmywayback
- Spoilers> ECVKCCPO> Squeaks
- notalone
- Spoilers> KCQPRF> Squeaks
- toofar
- Spoilers> WWPNDS> Squeaks
- findme
- Spoilers> - …. .> Squeaks
- The
- Spoilers> -… - - -.- …>
- Books
key cryptography
- Spoilers> vyc xgy ykugz> Squeaks
- the ink stirs
- Spoilers> vyc xgy sfvtz> Squeaks
- the ink moves
Maybe related? The unknown log icon here translates to "help me save me make me whole"
Miscellany
Robyn's Ever Evolving Whiteboard of Insanity
- Current version here
Hudson's Random Questions
- Do Oreos still exist in the future?
- Because if they don't, I don't know what we're trying to save
- Why did I add Monochrome Delirious to the original theory page?
- Was it my totally valid theory about birds and Eileen?
- Or was it because the entire set was added to Woods' character page the day before?
- Why does a character who's been long dead suddenly need a character page anyway?
- And why are the only logs listed (beyond first and last appearance) for a set of scenes everyone laughed at me for seeing significance in?
- Why does a character who's been long dead suddenly need a character page anyway?
- So, what if the reason all the broadcasts have songs associated with them is because the flood crew is listening to records on a gramophone? Records screech. And pop. And hiss. Goddamn.
Elle Has Too Much Time On Her Hands
- The Garden of Forking Paths, because I figured I would offer up an easy reference to this shit, since they clearly want us to read it.
- But I don't have too much time on my hands to format it all pretty like.
Kaylee-Player Thoughts
- This devices whatever it is, seems to not be homing in on radio waves. At first, I wondered if it was someone who might have an ability… but… I’ve revised that to what I have below
- It is homing in on the electromagnetic waves that the brains produces. THE DEVICE IS GATHERING MEMORIES! The storm that keeps being referenced could be strengthening this device and making it reach further.
- The music is just a side effect, maybe these songs are playing nearby on a radio, which means we get to hear what they people are listening too, when they are remembering these memories. Doesn’t mean that the song is happening while the scene is going. (Odessa-player had a good thought that music is tied to memories sometimes)
- More importantly….. This device seems to be tuned into Odessa, especially. Odessa in turn seems to be connected through all space to all other versions of herself. She’s done a lot of time stuff lately and in the past who knows what doorways that opened to allow her to be linked to all her forms. Where she is dead, we have Joy (Who has a piece of Odessa within her (See my theory on Joy under her tab).
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- When one dies… that connection might be that green spark we saw in the one log.
- HOLY CRAP! WHAT IF IT IS TUNED INTO JOY… That she has not just abilities, but memories within her. If she has Odessa within her… then she is connected to Odessa/Joy's across timelines too! (My mind is blown) And she would be a strong source of electromagnetic energy.
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- A lot of the memories seem to stem from connections. Mainly, Vanguard connections are what I ended up focusing on. Whether from them, or through them. How many of them were touched by Kazmir. Physically? It would explain why Eileen’s telepathic message came through. Also how many people that were touched by Kazmir touched others, leaving little connections… IDK if that makes sense. Does in my head. Better theory now.. involves JOY!
- From the scene where Kaylee killed Eileen (sorry Eileen) it was mentioned there was something bigger going on. What if there is something of Kazmir in each Vanguard associate that in a way connects them. Which might explain why Eileen was able to try and take over Kaylee/Joseph’s son. A bit of Kazmir in all of them… He never truly dies. Kinda like a virus. The contagion is still there scattered. Seemed like whatever was in Eileen was going back to… something…. So… Kazmir might still be out there. A better theory came to mind… mainly based on Joy. Where is Joy in all of these mayhem!?!
- Where am I going with this?
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- This device seems to read brainwaves (electromagnetic) and connected to Odessa(somehow) OR the entity of Kazmir JOY.
- Odessa’s recent stuff has her ability all messed up. So, in theory, somehow she is connected to herself in all the timelines. She is now a window into each timeline, but the device is using her connections to the Vanguard or the Kazmir entity to show us their memories. NOt them.. JOY and Odessa are connecting through ODESSA's ability.
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- I’m still trying to connect the newest log… which seems to connect to all the radio broadcasts with the {}’s in it. But Odessa seems to be the key to the content.
- And is this new unknown(21) connected to the logs with the binary code in it, is it the same person. IDK…
Tinfoil
There may be no Pepe Silvia, but Magnes and Odessa might be siblings???
Timelines
Multiple timelines are evidenced to branch apart at points of altered or adjusted history. The exact point in time from which they have diverged appears to be unclear. Take for example the below:
Prime Timeline
The focus-timeline of the game, resulting from the choices made by player actions and time-travel interference.
Virus Timeline
- In this timeline the Vanguard succeeded in their 2009-set plan to unleash the Shanti-Rage virus. Presumably this course of actions was changed when Gabriel accidentally traveled to the future and saw the results of their actions and traveled back to change history.
- However, James Woods is alive in the virus timeline and he died prior to Gabriel's journey forward.
Bright Timeline
- In this timeline, Arthur Petrelli reveals he is alive and sets in motion a plan to destroy his enemies and take control of the United States. He is successful, turning the Pinehearst Corporation into a global superpower that is secretly the power behind many thrones.
- In 2019, Edward Ray orchestrates a plan to change these events and comes back in time to 2009 to subvert Arthur's ascension. Arthur and Future Edward are slain and the Prime Timeline continues on a course where Arthur never succeeded.
- However, Woods also appears to be alive in this timeline, as evidenced by "UEO Woods" (Unity Enforcement Officer) mentioned in a teaser radio broadcast. Woods presumably died in 2008 prior to Edward's journey back in time to change events.
- Further complicating matters, the destruction of the Mount Natazhat facility in 2011 appears to have resonated into the Bright Future, except the events at Mount Natazhat could not have happened without the death of Arthur Petrelli, meaning the lateral movement of the events could not have originally happened in the Bright Timeline the first time everyone traveled forward. What does this mean?
- Branching-branching timelines? The Mallett Device broke through timelines. This didn't happen in the first run of the Wasteland Future (I think? @.@), but only because Alt!Card came back to fuck around with stuff. So, as a result, all the other timelines have a version where Card never traveled back (I'll say 'First Run' although WHO REALLY KNOWS) and a version that split off when he did travel back (Alt-Bright, thanks Card). And Magnes' Black Hole event is a part of this new branch of the timeline. Alt-Bright, Alt-Virus, etc.
Wasteland Future
- In this timeline the Department of Evolved Affairs takes over the remnants of the United States after civil unrest and chaos leads to civil war and then ultimately World War III.
- Children from the future travel back in time with the help of Walter Trafford to prevent this disaster from ever occurring.
- Some events, however, appear to come full-circle.
Flood Timeline
- In this timeline the Vanguard detonates a massive nuclear bomb under Antarctica and presumably causes a global flood, wiping out much of civilization. The Vanguard presumable then was able to demolish the rest of society from their high-elevation fortresses and "restart" the world.
- Nearly nothing is known of this timeline. It was only viewed in dream-visions of Eve and those granted by the enigmatic prophet Usutu. (La Mer, La Mer, Part II, and La Mer, Part III.
- What if the version of flood we are going to is a completely different time stream that split in 1982. Why then? This is when the Looking Glass was fired up and punched a hole into another timeline. Just cause there was a split them, does not mean that major events wouldn't occur.
Sera Lang/Rianna Price/Kara Price
- Who's That Girl~
- No, really.
- She claims to have an ability to affect causality, allowing the "what" to happen without regard to the "why."
- Okay, so this is a question b/c my head can't keep it straight, but someone tell me: The pictures we see of Sera (ie, char page, icons, etc) is that what Odessa sees when she looks at her file or what Ray sees when he looks at it? And the ID we saw on the Looking Glass site, is that picture what Odessa sees or what Ray sees? And Luther, man, which one of those is the familiar face?? Don't make me shake you, Sera!!
- I CAN ANSWER THAT 8) — Sera's wiki page is agnostic to shenanigans. That is her actual face. Also what Ray sees when he looks at her photograph. No one but Des knows what Des sees. Luther also recognizes Sera as Rianna from 1984, sees the same thing as Ray. Basically Des is the only one who sees things differently.
- Okay! Thanks. So the question is: Sera Lang and Michelle LeRoux: who will Des see as what?? And how much do we trust the 1982 date when there are TIME TRAVEL SHENANIGANS? Is the Rianna name a giant red herring?
- These are my questions as well. (Thanks for the confirmation of what I thought to be true, 'Hatts, BTW. I appreciate it.) Kaylee needs to see the image of Colin Price and Des needs to see an image of Michelle LeRoux. We need to see what happens.
- Okay! Thanks. So the question is: Sera Lang and Michelle LeRoux: who will Des see as what?? And how much do we trust the 1982 date when there are TIME TRAVEL SHENANIGANS? Is the Rianna name a giant red herring?
- I CAN ANSWER THAT 8) — Sera's wiki page is agnostic to shenanigans. That is her actual face. Also what Ray sees when he looks at her photograph. No one but Des knows what Des sees. Luther also recognizes Sera as Rianna from 1984, sees the same thing as Ray. Basically Des is the only one who sees things differently.
- H'okay! I got some CHALK, People. So. We know that various super dead Vanguard people have been popping back up. And we know that Sera can completely ruin causality and have a thing happen without needing the how. So. What if Sera LANG is editing Vanguard people back into the world in service to Sharrow and his ideas of being prepared for Volken's return? What if she is a Sharrow plant in RayTech? To keep eyes on these peeps or maybe to eventually steal their research. I feel like there was a broadcast about Sharrow realizing that it wasn't evolved that were bad but evolved who didn't follow Volken (I am not fact-checking this, sry, I am busying chalking). We know that Ray wants his powers back, right? So what if Sharrow plans to steal whatever method Ray comes up with to do that in order to pull a Magneto circa X-Men movie 1 and turn everyone into evolved?